Category Archives: Fawcett Gold Medal Books

Pulp Friday: pulp from the seventies and eighties

“When he has to, Shannon can be as vicious as the worst Mafia thug who ever used a blow torch on a stoolie.”

We usually associate pulp fiction with the classic hard-boiled covers of the fifties and sixties. But pulp endured well into the seventies and beyond, before finally dying out and in the late eighties.

Today’s Pulp Friday is a selection of pulp covers from that latter period of pulp, the seventies and eighties.

I’m not sure why, but the pulp from this period seemed more extreme than it’s earlier iterations, if that’s possible, more turbo changed and over the top. The violence was more pronounced. The characters were PIs, mercenaries, spies and adventurers, like their predecessors, but they were even more starkly drawn, often to the point of being bizarre.

If you doubt me, check out the following.

Shannon #3: The Mindbenders features a private eye who lives “in a penthouse on Manhattan’s swank Upper East Side, but most of his work is done in the gutter”. He is the number one agent for a boutique government spy agency called Morituri, run by a priest referred to as Number One. Shannon is handsome, independently wealth and writes PI novels in his spare time. This book involves the suicide of a woman Shannon was close to which he ties to other deaths involving the UN.… Read more

Pulp Friday: biker pulp

“Lusting females with sadism and sex on their mind.”

Bikers were one of the major themes of pulp fiction in the late sixties and seventies.

Society’s fascination with bikers obviously dates back much further than this, but by the late sixties it had well and truly seeped into popular culture, thanks to the well publicised violence at Aldamont, movies like Easy Rider (1969) and the success of Hunter S Thompson’s 1965 gonzo journalism classic, Hells Angels.

Australia was no exception to this trend, with concerns about law and order arising from the growth of the counter culture and the popularity of movies like Stone (1974) and Mad Max (1979) resulting in our own fascination with bikie culture.

The result was wave of pulp novels focusing on the exploits of outlaw biker gangs and the cops trying to break them. The books mirrored mainstream society’s fascination/loathing of bikie culture, real and imagined, mixed with lashings of gratuitous sex and hard-core violence.

Wheels of Death (1975) and Bikie Birds (1973) are two Australian examples of biker pulp fiction. Both were written by Stuart Hall, who penned approximately 45 pulp novels between 1970 and 1980, including a number of biker pulps for Scripts, the adults-only inprint of Sydney-based pulp publisher Horwitz Publications.

In addition to writing about the denim clad male members of these bikie gangs, Hall devoted considerable attention to the women (or ‘birds’ as women were often referred to in popular working class Australian slang) who rode with them, characters every bit as sexually loose and violent as their male counterparts.… Read more

Pulp Friday: The Brat by Gil Brewer

This week’s Pulp Friday offering is for all the hardcore noir fans out there, Gil Brewer’s The Brat.

Brewer really is the aspiring pulp writer’s pulp writer. The author of dozens of sleazy sex/crime/psychological thrillers, he began his career writing for Gold Medal Books in the early fifties, also wrote under the Ellery Queen by-line, as well as using the pseudonyms Eric Fitzgerald, Bailey Morgan and Elaine Evans.

He kept up a punishing work schedule, once writing a book in three days. Between books he churned out hundreds of short stories for mystery and pulp magazines.

He died in 1983, after years of alcoholism, mental health problems and financial stress. Like most of the most accomplished pulp novelists, he only gained critical attention well after his death.

There’s a great site about Brewer, done by his estate, which includes full listings of his work, bio details and some great photographs. It’s called Gil Brewer, Noir Fiction Writer.

The Brat was first published in 1957. The edition above is 1958 and appears to be an overseas in-print judging from the currency denomination on the top right of the cover.

The Brat features femme fatale Evis Helling. The narrator, Lee Sullivan, is in for one hell of a surprise when marries Evis.… Read more

Behind the bamboo screen: Asian pulp covers of the sixties and seventies

Regular readers of Pulp Curry will by now be familiar with my obsession with pulp paperbacks from the fifties, sixties and seventies (previous posts on which you can be see here, here and here).

The following selection, sourced from my collection, is one I’ve wanted to do for a while now – Asian themed pulp paperback covers from the sixties and seventies. These are mainly from the United States with a smattering of Pan Books from the United Kingdom thrown in.

Not surprisingly, given the hysteria generated by the Cold War, the threat posed by the so-called “red menace” is a key theme of most of these titles, such as The Bamboo Screen, the story of an innocent Westerner thrown into “a savage world of spies and Oriental beauty,” a place where “life was cheap and love was a tool”.

Hong Kong was a favoured location for many of the do or die battles with Communism, as can be seen in Assignment Hong Kong and Twelve Hours to Destiny. Operation Hong Kong is one of a number of titles put out by Solider of Fortune magazine in the seventies: “Rainey has to stop Chinese agents from turning Hong Kong into a bloodbath”.

Other popular locations were Vietnam (Simon Harvester’s Battle Road), and jungles of Malaya in Mark Darby’s The Tigress, a place where “death stalked…with a Sten gun in its hands.”… Read more