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Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
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Category Archives: Crime fiction
Pulp on the big screen
This month sees the 50th anniversary of the Mike Hodges film, Pulp.
I feel like Pulp, which I reviewed on this site here back in 2016, does not get a lot of love from people, but I am a fan of its bizarre, at times almost campy noir vibe. Most of all, I like the fact that it is an ode to the era of mass produced literature and to a time when pulp, in all its forms, could still be dangerous.
The lead character is a sleazy expat British expat pulp writer called Mickey King, played by Michael Caine, a nod to the prolific writer Earl Stanley Gardner. King’s dialogue drips with sleazy pulp cadence and the film is full of images of pulp in its many forms.
Ever since watching this film, I have been on the look-out for signs of pulp in the movies. As a 50th anniversary tribute to the Hodges film, below are the screenshots of what I have managed to find so far. I am sure there are many others and I would love readers to alert me to ones I have missed or to help me identify the ones below that I have not been able to identify.
… Read morePosted in 1960s American crime films, 1970s American crime films, 1990s American crime films, Beat culture, British crime cinema, British pulp fiction, Crime fiction, Crime film, Film Noir, Horror, Men's Adventure Magazines, Michael Caine, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Vintage pulp paperback covers, Westerns
Tagged Michael Caine, Mike Hodges, Pulp (1972), Pulp in movies, Pulp on the screen
September events: Australian pulp fiction and Dangerous Visions & New Worlds
September is shaping up to be a busy month for me, with three events that Pulp Curry readers might be interested in.
September 2nd to 4th is the inaugural Port Fairy Literary Weekend, which is being organised by the Wonderful Blarney Books and Art. The entire program, which looks great, can be viewed on-line here. I will be taking part in a panel titled ‘Dangerous Visions’ on the Saturday afternoon of the festivities. ABC journalist Matt Neal will be interviewing me about the book I co-edited with Iain McIntyre, Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1985, along with Mykaela Saunders and Jack Latimore, two writers who are part of a new anthology of First Nations science fiction, This All Come Back Now. I have a copy of This All Come Back Now and am looking forward to reading it before the event.
I will also have the remaining stock of my science fiction book, as well as copies of the first two in the series, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture 1950-1980 and Sticking it to the Man: Revolution and Counterculture in Pulp and popular Fiction 1950-1980, for sale at the festival. Tickets for the event can be purchased via the website here.… Read more
Posted in Australian crime fiction, Australian popular culture, Australian pulp fiction, Book cover design, British pulp fiction, Crime fiction, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, Fawcett Gold Medal Books, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Horwitz Publications, James Hadley Chase, Pan Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp paperback cover art, Science fiction and fantasy, Scripts Publications, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980, Vintage pulp paperback covers
Tagged Anthem Press, Australian Centre for Literary Cultures, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, Girl Gangs Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture 1950 to 1980, Horwitz Publications, Port Fairy Literary Weekend, Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction 1950-1980, This All Come Back Now
Spaces available in my online clinic for emerging crime writers
There are a few places remaining in the Writers Victoria online clinic that I am running for emerging crime writers in the second half of 2022, which starts next week.
If you’re keen to start a writing crime novel or short stories but you are unsure where to start, or if you are part-way through a manuscript and need help to finish or polish it, this online clinic will provide deadlines and support as you do so, pushing through blockages and problem passages. Participants will receive individualized feedback, including on structure, setting, pace, character and dialogue. This online course actively encourages sharing of your work with your cohort as well as with the tutor.
This is a completely safe space for you to submit drafts and have commented on by me, and/or to ask those burning questions you may have that you have never been able to get answered.
There is discount for members of Writers Victoria and other state writers organisations in Australia, but because the course is online you do not have to be in Melbourne – indeed, you don’t even have to be in Australia – to take part.
You can find all the information you need by going to this link at the Writers Victoria site here.… Read more
Mid-year reading report back: David Whish-Wilson, Simenon takes a train & 1970s Mexico noir
It already half-way through the year, and I thought a quick report on the highlights of my reading so far is in order. This is especially since I have a couple of big writing projects on the go and, as a result, will probably not have the time to do anything of the sort again before the end of the year.
So, let’s get to it.
The Sawdust House, David Whish-Wilson
Regular readers will have seen me talk before on this site about how much I rate David Whish-Wilson. I genuinely believe he is one of the most underrated crime writers working in Australia today and his latest does nothing to disabuse me of this view. The Sawdust House is Whish-Wilson’s second book to explore the lost Australian history of mid-19th century San Francisco. The Coves (2018) told the story of Australian criminals, many of them former convicts, who drifted to the San Francisco in the hopes of making a fortune amidst the gold rush gripping the west coast of the US at the time, and who assumed a major role in the lawless city’s criminal world. The Sawdust House focuses on the life of one of these men, Irish-born James ‘Yankee’ Sullivan, who has been arrested as part of the nativists attempt to root out and crush Australian criminal influence in San Francisco.… Read more
Posted in Book Reviews, Crime fiction, David Whish-Wilson, Derek Raymond, Georges Simenon, Laura Elizabeth Woolett, Neo Noir, Noir fiction, Ted Lewis
Tagged Beautiful Revolutionary, David Whish-Wilson, Derek Raymond, Georges Simenon, He Died with His Eyes Open, How the Dead Live, Laura Elizabeth Woollett, Once Upon a Time In Hollywood, Quentin Tarantino, Silvia Moreno-Garcia, Ted Lewis, The Love of a Bad Man, The Newcomer, The Sawdust House, The Snow Was Dirty, The Train, Velvet was the Night
Horwitz Publications, Pulp Fiction & the Rise of the Australian Paperback
I know that this site has not been getting quite as much attention from me as usual over the last year. This is largely because I have been so busy with various book projects. A quick update on these might be in order.
First up is my academic monograph, Horwitz Publications, Pulp Fiction & the Rise of the Australian Paperback. Out via the Anthem Press Studies in Australian Literature and Culture series in early July, it now has a cover and is available for pre-order. It is in hardcover, with a price that reflects the fact that it is being targeted at institutions and, in particular, libraries, in the first instance, but I have negotiated with Anthem for a much cheaper paperback version of the book will be released by Anthem next year.
Horwitz Publications, Pulp Fiction & the Rise of the Australian Paperback originated in a PhD I took at Sydney’s Macquarie University and turning it into a monograph has taken a considerable amount of my time over the last year. Regular readers will no doubt be familiar with Horwitz, as the publisher of many of the paperback covers that I post on this site. My study is the first book length examination of Australian pulp and one of the few detailed studies I am aware of a specific pulp publisher to appear anywhere.… Read more
Posted in Australian crime fiction, Australian popular culture, Australian pulp fiction, Australian television history, Book cover design, British pulp fiction, Carter Brown, Crime fiction, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, Fawcett Gold Medal Books, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Gold Star Publications, Horwitz Publications, Men's Adventure Magazines, Mickey Spillane, Noir fiction, Pan Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp paperback cover art, Science fiction and fantasy, Scripts Publications, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980, True crime, Vintage pulp paperback covers
Tagged Anthem Press, Australian pulp fiction, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1980, Down and Out Books, Girl Gangs Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture 1950 to 1980, Gunshine State, Horwitz Publication Pulp Fiction and the Rise of the Australian Paperback, Horwitz Publications, Orphan Road, PM Press, Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction 1950-1980