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Category Archives: Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985
Dangerous Visions & New Worlds: the reviews so far & upcoming two-day City Lights SF symposium
It has been a couple of months since my latest collaboration with Iain McIntyre, Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1985, hit the shelves in the US, and a lot has been happening. So, a short update is in order.
The book, available via the publisher PM Press, as well as all other book selling platforms has been well received. It made The Washington Post’s list of best science fiction, fantasy and horror books for 2021, and was also postively reviewed – twice – on the influential science fiction site, Locus. Ian Mond wrote in one of these reviews that ‘With its gorgeous interiors and thoughtful, detailed essays, I know that Dangerous Visions and New Worlds will inform newbies like myself while providing those familiar with the subject matter a contemporary perspective on the New Wave’s radical antecedents and the influential foundational texts the movement produced’ (you can read Mond’s full review here).
Our book was generously reviewed in Forbes magazine, on one of my favourite sites, We Are the Mutants, and for Counterpunch. I was also a guest on the wonderful British podcast, Breakfast in the Ruins. You can listen to the discussion, which ranged from new wave science fiction, to Norman Jewison’s 1975 film Rollerball, and the wonder that is New English Library’s teensploitation novels of the 1970s, in full here.… Read more
Posted in Book Reviews, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, Dystopian cinema, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp paperback cover art, Rollerball, Science fiction and fantasy
Tagged City Lights Books, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1980, Locus magazine, Marge Piercy, Michael Moorcock, PM Press, Samuel Delany, Terry Bisson
Melbourne launch of Dangerous Visions and New Worlds: Radical Science Fiction 1950-1985
My new book, Dangerous Visions & New Worlds: Radical Science Fiction, 1950-1985 is starting to get out in the world. As part of that process, my co-editor Iain McIntyre and myself will be holding an actual in-person, face to face launch of the book for Melbourne folks on Tuesday, December 14 at Buck Mulligan’s Bar and Bookshop, 217 High Street, Northcote. The event kicks off at 7pm.
I know it is always a crazy time of year as we get close to Christmas, maybe this year more than ever, but I would love it if you could join us. As well as drinks at bar prices, there will be giveaways and readings from SF works mentioned in our book.
All the reviews so far for the book have been extremely positive. In its review, the respect SF magazine Locus called it ‘an excellent primer that differentiates itself from other treatises through its many-voiced perspectives and its gorgeous accompanying artwork.’ One of my favourite sites, Science Fiction and other Suspect Ruminations described it as ‘a must buy for any SF fan of the [New Wave] era’. The book has also made the Washington Post’s list of best science fiction books of 2021.
In addition to picking up a copy of Dangerous Visions & New Worlds, well before it hits shops in Australia, you’ll also be able to pick up cheap copies of our other PM Press books, Girl Gangs, Biker Boys & Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980 & Sticking it to the Man: Revolution & Counterculture in Pulp & Popular Fiction, 1950-1980. … Read more
Posted in Book cover design, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, Dystopian cinema, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Science fiction and fantasy, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
Tagged Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1980, Girl Gangs Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture 1950 to 1980, New wave science fiction, science fiction, Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction 1950-1980
Dangerous Visions and New Worlds: Radical Science Fiction 1950-1985 Kickstarter
I have written on this site before about the upcoming book I have coedited, Dangerous Visions and New Worlds: Radical Science Fiction 1950-1985, due for release in the US in October. For the next month of so leading up to this, the publisher, PM Press are running a pre-sale campaign for Dangerous Visions and New Worlds via Kickstarter. Other than allowing people to be the first to get their hands on the book this features various offers, including some great book packs and bonuses, even sci-fi pulp themed underpants! Due to US Postal Services rates being so high the Australians among you may want to wait until our Melbourne launch (date and venue TBC) or place an order via your local bookshop. More details when I have them.
You can check out the Kickstarter campaign and the various offers as part of it at the link here.… Read more
Posted in Black pulp fiction, Book cover design, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, Dystopian cinema, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp paperback cover art, Science fiction and fantasy, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
Tagged Dangerous Visions, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1980, Kickstarter, New Worlds, radical science fiction, science fiction
Book Review: Jane Gaskell’s A Sweet, Sweet Summer
One of the authors I really wanted to include among those examined in the third book I have co-edited with my friend, Iain McIntyre, Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985, was British writer, Jane Gaskell. In particular her novel, A Sweet, Sweet Summer, first published in hardback by Hodder and Stoughton in 1969. To be honest, as is so often the case, what first attracted me to finding out more about this title was the cover of the 1971 Sphere edition, with its uniquely early 1970s dystopian take on the female juvenile delinquent. It’s a wonderful piece of photographic paperback art, of the sort that the British did so well at the time, no doubt cheaply done (in all likelihood the model was one of the typists in the Sphere office), but very effective.
Plans to include Gaskell in Dangerous Visions and New Worlds were scuppered by the fact that I simply could not find a copy of A Sweet, Sweet Summer anywhere at a price that I could even remotely afford. The book is incredibly rare and has not been republished. Indeed, as I discovered when I posted an image of the cover above on Twitter – long after Dangerous Visions and New Worlds had been put to bed – I just was one of many bibliophiles who had been on the lookout for an affordable second-hand copy of this Gaskill book.… Read more
Posted in Book cover design, Book Reviews, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, Dystopian cinema, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, New English Library, Pulp fiction in the 70s and 80s, Pulp paperback cover art, Science fiction and fantasy
Tagged A Sweet Sweet Summer, China Miéville, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1980, Dave Wallis, Hospital Ship (1976), Jane Gaskell, Martin Bax, Michael Moorcock, New English Library, Only Lovers Left Alive, the Atlan Saga, The Shiny Narrow Grin, Valencourt Books, Youthsploitation