Category Archives: Crime film

Prime Cut

Posted on June 27, 2012 by Andrew Nette| 12 Comments

Want to talk about a movie that broke the mould when it was made?

Let’s talk about Prime Cut.

Starring Lee Marvin, Gene Hackman and Sissy Spacek, this 1972 film is eighty-eight minutes of pulp weirdness – part exploitation flick, part brutal, hard-boiled, crime story.

Prime Cut was directed by Michael Ritchie, who did no other work of any consequence (with the possible exception of The Candidate, also made in 1972), and written by another relative unknown, Robert Dillon.

Marvin plays Nick Devlin, a tough as nails enforcer who is hired to go to Kansas City and retrieve half a million dollars owed to the Chicago mob by a slaughterhouse Kingpin called Mary Ann (Hackman).

Driving all night, Devlin and his men arrive at Mary Ann’s ranch in the middle of a livestock auction. The slaughterhouse is a legitimate business as well as being a front for a white slavery racket. Groups of well-dressed men wander around the inside of a giant barn, bidding on drugged, naked women, Mary Ann’s ‘livestock’, who have been sourced from orphanages and bus stops.

One of the girls, Poppy (Spacek), manages to ask for help through her drug haze. Marvin takes her ‘on credit’ and leaves, after getting Mary Ann’s agreement to meet him next day and hand over the money.… Read more

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Posted in 1970s American crime films, Crime film, Gene Hackman, Lee Marvin

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Blackmail Is My Life

Posted on April 10, 2012 by Andrew Nette| Leave a comment

A couple of nights ago I finally got around to viewing a film that’s been on my must-watch pile of DVDs for ages, Kinji Fukasaku’s Blackmail Is My Life.

Regular Pulp Curry readers will know I have a bit of a thing for Fukasaku’s work, having previously reviewed two of his films on this site, Yakuza Graveyard (1976) and Street Mobster (1972).

Released in 1968, Blackmail is set in Tokyo at the beginning of the country’s economic boom. The story revolves  around four young slackers who will do anything to avoid the trappings of mainstream middle class life. They are a tight knit group comprising former Yakuza, Seki, ex-boxer Zero, Tom Boy sex bomb Otoki, and their leader, Muraki.

Muraki may look like a bit of a fool with his hounds tooth jacket and permanent grin but he’s an expert in his chosen craft – blackmail. He’s also completely unafraid of anything. As he puts it: “The bigger and tougher they are the more reason to taker them down.”

Their targets are mostly “stupid arsed salary types”, low level starlets and businessmen who the gang secretly film committing adultery in seedy love hotels. But Muraki is keen to take things up a notch. His opportunity comes when he leans of the existence of the ‘Otaguro Memorandum’, a document that could bring down a corrupt high-level Japanese politician if it ever saw the light of day.… Read more

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Posted in Crime fiction and film from Japan, Crime film, Kinji Fukasaku, Yakuza films

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Kill List

Posted on January 30, 2012 by Andrew Nette| 1 Comment

As a rule, I’m not a big fan of horror genre mash up films, and have found nearly every one I’ve watched, lazy, predictable filmmaking.

But Kill List is very different.

My test of a good a film is whether I can remember any of the plot the next day. I saw Kill List over a week ago and I’m still thinking about it.

Particularly the ending, that’s really stayed with me

Kill List is the second film by English director Dennis Wheatley. His debut offering was a particularly nasty little feature called Down Terrace in 2009. It concerned a housing estate family of low level drug traffickers who kill each other off to eliminate what they believe is an informer in their ranks.

While it had its moments, Down Terrace felt like it was taking the piss a bit too much for my tastes, sort of Mike Leigh as psychopath.

Kill List opens with army veteran Jay (Neil Maskell) fighting with his Swedish wife Shel (MyAnna Buring). They experience many of the same problems faced by married couples everywhere, money problems and disagreements about how to discipline their kid, that kind of stuff.

On top of that Jay’s got a few mental and physical health problems as a result of the botched hit he and his mate Gal (Michael Smiley) did in Kiev.… Read more

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Posted in Ben Wheatley, Crime film

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Kill List and three other upcoming crime films I have to see

Posted on November 9, 2011 by Andrew Nette| Leave a comment

It was a long wait for Drive, the subject of my last post, but well worth it.

Drive is not the only crime film I’ve been waiting for with anticipation. There are several others, headed up by the 2011 British film, Kill List. I’ve heard nothing but good things about this film and am still kicking myself I didn’t realise it was included in the Melbourne International Film Festival earlier this year.

Ben Wheatley, who did Down Terrace in 2009, directs Kill List. Down Terrace is the story of a family of low level drug runners who, almost literally, devour each other in an orgy of paranoia and violence as they attempt to unmask what they believe is a informer in their ranks. It is genuinely disturbing viewing.

The main characters of Kill List, Jay and Gal, are a couple of Iraq war vets and semi-professional hit men who take a contract to eliminate a list of three people. The movie starts off as traditional hit man story and then gradually morphs into a tale of horror, with a distinct Wicker Man feel to it

I’ll say no more. Check out the trailer here:

Madman Films has picked up the film and there is word they intend to give it a mainstream release here in Australia some time in 2012.… Read more

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Posted in Ben Wheatley, Crime fiction and film from Thailand, Crime film

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Drive

Posted on October 31, 2011 by Andrew Nette| 4 Comments

After months of anticipation I finally got to see Nicolas Winding Refn’s Drive on the weekend.

I can’t remember the last time I saw a really good crime movie at a mainstream multiplex cinema. Maybe Ben Affleck’s The Town, although it went down hill fast whenever it tried to move away from the heist theme and get into the characters.

Drive is not perfect, hell what film is, but it was damn close in my view, certainly up there with the best contemporary crime films I’ve seen.

The movie is very loosely based on the 2005 book of the same name by James Sallis. Ryan Gosling plays ‘Driver’. By day he works as a stuntman and fixes cars in a garage owned by his mentor, Shannon (Bryan Cranston of Breaking Bad fame, although he will forever be associated in my mind as the father from Malcolm in the Middle, which for me is what makes him come across as so bent).

Driver’s expertise at what he does is established in the film’s first ten minutes, a fantastic high-speed chase thought the streets of LA scene during which he eludes a police dragnet.

His credo is simple:

“If I drive for you, you get your money. That’s a guarantee. Tell me where we start, where we’re going and where we’re going afterwards, I give you five minutes when you get there.… Read more

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Posted in 1980s American crime films, Crime film, Film Noir

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