Category Archives: Crime fiction

Book review: The End of Everything

EndThe plot of Megan Abbott’s The End of Everything is deceptively simple.

Evie and Lizzie are two 13 year-old girls and best friends, coming of age in a nameless suburb in seventies Middle America. It’s an idyllic setting until the night Evie goes missing and nothing is ever the same.

Has she run away or was she taken? If she was taken was it a child killer or white slavers? The police have nothing to go on as rumours spread like wildfire.

What does Lizzie know? A hell of a lot more than she realises. If only she can piece it all together. All girls have secrets, but this one’s a real doozy that threatens to bring about, literally, the end of everything.

The End of Everything is new territory for Abbott. Her four previous novels, Die A Little, The Song Is You, Bury Me Deep and Queenpin, all of which I’ve read, are set earlier in the last century and give a hard-boiled but uniquely feminine take on the locations and character stereo types of classic noir.

They are all fantastic reads. Abbott’s bigger than Ben Hur in the US and she deserves to be here.

Her jump into the territory of suburban teen angst could have delivered a simple Virgin Suicides-type tale.… Read more

Behind the bamboo screen: Asian pulp covers of the sixties and seventies

Regular readers of Pulp Curry will by now be familiar with my obsession with pulp paperbacks from the fifties, sixties and seventies (previous posts on which you can be see here, here and here).

The following selection, sourced from my collection, is one I’ve wanted to do for a while now – Asian themed pulp paperback covers from the sixties and seventies. These are mainly from the United States with a smattering of Pan Books from the United Kingdom thrown in.

Not surprisingly, given the hysteria generated by the Cold War, the threat posed by the so-called “red menace” is a key theme of most of these titles, such as The Bamboo Screen, the story of an innocent Westerner thrown into “a savage world of spies and Oriental beauty,” a place where “life was cheap and love was a tool”.

Hong Kong was a favoured location for many of the do or die battles with Communism, as can be seen in Assignment Hong Kong and Twelve Hours to Destiny. Operation Hong Kong is one of a number of titles put out by Solider of Fortune magazine in the seventies: “Rainey has to stop Chinese agents from turning Hong Kong into a bloodbath”.

Other popular locations were Vietnam (Simon Harvester’s Battle Road), and jungles of Malaya in Mark Darby’s The Tigress, a place where “death stalked…with a Sten gun in its hands.”… Read more

New crime anthologies and Ned Kelly Awards

An interesting trend that seems to be occurring parallel with the rise of e-publishing is the growing popularity of short story anthologies.

I’m told by people who know about these things, that anthologies are not popular with mainstream publishers. Well, e-publishing is now allowing small niche publishers to get their product out there.

Exhibits A and B are two upcoming crime anthologies, both of which I have stories in.

In September, the first Crime Factory anthology will be available through US indie crime publisher, New Pulp Press.

Crime Factory: The First Shift contains 28 noir stories from established and emerging authors in the US, UK, South Africa and Australia. There’s names Australian crime readers may be familiar with, including Ken Bruen (author of The White Trilogy and London Boulevard), Adrian McKinty (Falling Glass), and local writer, Leigh Redhead (Thrill City).

First Shift is also a chance for Australian audiences to check out several members of the new wave of noir writers in the United States who are relatively unknown here, including Hilary Davidson, Dave Zeltserman, Scott Wolven and Dennis Tafoya. South African writer, Roger Smith, whose upcoming book Dust Devils is on my to read list, also contributed a story.

You can pre-order Crime Factory: The First Shift here at Barns and Noble and Amazon.… Read more

Books my father read

July 24 was the fourth anniversary of the death of my father, William Nette.

He died peacefully in hospital on the Queensland Gold Coast, where he had retired with my mother many years earlier. He was 86.

Like many father-son relationships, we didn’t always get on. That’s putting it mildly. But he brought a lot of positive influences to my life.

He turned me onto the joy of jazz, Ella Fitzgerald, Louis Armstrong, Art Blakey and Dave Brubeck. He had a large collection of 78s wrapped in brown paper that he’d secreted out of Papua New Guinea, where he was an armed forces disc jockey during the war, along with cartons of cigarettes he later sold in Australia.

Only recently have I realised he’s also responsible for much of the delight I find in reading and my particular fondness of crime fiction.

I remember the pivotal moment quite clearly. I was thirteen. He came home from work one day and, to my complete horror, announced he was withholding my allowance until I started reading books (comics, which I loved, didn’t count).

He set the first two books, Robinson Crusoe, followed by Treasure Island. They were heavy looking volumes with no pictures that had belonged to my father when he was a boy.… Read more

Interview: Timothy Hallinan

The Queen of Patpong is the the fourth book by Timothy Hallinan set in Thailand featuring the character of Poke Rafferty, a Filipino Irish PI, but the first one I’ve read. As the book opens, Rafferty is living peacefully enough in Bangkok with his ex-bar girl wife Rose and Miaow, a young street kid they have more or less adopted. Until a very bad man called Howard Horner enters the story. He’s a security contractor in Afghanistan with a link to Rose’s past as a prostitute. Most of the book is an extended journey through Rose’s past, starting when she was a young girl called Kwan living in a poor village in the Thai countryside, through to her journey into the sex trade in Bangkok.

It’s one of the most interesting and unusual crime novels I’ve read recently. Tim was kind enough to answer some questions about his work for Pulp Curry.

I’ve just finished reading The Queen of Patpong. It’s your fourth Poke Rafferty book, but the first I’ve read. What made you want to set a crime novel in Thailand?

I’ve lived there off and on for 30 years, and it’s the most interesting city I know – just a total collision between sleaze and spirit, luxury and poverty, sprawl (it’s the third-biggest city in the world in terms of area) and small towns, because a lot of the little neighborhoods that make it up were once towns that the city ate, and they remain very insular. Read more