Category Archives: Science fiction and fantasy

‘It was never meant to be a game’: my monograph on Norman Jewison’s Rollerball

I have been pre-occupied with my Phd and various other commitments, so I’ve been a little bit slow off the mark to publicise my latest book, a monograph on Norman Jewison’s 1975 dystopian science fiction classic, Rollerball, out now on various platforms in the US, UK and Australia, through Auteur Publishing.

The book originated out of my curiosity to see whether I had it in me to write 40k based on a single film. The film I chose, in consultation with the publisher, was Rollerball. Only you can be the judge as to how good a job I have done, but I’ll let you all in on the first rule of writing a film monograph, make sure you like the film because you not only have to watch it numerous times but immerse yourself in everything to do with it.

I have always like Rollerball, ever since first seeing it twenty years ago. But I didn’t realise until I got stuck into researching the film for this book, just what a good viewing experience it still is and what a chilling dystopian vision it remains.

Rollerball depicts a future dominated by anonymous corporations and their executive elite, in which all individual effort and aggressive emotions are subsumed into a horrifically violent global sport, remains critically overlooked.… Read more

Pulp Friday: Interview with book cover designer, W. H. Chong

W H Chong is book cover designer based in Melbourne. From his first cover design job, a souvenir booklet to mark 1990 Collingwood AFL Grand Final victory, he has gone on to become Design Director for Text Publishing and has won multiple awards for his covers for young adult fiction, crime, classics and literature. Below is an interview I did with him on what is involved in a good cover design and his favourite cover designs from the science fiction reading of his youth. It originally appeared in the now defunct online magazine Spook, in August 2015.

How did you get into book design?

The correct answer is by accident. I started designing newspapers in the eighties and then I started doing magazines in the early nineties. When Text Media [now Text Publishing] started as an imprint of books run by Diana Gribble in the nineties, I was there, so I did the design. Because in the old days, people just did stuff. It was all very much a case of people putting something together that they were learning how to do as they went along. Design just needed to be done. Some of it included books. That was no big deal. There was no specialty. You weren’t learning to be a neurosurgeon; you were just doing things with scalpels, so to speak.… Read more

Wonderland at the Australian Centre for the Moving Image

I had never pondered the influence of Lewis Carroll’s stories, Alice’s Adventures in Wonderland (1865) and Through the Looking Glass and What Alice Found There (1871). This left me completely unprepared for Wonderland, the Australian Centre for the Moving Image’s latest Melbourne Winter Masterpieces exhibition. The enormous influence of young Alice and her strange world of bizarre anthropomorphic creatures on the large and small screen documented in this exhibition is a revelation.

My review of Wonderland is live and can be read in full here on the Australian Book Review Arts Update site.Read more

Pre-orders open for my monograph on Norman Jewison’s 1975 film, Rollerball

My monograph on Norman Jewison’s 1975 dystopian science fiction film, Rollerball, something I have been working on for the last couple of years, now has a cover and will soon be in the world via Constellations imprint of the independent film and media studies publisher, Auteur.

This is the first semi-academic publication I have written and I am excited but also a little nervous about how it is going to be received.

Rollerball depicts a future dominated by anonymous corporations and their executive elite, in which all individual effort and aggressive emotions are subsumed into a horrifically violent global sport, remains critically overlooked. What little has been written deals mainly with its place within the renaissance of Anglo-American science fiction cinema in the 1970s, or focuses on the elaborately shot, still visceral to watch, game sequences, so realistic they briefly gave rise to speculation Rollerball may become an actual sport.

Drawing on numerous sources, including little examined documents in the archive of the film’s screenwriter William Harrison,the book examines the many dimensions of Rollerball’s making and reception: the way it simultaneously exhibits the aesthetics and narrative tropes of mainstream action and art-house cinema; the elaborate and painstaking process of world creation undertaken by Jewison and Harrison; and the cultural forces and debates that influenced them, including the increasing corporate power and growing violence in Western society in late 1960s and early 1970s.… Read more

The Projection Booth podcast does The Running Man

While I am not a huge podcast consumer, one podcast I am a regular listener of is The Projection Booth, helmed by a man who has forgotten more about film than many of us will ever know, Detroit-based Mike White.

So, it was a huge honour to be asked to be a guest, along with Aaron Peterson, on their latest episode, which looks at the 1987 dystopian science fiction film, The Running Man. Set in the distant year of 2017, The Running Man, takes place in an authoritarian future America where the highest rating television show pits criminals against muscle-bound, spandex-clad “stalkers”. The film is based very loosely on the novel of the same name by Richard Bachman aka Stephen King, the film has a great cast, including Arnold Schwarzenegger, Richard Dawson, Yaphet Koto. Jim Brown, Jesse Ventura and Mara Conchita Alonso.

The Running Man is a film that aged surprisingly well. As part of the episode, Mike talks to the movie’s screen writer Steven E. de Souza and producer George Linder. We also jaw about the its odd production history, and other ‘people hunting people films’ including the 1970 German production, Das Millionenspiel, and Elio Petri’s wonderful 1965 effort, The 10th Victim.

You can listen to the entire episode at The Projection Booth site here.… Read more