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Category Archives: Ghost Money
Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
After much thought I have decided that to experiment with moving the focus of my blogging from this site to a new Pulp Curry Substack newsletter.
Why am I doing this?
The first post on this website appeared on July 2010 (about the incredibly underrated 1979 Australian heist film, Money Movers – you can read the post here). I’ve been writing on the site with varying frequency ever since (579 posts in all), and for the most part have enjoyed it immensely.
But for the last 12 or so months I just haven’t been feeling it – or getting the hits to make it seem worthwhile – and have started to wonder whether it’s worth continuing with the effort. Posting on a website has been starting to feel like the equivalent of trying to read a broadsheet newspaper in a crowded tram carriage, unwieldy and inconvenient.
And, thinking about it, I suspect the blog format is starting to get a bit stale for me and is actually now a brake on my posting more regularly.
I know that I’m no Robinson Crusoe in this regard. The majority of the blogs I used to follow have gradually fallen by the wayside, as people have moved on, grown weary of the effort, found other interests, adopted other means to get their message out, or, in some cases (gulp), died.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, 1990s American crime films, Adrian McKinty, Albert Dekker, Andre De Toth, Angela Savage, Angie Dickinson, Anthony Zerbe, Asian noir, Australian crime fiction, Australian crime film, Australian noir, Australian popular culture, Australian pulp fiction, Australian television history, Ava Gardner, Beat culture, Belmont Tower Books, Ben Wheatley, Billie Whitelaw, Black pulp fiction, Blaxsploitation, Book cover design, Book Reviews, British crime cinema, British pulp fiction, Bryan Brown, Burt Lancaster, Carter Brown, Charles Durning, Charles Willeford, Chester Himes, Christopher G Moore, Christopher Lee, Cinema culture, Claude Atkins, Coronet Books, Crawford Productions, Crime Factory, Crime Factory Publications, Crime fiction, Crime fiction and film from Africa, Crime fiction and film from Cambodia, Crime fiction and film from China, Crime fiction and film from India, Crime fiction and film from Indonesia, Crime fiction and film from Japan, Crime fiction and film from Laos, Crime fiction and film from Latin and Central America, Crime fiction and film from Malaysia, Crime fiction and film from New Zealand, Crime fiction and film from Scandinavia, Crime fiction and film from Singapore, Crime fiction and film from South Korea, Crime fiction and film from Thailand, Crime fiction and film from the Philippines, Crime Fiction and film set in Vietnam, Crime film, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, David Goodis, David Peace, David Whish-Wilson, Derek Raymond, Diana Dors, Dirk Bogarde, Don Siegel, Don Winslow, Donald Westlake aka Richard Stark, Dystopian cinema, Ernest Borgnine, Eurocrime, Fawcett Gold Medal Books, Femme fatale, Fernando Di Leo, Filipino genre films, Film Noir, Forgotten Melbourne, French cinema, French crime fiction, Garry Disher, Gene Hackman, George V Higgins, Georges Simenon, Ghost Money, Giallo cinema, Gil Brewer, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Gloria Grahame, Gold Star Publications, Gregory Peck, Gunshine State, Heist films, Horror, Horwitz Publications, Humphrey Bogart, Ian Fleming, Interviews, Ira Levin, James Caan, James Crumley, James Ellroy, James Hadley Chase, James Woods, Jim Brown, Jim Thompson, Joel Edgerton, John Frankenheimer, Joseph Losey, Karen Black, Kerry Greenwood, Kinji Fukasaku, Larry Kent, Lee Marvin, Leigh Redhead, Lindy Cameron, M Emmet Walsh, Mad Max, Mafia, Malla Nunn, Martin Limon, Megan Abbott, Melbourne International Film Festival, Melbourne Writers Festival, Men's Adventure Magazines, Michael Caine, Michael Fassbender, Mickey Spillane, Monarch Books, Ned Kelly Awards, Neo Noir, New English Library, Newton Thornburg, Noir Con, Noir fiction, Non-crime reviews, Oren Moverman, Orphan Road, Ozsploitation, Pan Books, Parker, Paul Newman, Peter Boyle, Peter Strickland, Peter Yates, Poliziotteschi, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Qui Xiaolong, Raymond Chandler, Richard Burton, Richard Conte, Robert Aldrich, Robert Mitchum, Robert Ryan, Robert Stone, Rock Hudson, Roger Smith, Rollerball, Rosaleen Norton, Roy Scheider, Rural noir, Sam Levene, Sam Peckinpah, Samuel Fuller, Science fiction and fantasy, Scripts Publications, Sidney Lumet, Sidney Poitier, Simon Harvester, Snowtown, Snubnose Press, Spies, Stanley Baker, Sterling Hayden, Steve McQueen, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980, Stuart Rosenberg, Tandem Books, Tart noir, Tartan Noir, Ted Lewis, Toni Johnson Woods, True crime, Vicki Hendricks, Victor Mature, Vintage mug shots, Vintage pulp paperback covers, Wallace Stroby, War film, Westerns, William Friedkin, Woody Strode, Yakuza films, Yaphet Kotto
Ghost Money reading, Summer crime work shop & other end of year notices
I know I am not the only one who will be glad to wave goodbye to the end of a long year. Before I head off for a few weeks break, I just want to give you all a quick heads up about a few things that are happening, that you might like to check out.
First up, a big thanks to The Segilola Salami Podcast for having me on to read from my first novel, Ghost Money. Ghost Money originally came out in 2013 and it is still a book that is dear to my heart. The story takes place in Cambodia, 1996, just as the long-running Khmer Rouge insurgency is fragmenting and competing factions of the coalition government scrambling to gain the upper hand. Missing in the chaos is businessman Charles Avery. Hired to find him is Vietnamese Australian ex-cop Max Quinlan. Anyway you can hear me read a couple of chapters, talk about the origins of the book, and why I wrote it here.
If you like what you hear and want to pick up a copy of Ghost Money, you can do so via Amazon.
The good folks at Writers Victoria have asked me to run a day-long class for emerging authors on January 15.… Read more
Posted in Australian crime fiction, Australian pulp fiction, Ghost Money, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Gunshine State
Tagged Crime Time Podcast, Crime writing, Down and Out Books, Ghost Money, Girl Gangs Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture 1950 to 1980, Segilola Salami show, Writers Victoria
Ghost Money now available in paperback & other book related news
As we move with terrifying speed towards the end of 2015, I want to hit you all with a few pieces of book related news.
First up, Ghost Money, my crime novel set in nineties Cambodia is now available in hardback from the publisher, Crime Wave Press. A brand spanking new hard copy of the my novel, which is still getting good reviews, will set you back around $14 plus postage, give or take the exchange rate. I mean, really, as the Yuletide season approaches what better present could you give someone?
For those of you who may be new to this, here’s the pitch:
Cambodia, 1996, the long-running Khmer Rouge insurgency is fragmenting, competing factions of the coalition government scrambling to gain the upper hand. Missing in the chaos is businessman Charles Avery. Hired to find him is Vietnamese Australian ex-cop Max Quinlan.
But Avery has made dangerous enemies and Quinlan is not the only one looking. Teaming up with Heng Sarin, a local journalist, Quinlan’s search takes him from the freewheeling capital Phnom Penh to the battle scarred western borderlands. As the political temperature soars, he is slowly drawn into a mystery that plunges him into the heart of Cambodia’s bloody past.
Ghost Money is a crime novel about Cambodia in the mid-nineties, a broken country, what happens to those trapped between two periods of history, the choices they make, what they do to survive.… Read more
Ghost Money just 99 cents for 24 hours on June 30
I am a little brain dead tonight as a result of having spent a wonderful weekend in Adelaide as a guest of the South Australian Writers Centre inaugural Crimefest. I’ll be writing about this event more a little later in the week, when I’ve had some sleep.
For now, I just wanted to give readers a heads up that Crime Wave Press, the publisher of my crime novel set in 1990s Cambodia, Ghost Money, will be discounting the Kindle version of the book to 99 cents for 24 hours on June 30.
So, if you have not picked up a copy of the book yet, here is a chance to do so at very little cost.
Australian readers will be able to get the book here.
Those in the US and elsewhere, can do so here.
Ghost Money was first published in the US in 2012 and has recently been republished by the Hong Kong based Crime Wave Press.
Second time around the book is continuing to get good feedback from those who read it. The respected site, My Bookish Ways recently said of the Ghost Money that it ‘is highly recommended for old school and new school noir fans alike, especially for anyone looking for a change of locale.… Read more
Ghost Money redux
Okay, it’s official. Ghost Money, my crime novel set in 1990s Cambodia, now has a second life via the folks at Hong Kong based publisher, Crime Wave Press.
Ghost Money was originally published in the US in 2012, but, given the setting, I’m thrilled that it’s now in the hands of an Asian-based publisher. And feast your eyes on the wonderful cover the folks at Crime Wave Press have done.
You can pick up the Kindle version of Ghost Money here, with the dead tree book to follow in the near future.
Regular Pulp Curry readers may be familiar with Ghost Money. For those who have not heard of it or checked it out, the elevator pitch involves a missing Australian businessman, a Vietnamese Australian ex-cop with a history, a country still recovering from the trauma of the Khmer Rouge. As one of my favourite blurbs for the book goes: “Ghost Money could well be The Third Man of Asian Noir.”
The longer pitch is as follows:
Cambodia, 1996, the long-running Khmer Rouge insurgency is fragmenting, competing factions of the coalition government scrambling to gain the upper hand. Missing in the chaos is businessman Charles Avery. Hired to find him is Vietnamese Australian ex-cop Max Quinlan.… Read more