Category Archives: Crime fiction

Book review: The Song Is You by Megan Abbott

YouThis review of Megan Abbott’s The Song Is You is my first of what I hope will be many pieces for Patti Abbott’s excellent blog, Friday’s Forgotten Books.

The Song is You is only the second Megan Abbott book I’ve read, but it’s cemented her place in the select group of authors whose work I recommend to friends with undisguised envy about what awaits them.

Hell, can Abbott write and her take on post-Second World War Hollywood is distinctive and razor sharp.

The Song Is You focuses on Gil ‘Hop’ Hopkins, a studio publicity man/fixer/pimp whose beat is “the world of trouble between mid-night and seven am”. Whether it’s rescuing starlets from opium dens and rough trade or procuring quickie abortions for leading men and studio heads who want to maintain their happily married public personas, it’s just a job for Hopkins.

He does what he’s told and doesn’t ask questions until he gets involved in the disappearance of starlet Jean Sprangler, two years missing with no clues other than a mysterious note and a swirl of rumours.

They shared a moment, if you can call it that, the night before Jean disappeared. A group of them had been drinking hard and they ended up in a seedy harbour side bar, where Hop left Jean in the company of a couple of big name studio crooners with a reputation for playing very rough.… Read more

Book review: David Whish-Wilson’s Line of Sight

I am not going to let the fact that I have not read a book stand in the way of publishing a review of it, especially when the book in question sounds as interesting as the second novel by West Australian-based author David Whish-Wilson.

This review was originally appeared on the blog of my partner in crime Angela Savage, whose own book, The Half Child, has recently been released by Text Publishing.

Line of Sight is set in Perth in 1975 and is based on real events surrounding the unsolved murder of South Perth brothel owner Shirley Finn. In Whish-Wilson’s novel, the victim is celebrity brothel madam Ruby Devine whose body is found in her car, abandoned on a Perth golf course. Like Finn, she was shot at close range four times in the back of the head.

Superintendent Frank Swann formed a friendship with Ruby Devine when he worked as a detective in Kalgoorlie some ten years earlier. Though prostitution was illegal, Kalgoorlie was ‘famous for its prostitutes’ and Swann, adopting a harm reduction approach before it was fashionable, took steps to control rather than suppress the industry. However, as he makes clear to the Royal Commission into Matters Surrounding the Administration of the law Relating to Prostitution, which opens as the novel begins:

“It was not my practice to solicit monetary of sexual favours from Ruby Devine, or from anyone else…I am on the record as saying that there has never been a time in the history of this state when prostitution and some of the policemen who controlled it haven’t come to a financial understanding.… Read more

The Friends of Eddie Coyle

The Friends of Eddie CoyleOf the crime films coming out of the United States in the early seventies, it’s hard to think of one that’s tougher and grittier than the 1973 neo-noir, The Friends of Eddie Coyle.

Set in Boston’s criminal milieu, The Friends of Eddie Coyle is a no frills depiction of desperate men doing whatever they have to do to stay one step ahead of each other and the law.

And none of them is more desperate than Eddie ‘Fingers’ Coyle (Robert Mitchum). A 51 year-old ex-con, a gun runner and Christ knows what else in his criminal career, Coyle’s got a wife, three kids and the prospect of a three to five-year jail stretch for being caught driving a truckload of stolen whisky.

We first glimpse Coyle getting his coffee and slice of pie in an all night diner before sitting down to talk business with the young Turk, Jackie Brown (Steven Keats), from who he gets his merchandise.

The punk gives him lip and Coyle has to set him straight with the story about how he got his nickname and an extra set of knuckles on one hand, courtesy of a gun deal gone wrong.

“You can’t trace these guns, I guarantee that,” whines Brown.

“You better, or neither of us will be able to shake hands,” deadpans Coyle.… Read more

Cutter’s Way: post traumatic noir

review_Cutters-WayAmerican crime films in the seventies and early eighties were littered with the damaged veterans of the Vietnam War.

They appear in most of the key crime sub-genres: the revenge film (Rolling Thunder), the road movie (Electra Glide in Blue), the drug sub-culture (Who’ll Stop the Rain, the adaption of Robert Stone’s novel, Dog Soldiers), and Blaxsploitation (the 1973 film, Gordon’s War, to name just one of many).

Film noir’s contribution is the 1981 movie, Cutter’s Way.

As Woody Haut argued in Neon Noir, his book on contemporary American crime fiction, Vietnam not only damaged the body politic it blurred the line between the perpetrators of crimes and the people who investigate them. In Cutter’s Way the quest to avenge a young woman’s murder is left to the rejects and outsiders who populate the underbelly of post-Vietnam American society.

Richard Bone (Jeff Bridges), a part-time gigolo and boat salesman, is returning from a late night assignation when his beat-up car stalls in an alleyway. Another vehicle pulls up behind him and in the heavy rain and headlight glare we see a man get out and throw something into a nearby rubbish bin. The car speeds off, nearly hitting Bone in the process.… Read more

The Red Riding trilogy: David Peace’s Northern England nightmare

Seldom does the nuance and grit of hard-boiled and noir crime fiction translate to the screen. A brilliant exception is the movie adaptations of English writer David Peace’s Red Riding Quartet of books.

Tony Crisoni – who has very few credits of note under his belt with the exception of the screenplay for the 1998 version of Fear and Loathing in Las Vegas – has taken Peace’s dense, multi-layered alternative history of murder and police corruption in northern England in the seventies and early eighties, and delivered three disturbing and gripping movies. A feat that is all the more amazing given they were made for TV in the UK.

The first film, 1974, follows cocky young reporter Eddie Dunford as he attempts to prize open the mystery surrounding the unsolved murders of a number of young girls, the latest of whom has just been found sexually abused and with swan’s wings stitched to her back.

In the course of his investigation he comes into contact with John Dawson, a local businessman embroiled in a corrupt relationship with the police, and BJ, an elusive male prostitute. He also becomes sexually involved with the despondent mother of one of the missing girls. In the face of escalating threats, Dunford continues his efforts to find the truth with horrendous consequences.… Read more