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Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
- Bear Alley
- Bloody, Spicy, Books
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- The Pulp & Paperback Fiction Reader
- Too Much Horror Fiction
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Category Archives: Derek Raymond
Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
After much thought I have decided that to experiment with moving the focus of my blogging from this site to a new Pulp Curry Substack newsletter.
Why am I doing this?
The first post on this website appeared on July 2010 (about the incredibly underrated 1979 Australian heist film, Money Movers – you can read the post here). I’ve been writing on the site with varying frequency ever since (579 posts in all), and for the most part have enjoyed it immensely.
But for the last 12 or so months I just haven’t been feeling it – or getting the hits to make it seem worthwhile – and have started to wonder whether it’s worth continuing with the effort. Posting on a website has been starting to feel like the equivalent of trying to read a broadsheet newspaper in a crowded tram carriage, unwieldy and inconvenient.
And, thinking about it, I suspect the blog format is starting to get a bit stale for me and is actually now a brake on my posting more regularly.
I know that I’m no Robinson Crusoe in this regard. The majority of the blogs I used to follow have gradually fallen by the wayside, as people have moved on, grown weary of the effort, found other interests, adopted other means to get their message out, or, in some cases (gulp), died.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, 1990s American crime films, Adrian McKinty, Albert Dekker, Andre De Toth, Angela Savage, Angie Dickinson, Anthony Zerbe, Asian noir, Australian crime fiction, Australian crime film, Australian noir, Australian popular culture, Australian pulp fiction, Australian television history, Ava Gardner, Beat culture, Belmont Tower Books, Ben Wheatley, Billie Whitelaw, Black pulp fiction, Blaxsploitation, Book cover design, Book Reviews, British crime cinema, British pulp fiction, Bryan Brown, Burt Lancaster, Carter Brown, Charles Durning, Charles Willeford, Chester Himes, Christopher G Moore, Christopher Lee, Cinema culture, Claude Atkins, Coronet Books, Crawford Productions, Crime Factory, Crime Factory Publications, Crime fiction, Crime fiction and film from Africa, Crime fiction and film from Cambodia, Crime fiction and film from China, Crime fiction and film from India, Crime fiction and film from Indonesia, Crime fiction and film from Japan, Crime fiction and film from Laos, Crime fiction and film from Latin and Central America, Crime fiction and film from Malaysia, Crime fiction and film from New Zealand, Crime fiction and film from Scandinavia, Crime fiction and film from Singapore, Crime fiction and film from South Korea, Crime fiction and film from Thailand, Crime fiction and film from the Philippines, Crime Fiction and film set in Vietnam, Crime film, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, David Goodis, David Peace, David Whish-Wilson, Derek Raymond, Diana Dors, Dirk Bogarde, Don Siegel, Don Winslow, Donald Westlake aka Richard Stark, Dystopian cinema, Ernest Borgnine, Eurocrime, Fawcett Gold Medal Books, Femme fatale, Fernando Di Leo, Filipino genre films, Film Noir, Forgotten Melbourne, French cinema, French crime fiction, Garry Disher, Gene Hackman, George V Higgins, Georges Simenon, Ghost Money, Giallo cinema, Gil Brewer, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Gloria Grahame, Gold Star Publications, Gregory Peck, Gunshine State, Heist films, Horror, Horwitz Publications, Humphrey Bogart, Ian Fleming, Interviews, Ira Levin, James Caan, James Crumley, James Ellroy, James Hadley Chase, James Woods, Jim Brown, Jim Thompson, Joel Edgerton, John Frankenheimer, Joseph Losey, Karen Black, Kerry Greenwood, Kinji Fukasaku, Larry Kent, Lee Marvin, Leigh Redhead, Lindy Cameron, M Emmet Walsh, Mad Max, Mafia, Malla Nunn, Martin Limon, Megan Abbott, Melbourne International Film Festival, Melbourne Writers Festival, Men's Adventure Magazines, Michael Caine, Michael Fassbender, Mickey Spillane, Monarch Books, Ned Kelly Awards, Neo Noir, New English Library, Newton Thornburg, Noir Con, Noir fiction, Non-crime reviews, Oren Moverman, Orphan Road, Ozsploitation, Pan Books, Parker, Paul Newman, Peter Boyle, Peter Strickland, Peter Yates, Poliziotteschi, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Qui Xiaolong, Raymond Chandler, Richard Burton, Richard Conte, Robert Aldrich, Robert Mitchum, Robert Ryan, Robert Stone, Rock Hudson, Roger Smith, Rollerball, Rosaleen Norton, Roy Scheider, Rural noir, Sam Levene, Sam Peckinpah, Samuel Fuller, Science fiction and fantasy, Scripts Publications, Sidney Lumet, Sidney Poitier, Simon Harvester, Snowtown, Snubnose Press, Spies, Stanley Baker, Sterling Hayden, Steve McQueen, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980, Stuart Rosenberg, Tandem Books, Tart noir, Tartan Noir, Ted Lewis, Toni Johnson Woods, True crime, Vicki Hendricks, Victor Mature, Vintage mug shots, Vintage pulp paperback covers, Wallace Stroby, War film, Westerns, William Friedkin, Woody Strode, Yakuza films, Yaphet Kotto
Mid-year reading report back: David Whish-Wilson, Simenon takes a train & 1970s Mexico noir
It already half-way through the year, and I thought a quick report on the highlights of my reading so far is in order. This is especially since I have a couple of big writing projects on the go and, as a result, will probably not have the time to do anything of the sort again before the end of the year.
So, let’s get to it.
The Sawdust House, David Whish-Wilson
Regular readers will have seen me talk before on this site about how much I rate David Whish-Wilson. I genuinely believe he is one of the most underrated crime writers working in Australia today and his latest does nothing to disabuse me of this view. The Sawdust House is Whish-Wilson’s second book to explore the lost Australian history of mid-19th century San Francisco. The Coves (2018) told the story of Australian criminals, many of them former convicts, who drifted to the San Francisco in the hopes of making a fortune amidst the gold rush gripping the west coast of the US at the time, and who assumed a major role in the lawless city’s criminal world. The Sawdust House focuses on the life of one of these men, Irish-born James ‘Yankee’ Sullivan, who has been arrested as part of the nativists attempt to root out and crush Australian criminal influence in San Francisco.… Read more
Posted in Book Reviews, Crime fiction, David Whish-Wilson, Derek Raymond, Georges Simenon, Laura Elizabeth Woolett, Neo Noir, Noir fiction, Ted Lewis
Tagged Beautiful Revolutionary, David Whish-Wilson, Derek Raymond, Georges Simenon, He Died with His Eyes Open, How the Dead Live, Laura Elizabeth Woollett, Once Upon a Time In Hollywood, Quentin Tarantino, Silvia Moreno-Garcia, Ted Lewis, The Love of a Bad Man, The Newcomer, The Sawdust House, The Snow Was Dirty, The Train, Velvet was the Night
Book review: He Died with His Eyes Open
Derek Raymond’s He Died with His Eyes Open is a police procedural like no other I’ve ever read.
It’s a bleak, deeply disturbing slice of genuine Brit noir, a story of busted lives and nothingness.
The book starts, like so many other crime novels, with the discovery of a body. It’s a winter night in London, a police strike is on. The unnamed cop (the story’s narrator) who catches the case is a tough talking sergeant from the Department of Unexplained Deaths, also known as A14, at the Factory Police Station.
As he explains early in the book:
“The uniformed people don’t like us; nor does the Criminal Investigation Department, not does the Special Intelligence Branch. We work on the obscure, unimportant, apparently irrelevant deaths of people who don’t matter and who never did. We have the lowest budget, we’re the last in line for allocations, and promotion is so slow most of us never get past the ranks of sergeant.”
The victim, Staniland, is a middle-aged unemployed writer, a complete nobody, beaten to death with a hammer.
“I went to see the police surgeon who had examined the body on arrival and said: ‘What did he die of?’”
The surgeon said wearly: ‘Everything’.”
There’s no apparent motive and all the cop has to go on are a series of old cassette tapes left behind in the dead man’s property.… Read more