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- Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
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- Mackenna’s Gold (1969): Gold, Ghosts and Frontier Violence
- Orphan Road book launch
- Orphan Road now available
- Pre-orders open for my new novel, Orphan Road
- Cover reveal: Orphan Road, my follow up to Gunshine State
- Breakfast in the Ruins podcast: New English Library Bikermania
- Why 1973 was the year Sidney Lumet took on police corruption
- Men’s Adventure Quarterly: Gang Girls issue
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Category Archives: Garry Disher
Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
After much thought I have decided that to experiment with moving the focus of my blogging from this site to a new Pulp Curry Substack newsletter.
Why am I doing this?
The first post on this website appeared on July 2010 (about the incredibly underrated 1979 Australian heist film, Money Movers – you can read the post here). I’ve been writing on the site with varying frequency ever since (579 posts in all), and for the most part have enjoyed it immensely.
But for the last 12 or so months I just haven’t been feeling it – or getting the hits to make it seem worthwhile – and have started to wonder whether it’s worth continuing with the effort. Posting on a website has been starting to feel like the equivalent of trying to read a broadsheet newspaper in a crowded tram carriage, unwieldy and inconvenient.
And, thinking about it, I suspect the blog format is starting to get a bit stale for me and is actually now a brake on my posting more regularly.
I know that I’m no Robinson Crusoe in this regard. The majority of the blogs I used to follow have gradually fallen by the wayside, as people have moved on, grown weary of the effort, found other interests, adopted other means to get their message out, or, in some cases (gulp), died.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, 1990s American crime films, Adrian McKinty, Albert Dekker, Andre De Toth, Angela Savage, Angie Dickinson, Anthony Zerbe, Asian noir, Australian crime fiction, Australian crime film, Australian noir, Australian popular culture, Australian pulp fiction, Australian television history, Ava Gardner, Beat culture, Belmont Tower Books, Ben Wheatley, Billie Whitelaw, Black pulp fiction, Blaxsploitation, Book cover design, Book Reviews, British crime cinema, British pulp fiction, Bryan Brown, Burt Lancaster, Carter Brown, Charles Durning, Charles Willeford, Chester Himes, Christopher G Moore, Christopher Lee, Cinema culture, Claude Atkins, Coronet Books, Crawford Productions, Crime Factory, Crime Factory Publications, Crime fiction, Crime fiction and film from Africa, Crime fiction and film from Cambodia, Crime fiction and film from China, Crime fiction and film from India, Crime fiction and film from Indonesia, Crime fiction and film from Japan, Crime fiction and film from Laos, Crime fiction and film from Latin and Central America, Crime fiction and film from Malaysia, Crime fiction and film from New Zealand, Crime fiction and film from Scandinavia, Crime fiction and film from Singapore, Crime fiction and film from South Korea, Crime fiction and film from Thailand, Crime fiction and film from the Philippines, Crime Fiction and film set in Vietnam, Crime film, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, David Goodis, David Peace, David Whish-Wilson, Derek Raymond, Diana Dors, Dirk Bogarde, Don Siegel, Don Winslow, Donald Westlake aka Richard Stark, Dystopian cinema, Ernest Borgnine, Eurocrime, Fawcett Gold Medal Books, Femme fatale, Fernando Di Leo, Filipino genre films, Film Noir, Forgotten Melbourne, French cinema, French crime fiction, Garry Disher, Gene Hackman, George V Higgins, Georges Simenon, Ghost Money, Giallo cinema, Gil Brewer, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Gloria Grahame, Gold Star Publications, Gregory Peck, Gunshine State, Heist films, Horror, Horwitz Publications, Humphrey Bogart, Ian Fleming, Interviews, Ira Levin, James Caan, James Crumley, James Ellroy, James Hadley Chase, James Woods, Jim Brown, Jim Thompson, Joel Edgerton, John Frankenheimer, Joseph Losey, Karen Black, Kerry Greenwood, Kinji Fukasaku, Larry Kent, Lee Marvin, Leigh Redhead, Lindy Cameron, M Emmet Walsh, Mad Max, Mafia, Malla Nunn, Martin Limon, Megan Abbott, Melbourne International Film Festival, Melbourne Writers Festival, Men's Adventure Magazines, Michael Caine, Michael Fassbender, Mickey Spillane, Monarch Books, Ned Kelly Awards, Neo Noir, New English Library, Newton Thornburg, Noir Con, Noir fiction, Non-crime reviews, Oren Moverman, Orphan Road, Ozsploitation, Pan Books, Parker, Paul Newman, Peter Boyle, Peter Strickland, Peter Yates, Poliziotteschi, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Qui Xiaolong, Raymond Chandler, Richard Burton, Richard Conte, Robert Aldrich, Robert Mitchum, Robert Ryan, Robert Stone, Rock Hudson, Roger Smith, Rollerball, Rosaleen Norton, Roy Scheider, Rural noir, Sam Levene, Sam Peckinpah, Samuel Fuller, Science fiction and fantasy, Scripts Publications, Sidney Lumet, Sidney Poitier, Simon Harvester, Snowtown, Snubnose Press, Spies, Stanley Baker, Sterling Hayden, Steve McQueen, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980, Stuart Rosenberg, Tandem Books, Tart noir, Tartan Noir, Ted Lewis, Toni Johnson Woods, True crime, Vicki Hendricks, Victor Mature, Vintage mug shots, Vintage pulp paperback covers, Wallace Stroby, War film, Westerns, William Friedkin, Woody Strode, Yakuza films, Yaphet Kotto
Pre-orders open for my new novel, Orphan Road
Just a quick heads up to let you know that you can now pre-order my new crime novel, Orphan Road.
You can order it from the publisher, Down and Out Books. It is also available from Amazon and Barnes and Noble.
For pre-order information, check out this link. You should also be able to order it through your local bookstore, closer to the date.
Orphan Road is a sequel of sorts to my last novel, Gunshine State.
The pitch is as follows:
Gary Chance is an ex-Australian army driver and nightclub bouncer turned professional thief and
in need of a job. An offer comes from a former employer, once notorious Melbourne social
identity, now aging owner of a failing S&M club, Vera Leigh.
A shadowy real estate developer is trying to squeeze Leigh out of a rapidly gentrifying city. But she has a rescue plan that involves one of Australia’s biggest heists, Melbourne’s Great Bookie Robbery. On April 21, 1976, a well organised gang stole as much as three million dollars, a fortune at the time, from a Melbourne bookmakers club. The money was never recovered. No one was ever charged. And everyone associated with the crime has since died, either by natural causes or violently.
Leigh maintains that money was not the only thing stolen that day.… Read more
Book Review: Australian crime anthology and First Nations science fiction
Is it just me or is there definitely a renewed local interest in short story collections? There seems to be a few more of them being published than is normally the case and I am particularly interested in two that have come across my radar: Dark Deeds Down Under, an anthology of crime fiction edited by Craig Sisterson and This All Come Back Now, a new anthology of first nations speculative fiction, edited by Mykaela Saunders.
First up, Dark Deeds Down Under. The interesting selling point of this book is that it contains 19 crime fiction stories from Australian and New Zealand authors, some well-known, others not so much. As is the case with every anthology not every tale did it for me but there were far more hits than misses, which is unusual. I just want to briefly note the highlights in the collection for me.
Aoife Clifford’s ‘Summer of the Seventeenth Poll’ felt very much in the spirit of TV shows such as In the Thick of It, in its depiction of a political spinner who job sees them stumble across a murder, and the story has a real sting in the tail. No surprises that ‘The Cook’ by possibly my favourite Australian crime writer, David Whish-Wilson, was a terrific yarn about an ex-con speed cook and the troubled relationship he has with his son.… Read more
Posted in Australian crime fiction, Australian noir, Black pulp fiction, Book Reviews, Crime fiction, David Whish-Wilson, Garry Disher, Horror, Science fiction and fantasy
Tagged Aoife Clifford, Archie Weller, Clandestine Press, Craig Sisterson, Dark Deeds Down Under, David Whish-Wilson, Garry Disher, Lisa Fuller, Mykaela Saunders, Nikki Crutchley, Samuel William Watson, Stephen Ross, This All Come Back Now
Being influenced by your favourite crime writer
As regular readers of this site will know, my second novel, Gunshine State, has recently been re-released.
To mark the occasion, the fine folks at my publisher, Down and Out Books, asked me to stop by their site and say a few works about the book.
Gunshine State has a number of literary influences. I am a big fan of the Crissa Stone books by Wallace Stroby and Australian writer Garry Disher’s Wyatt books. But my most obvious inspiration—and probably my desert island series—is the character of the master thief Parker, created by Richard Stark aka Donald Westlake.
For my post for the Down and Out Books site, I decided to talk about the very fine line between being influenced by your favourite crime writers and falling into a straight out pastiche or imitation. Doing the former without plunging into latter is something I was very conscious of, as I was writing Gunshine State – my attempt to do an Australian take on the heist gone wrong story – and the follow up, which I am currently in the midst of, Orphan Road.
The piece is available to read in full here.
And, if you are after a good weekend read, Gunshine State is available in all formats here.… Read more
Advance orders (& advance praise) for Gunshine State
A quick heads up to Pulp Curry readers that pre-orders are open on Amazon for my second novel, Gunshine State, out through the crime fiction publisher 280 Steps on September 12.
For those of you who are up with things, Gunshine State is a heist thriller set in Queensland, Melbourne and Thailand. Think Richard Stark’s Parker, Garry Disher’s Wyatt, and Wallace Stroby’s Crissa Stone.
Here’s the pitch from the 280 Steps website:
‘Gary Chance is a former Australian army driver, ex-bouncer and thief. His latest job sees him in Queensland working for Dennis Curry, an aging Surfers Paradise standover man. Curry runs off-site, non-casino poker games, and wants to rob one of his best customers, a high roller called Frederick ‘Freddie’ Gao.
While the job may seem straightforward, Curry’s crew is anything but. Frank Dormer is a secretive former Australian soldier turned private security contractor. Sophia Lekakis is a highly-strung receptionist at the hotel where Gao stays when he visits Surfers. Amber is Curry’s attractive female housemate and part of the lure for Gao. Chance knows he can’t trust anyone, but nothing prepares him for what unfolds when Curry’s plan goes wrong.’
For those of you who do such things, review copies of Gunshine State are available from the Edelweiss site here.… Read more