Category Archives: Crime fiction

The mystery of Billy Rags

Billy Rags, Sphere Books, 1975
McVicar By Himself, Hutchinson, 1974

Crime fiction is just far too large a literary field to aspire to anything near being a completist in terms of reviewing. That said, the British noir author Ted Lewis has been something of a favourite on this site. I reviewed Jack’s Return Home aka Get Carter (1970) and its two sequels, as well as the novels Plender (1971) and GBH (1980). But there is one more Lewis work I want to tackle, Billy Rags, originally published in in 1973 and which, coincidentally has just been re-released by No Exit Press in the UK.

Billy Rags is very closely based on the life of the real British criminal John McVicar. Just how closely I’ll get to directly. McVicar was an armed robber, declared ‘public enemy no 1’ by Scotland Yard in the 1960s, until he was apprehended and given a 23-year sentence. He was also a serial escapee and after his final arrest in 1970 received a 26-year sentence but was paroled eight years later. McVicar was also something of a uniquely 1960s/70s phenomena, the self-aware/educated working class career criminal turned author and commentator on prison reform, a major social debate in those two decades. He studied for a university postgraduate, wrote an autobiography, McVicar by Himself, published in 1974, and authored a couple of other true crime books.… Read more

The bleak, propulsive noir of Georges Simenon’s Romans Durs

If forced to nominate any positives at all out of the last two years of global pandemic, it is the increased time I’ve had to read. In the first year of Covid I made good on a long-standing desire to read John le Carré’s George Smiley books. A literary focus of 2021 was the work of the Belgium born writer, Georges Simenon. Simenon’s output was a staggering 400 novels, although some have claimed he wrote as many as 500. The best known of these is his acclaimed series of crime procedurals featuring the French police detective Jules Maigret, 75 of which appeared between 1931 and 1972 (Simenon died in 1989). But my interest in Simenon is in his other, somewhat more shadowy body of work, his so-called romans durs or ‘hard novels’: tightly plotted, intensely psychological, often quite slim stand-alone volumes that have so far yielded some of the best noir fiction I can remember reading.

My latest piece for the US site CrimeReads, on the bleak psychological noir of Simenon’s Romans Durs is live and can be read in full here.Read more

My cultural highlights of 2021

In past years, I have always tried to conclude the writing year with wrap up of my top fiction/non-fiction reads. But this year I want to do something a little different and look more broadly at the culture that has sustained me in what has been another difficult and stressful 12 months, dominated, as it has for so many of us, by the Covid pandemic.

Film

As was the case in 2020, Covid meant that I spent far more time than I would’ve liked at home. So, most of the movies I watched had to be on the small screen. One of the standouts for me was a 1953 Argentinian retelling of Fritz Lang’s 1931 classic, M, called El Vampiro Negro or The Black Vampire. Helmed by one of Argentina’s most famous mid-century directors, Roman Vinoly Barreto, the story focuses the panic that engulfs Buenos Aires as children are stalked and murdered by a paedophile. Barreto particularly focuses on a nightclub singer and mother, played by Argentina’s equivalent of Marilyn Monroe, Olga Zubarry, who is the sole eyewitness to the child killer and who fears her daughter may be the next victim. Proof positive that classic noir was not just a North American phenomena, El Vampiro Negro is a powerful film, stunningly restored by the US Film Noir Foundation.… Read more

Projection Booth podcast #546: Point Blank (1967)

It was a great pleasure to be able to perform co-hosting on the Projection Booth podcast for the second time in as many months, this time alongside my friend Jedidiah Ayres, on an episode about one of my favourite crime films, John Boorman’s Point Blank (1967). In addition to the film and how it figured in the careers of Lee Marvin, Angie Dickinson and Boorman, we talked about its place in 1960s American crime cinema, the film’s take on violence, and how it related to it literary source material the character of the hardboiled master thief Parker who appeared in the books of Richard Stark aka Donald Westlake. We also spent a fair bit of time talking about other cinematic adaptations of Parker, particularly Brian Helgeland’s 1999 film Payback – which was based on the same 1962 Parker book as Point Blank, The Hunter – and Payback’s various versions. It is a great episode and you can listen to it in full at the Projection Booth site via this link.… Read more

Punchdrunk at the Yarra Valley Writers Festival

With a bit on my plate at the moment, I have not been posting as much as I would like to this site. I have a few things up my sleeve in terms of posts over the coming weeks that will hopefully turn this situation around but, in the meantime, I just wanted to hit you all with news of an event I am taking part in a few weeks that may be of interest.

The Yarra Valley Writers Festival is taking place, in person, on the weekend of July 16 and 18. You can check out the entire program online here. On the Saturday of the program, July 17, at 10.30am at the Warburton RSL, I’ll be interviewing author Michael Winkler about wonderful book, Grimmish. Grimmish tells the story of Joe Grimm, one of the most flamboyant boxers ever to our visit Australia’s shores in the early part of last century. Partly based on real events and part fiction, the book can best be described as a literary fever dream that speaks to our collective relationship to physical power, masculinity and pain. I’ll be talking to Michael about all these topics, the process of research Joe Grimm’s life and whether a traditional sport such as boxing add to the evolving discussion on what is to be male.… Read more