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Category Archives: Crime fiction
Book Review: The Snow Was Dirty
For reasons that I have not quite been able to pinpoint, over the last couple of years I have found myself reading more and more older crime fiction. The most recent of these was on the recommendation of a US crime writer I have recently had a bit to do with on Twitter, called Max Thrax, Georges Simenon’s The Snow Was Dirty – or Dirty Snow as it appears in some territories – originally published in 1946.
I had, of course, heard of Simenon but must come clean that before doing some research about him as a result of reading The Snow Was Dirty, knew virtually nothing about him or his work. Indeed, without any basis, I had dismissed as a writer of cosy procedurals.
No one knows exactly how many books Belgium born Simenon wrote over the course of his career. There are not many authors you can say that about. He started off in the 1920s, like so many mid century writers, as a pulp hack, working under a bewildering variety of pseudonyms. In the 1930s he started to churn what would become approximately 75 novels featuring the fictional French police detective, Jules Maigret, many of which were subsequently adapted for radio and the screen, large and small.… Read more
Pulp Friday: Cover Me: The Vintage Art of Pan Books 1950-1965
Pan paperbacks are among the first adult books I can remember making a serious impression on me. My father had a number of Pan editions of Ian Fleming’s James Bond books in the collection of paperbacks he had in his den and from an early age I was entranced by their colourful, energetic, somewhat carnal covers.
Colin Larkin’s Cover Me: The Vintage Art of Pan Books: 1950-1965 notes the Fleming series was, not surprisingly, a huge seller for Pan. The books my father owned, which I still have, include cover art by Pat Owen and ‘Peff’ or Samuel John Peff, the latter one of Pan’s most used artists in the 1950s and the first half of the 1960s. I also discovered from Larkin’s book that the small drawing of a suave looking Bond holding a pistol that appears in a banner at the bottom of the main cover design in some of the Fleming Pan editions, was an illustration of Ralph Vernon-Hunt, the company’s managing director at the time.
Pan paperbacks appeared in Australia in large numbers in the three decades after World War II, and can still be found relatively easily in second-hand bookstores and thrift shops throughout the country. I have a fairly large collection, including I am happy to say, many of those that appear in Larkin’s simply sumptuous work.… Read more
Posted in Crime fiction, Horror, Ian Fleming, Pan Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Vintage pulp paperback covers
Tagged British paperback cover art, Colin Larkin, Cover Me The Vintage Art of Pan Books 1950-1980, James Bond, mushroom publishers, Pan paperbacks, Peff, Ralph Vernon-Hunt, Samuel John Peff, Telos Publishing
Parker on the screen #5: Payback Straight Up (2006)
The idea to review every screen iteration of Donald Westlake’s crime character, Parker, originated much earlier in the year, when Melbourne was in deep in winter and the middle of hard Covid lockdown. Melbourne is out of that lockdown now and summer is here, and I am much busier, hence the delay since my last entry.
Anyway, back to it with the next Parker film, Brian Helgeland’s neo noir, Payback Straight Up (2006). This is retelling of the very first Parker novel, The Hunter, published in 1962 and, of course, first filmed by John Boorman as the immortal Point Blank (1967), starring Lee Marvin (and which I wrote about on this site here on the 50th anniversary of the film).
Helgeland, who started out in the movie business as a scriptwriter, is not someone whose work I am particularly across. He did the script for the adaptation of Ellroy’s L.A. Confidential (1997), which I really liked. The same year he also performed wordsmith duty on the script for the simply abysmal post-apocalyptic Kevin Costner vehicle, The Postman. The 1999 film adaptation of The Hunter, titled Payback, was his first outing as a director (he also wrote the script) and by all accounts it was an exceptionally troubled shoot.… Read more
Posted in 1960s American crime films, 1990s American crime films, Crime fiction, Crime film, Donald Westlake aka Richard Stark, Heist films, Neo Noir
Tagged Bill Duke, Brian Helgeland, David Paymar, Deborah Kara Unger, Donald Westlake aka Richard Stark, Gregg Henry, Jack Conley, John Boorman, Maria Bello, Mel Gibson, Parker, Payback (1999), Payback Straight Up (2006), Point Blank (1967)
The long, dark legacy of William Hjorstberg’s supernatural neo noirs
One of the great things in the not so great year that was 2020 has been writing regularly for the excellent American site, CrimeReads. My latest for them is live and looks at the the supernatural neo noirs of the late writer, William Hjorstberg.
Hjorstberg’s 1978 book Falling Angel was the basis for Alan Parker’s 1987 supernatural thriller, Angel Heart. Posthumously published for the first time in paperback by Britain’s No Exit Press, the sequel, Angel’s Inferno continues the story of the down at heel private detective, Harry Angel, who takes a routine missing person case and becomes ensnared in an occult nightmare.
Only Angel is now Favorite, the amoral crooner who sold his soul to the devil for fame, then stole Angel’s identity in an attempt to evade payment. And he’s in Paris, determined to hunt down and exact revenge on Lucifer’s earthly manifestation, Louis Cypher.
I was particularly fascinated by the differences between Falling Angel and Parker’s film version, one of several things I write about in my piece which you can read in full here on the crime reads site.
Enjoy.