Category Archives: 1980s American crime films

Split Image: James Woods and how to do sleaze redux

Posted on August 29, 2011 by Andrew Nette| 1 Comment

It’s taken a while, but last night I concluded my James Woods festival by finally watching the 1982 film Split Image.

I won’t say what I had to do to track down a copy of this little known gem. Let’s just say it wasn’t easy. But it was worth it.

Split Image, in which Woods plays a cult deprogrammer, confirms the central thesis of my previous post on this actor, that no one does sleaze as good as Woods, especially at the height of his career in the greed is good eighties.

Split Image occupies an interesting position in the Woods oeuvre, sandwiched between Fast Walking earlier the same year (Woods as a sleazy prison guard who gets mixed up in a neo-Nazi plot to murder a radical black nationalist) and Videodrome in 1983 (Woods as sleazy soft porn cable TV producer).

The plot is relatively simple. Danny Stetson (Michael O’Keefe) is a talented but highly-strung aspiring Olympic gymnast, from a loving but over achieving family, presided over by patriarch Kevin Stetson (Brian Dennehy).

He meets fresh-faced cult devotee Rebecca (Karen Allen, who played  the love interest in two Indiana Jones films) and is sucked into visiting Homeland, an alternative community run by Kirkander (Peter Fonda). It doesn’t take long before Danny has been renamed Joshua and chanting “make it perfect” with the rest of them.… Read more

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Posted in 1980s American crime films, Crime film, James Woods

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Fast Walking: James Woods and how to do sleaze

Posted on June 21, 2011 by Andrew Nette| 7 Comments

Ever since I posted on the underrated movie Cop a few months ago, I’ve been engaged in my own James Woods film festival.

As I wrote at the time, Cop is a great little neo noir that combines the rogue cop, police procedural and serial killer genres. But it works so well due to the casting of James Woods as the central character of Detective Sergeant Lloyd Hopkins, a sleazy burnt out LAPD homicide dick trying to track down a maniac no one else thinks exists.

Watching and re-watching Wood’s films only confirms his status as the original hard-boiled bad lieutenant. With his whippet thin body and bedroom eyes, his looks are more lounge lizard than movie star perfect. And his permanently up turned lip and slightly bad skin make him look like a man with a bad past.

Starting with The Onion Field (1979), in which he played a disturbed ex-con who panics one night when he and his partner are pulled over by cops and murders one of them, Woods went on to play some of the most repellent yet strangely charismatic sleazes on film.

Videodrome (1983): This early Cronenberg effort hasn’t dated in the slightest and Woods’ is in top form as sleazy soft porn cable TV producer, Max Renn.… Read more

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Posted in 1970s American crime films, 1980s American crime films, Crime film, James Woods

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Sidney Lumet: the prince of the New York

Posted on April 10, 2011 by Andrew Nette| 2 Comments

Anyone who has an interest in cinema from the fifties, sixties and seventies will by now be well and truly used to logging onto the Internet or picking up the newspaper, to discover that one of their favourite actors or directors has died.

So it was this morning, when I got the news that Sydney Lumet was dead at the age of 86.

Lumet made some crap films and some great films. Mostly he made great films, including Dog Day Afternoon in 1975 and Prince of the City in 1981.

Both films examined corruption and the situation of people trapped in circumstances beyond their control. They also showcased the good and the bad of the director’s beloved New York.

Clocking in at approximately 240 minutes, the much underrated Prince of the City is based on the real life case of New York cop Robert Leuci, or Daniel Ciello as he is called in the film, played by Treat Williams.

Ciello is a member of a special unit of narcotics investigators known as ‘princes of the city’ for the power they wield. Uneasy with some of the corrupt practices going on in his unit, Ciello agrees to help an internal affairs probe.

It’s a complicated, dense, claustrophobic, drawn out story that mirrors the situation facing Ciello.… Read more

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Posted in 1970s American crime films, 1980s American crime films, Charles Durning, Crime film, Heist films, Sidney Lumet

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Off Limits in Saigon

Posted on March 31, 2011 by Andrew Nette| 1 Comment

I’m very happy to welcome back to Pulp Curry my partner in crime, Angela Savage, reviewing the 1988 film, Off Limits (which also appeared under the title Saigon). I first saw Off Limits years ago and always liked the originality of the premise – two US military police on the beat in war-time Saigon. Watching it again recently, I’m curious to know, what if any unacknowledged debt the movie owes to the Martin Limon books featuring Sueno and Bascom, two US military police stationed in South Korea in the seventies. Oh yes, and I definitely agree with Angela that Fred Ward is an underrated actor.

Off Limits, set in Saigon in 1968, is a riveting crime thriller that conveys the madness of the US war in Vietnam while treating it as background to the main story.

The plot centres on Criminal Investigation Division (CID) cops Sergeant Buck McGriff (Willem Dafoe, all thin hips and big lips) and Sergeant Albaby Perkins (Gregory Hines, chewing gum like it’s the only way he can keep the bile down) and their investigation into what turns out to be the serial killings of Vietnamese prostitutes.

With a short-list of suspects made up of US military top brass, they have to navigate a case as off limits as the part of Saigon where the murders take place.… Read more

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Posted in 1980s American crime films, Angela Savage, Crime fiction and film from Thailand, Crime film, Martin Limon

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Cop: is it the best movie ever made of a James Ellroy novel?

Posted on March 23, 2011 by Andrew Nette| 1 Comment

CopI’m going to go way out on a limb here, and say that in my opinion the relatively unknown movie Cop may just be the best adaptation of a James Ellroy book to hit the screen.

When I opened my recent review of the 1988 film Cop for Back Alley Noir’s Film Noir of the Week with that statement the response was interesting.

Some disagreed with the merits of my choice. Others felt the need to refer back to what the man himself, Ellroy, had said about the merits of the movies made of his books.

I did a quick search on what Ellroy has said on the subject before submitting the review. There’s a lot of contradictory quotes out there. Whether this is because he’s changed his mind a lot or he’s out for a headline, well, I’ll let you all be the judge of that.

For me, the debate raised the interesting question of what value we should give to the opinion of an artist in one area (writing), when their work is translated into another (film).

I am a huge Ellroy fan and I think Cop works as a movie precisely because the book is not a dense, labyrinthine crime epic in the vein of LA Confidential and the Black Dahlia (both of which failed, Black Dahlia much more so, in the almost Herculean task of transposing Ellroy’s words onto the screen).… Read more

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Posted in 1980s American crime films, Charles Durning, James Ellroy, James Woods, Neo Noir

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