Category Archives: Crime fiction

Book review: Death of a Red Heroine

Several months ago, I did a post (which you can view here) on why so little indigenous crime fiction comes out of China.

One of the authors I mentioned, probably the best known Chinese crime writer in the West, is the Chinese born US-based Qui Xiaolong. His character, a poetry-sprouting cop called Chen Cao based in Shanghai, has featured in several novels.

When Karen Chisholm, one of the reviewers of the excellent site Australian Crime Fiction, mentioned she was reviewing one of Xiaolong’s books, Death of a Red Heroine, published in 2000, I was keen to cross post it. Her review is below.

Book synopsis:

Shanghai in the mid-1990s is a city caught between reverence for the past and fascination with a tantalizing, market-driven present. When the body of a young “national model worker,” revered for her adherence to the principles of the Communist Party, turns up in a canal, Chen is thrown into the midst of these opposing forces. As he struggles to unravel the hidden threads of this paragon’s life, he finds himself challenging the very political forces that have guided his life since birth. With party-line-spouting superiors above him and detectives who resent his quick promotion beneath him, Chen finds himself wondering whether justice is a concept at all meaningful in late-20th-century China.… Read more

Peril in the sex jungle: sixties Australian pulp

The popularity of my recent post on the hey-day of Australia’s local pulp fiction industry in the 1940s and 1950s has provided me with an excuse for a reprise, this time with a selection of pulp paperback covers from the 1960s.These are sourced from the titles I’ve collected over the years from opportunity shops and second hand books dealers, hence the poor condition of some of the covers.

I don’t know of any history of pulp fiction publishing in Australia in the sixties and early seventies (but I’d would love to hear from any reader that does).

Although the local publishing industry was hit hard when restrictions on the import of foreign paperbacks were lifted in 1959, it was by no means eradicated.

In addition to local reprints of foreign titles, publishing houses such as Horwitz, Cleveland and Scripts continued to pump out a selection of titles, including crime, westerns, war and romance stories.

As was the case in the UK and America, in the sixties Australian pulp publishers started producing kitchen sink and exploitation fiction, often dressed up as lurid exposés of drug use and sexual promiscuity. These fed off mainstream society’s fears of youth rebellion and changing sexual standards.

Exhibit A is the following selection of locally produced pulps that expose the sleazy underbelly, real and imagined, of Sydney’s Kings Cross.… Read more

Interview: David Whish-Wilson, part 2

Below is part two of the interview with David Whish-Wilson, the WA based author of Line of Sight. Part one of the interview can be viewed here.

Is the history that you based Line of Sight on well known within WA? What was the reaction locally to the book?

The murder of Shirley Finn is probably Perth’s most notorious unsolved murder, notorious because of the persistent (and correct) rumours of police involvement. You might even say that Shirley’s murder has achieved the status of myth – the kind of myth that develops when there’s so little on the public record, and which functions to fill in the gaps left by unanswered questions. As a writer, of course, that frontierland between truth and fiction and myth and legend is an interesting region to explore. The good news is that Line of Sight has been very well received over here, and it’s gratifying to have been contacted on a number of occasions by ex-policemen and ex-prostitutes and others from the period who have expressed their satisfaction that finally this story has been told in a fairly truthful manner, even if it’s a work of fiction.

I did toss up whether to write the murder of Shirley Finn as a work of fiction, or of non-fiction, and in the end decided for a couple of reasons to write it as a novel, primarily because there’s so little on the public record about her murder, and specifically because people are still very afraid to speak on the record.… Read more

David Whish-Wilson Interview part 1

David Whish-Wilson’s Line of Sight was one of my favourite crime fictions reads of 2010. A re-telling of the events following the murder of a notorious Perth brothel madam, Shirley Finn, the book deals with crime and corruption in seventies WA. It’s a fantastic piece of hard-boiled noir writing, unusual for the Australian scene. I’m obviously not the only person singing it’s praises, as Line of Sight is in the running for best first fiction book in the upcoming Ned Kelly Awards.

A review of Line of Sight appeared on Pulp Curry last year. Since then, I’ve been hassling David for an interview. A few weeks ago we finally pulled it off. As finding a time to talk by phone proved difficult, David very generously agreed to provide written answers via e-mail to my questions. His detailed responses are fascinating, particularly to someone such as myself with little knowledge of life in the West. Instead of cutting them back, I decided to run the interview in two parts. Part two will appear tomorrow.

Line of Sight takes as its starting point the real life murder in the seventies of a Perth brothel madam called Shirley Finn (known as Ruby Devine in the book). How did you come across the story of Finn and what made you think it would make the premise of a good crime story?Read more

Bangkok Noir?

Having lived in Bangkok in the mid-nineties and visited the city many times, I can only concur with Christopher G Moore that the new anthology he has edited, Bangkok Noir, is overdue.

I’ve long lamented to anyone who’ll listen that writers do not make more of Asia as a setting for crime fiction. Thailand is no exception. Things happen there every day, fantastic and awful that you simply could not make up if you tried.

Of the many noir anthologies to hit the shelves in recent years, only one other is set in Asia, Dehli Noir. To add to the allure of Bangkok Noir, two of the 12 stories are by Thai authors, although women don’t figure at all which is a bizarre omission.

The major question I have in relation to the anthology is whether it’s actually noir.

There’s a time to get picky about the definition of ‘noir’. I reckon when someone includes the word in the title of their book and there’s every indication that book will be the first of a series, that time is now.

Moore deals with the question of what is noir in the preface to the anthology and in a post he wrote here in late March for the website International Crime Authors Reality Check.

Read more