Category Archives: Crime fiction

Book review: The Cold Cold Ground

I’ve been an Adrian McKinty fan ever since reading Falling Glass last year and was keen as hell to get his latest, The Cold Cold Ground.

McKinty’s books are the kind of crime fiction I love, sharp, well written, combining political analysis with a hard noir edge.

I’ll be doing a longer review of The Cold Cold Ground in the next issue of Crime Factory. I just wanted to do a short post on it here, partly because it’s such a good book and deserves all the kudos is can garner and partly because it’s another chance for me to spruik the launch of Crime Factory Publications on March 5. McKinty will be one of the authors attending and reading from his work, along with Megan Abbott, David Whish Wilson and Leigh Redhead.

The Cold Cold Ground is set in the spring of 1981. Sean Duffy is a cosmopolitan, well education Catholic cop posted to the fiercely Protestant working class town of Carrickfergus. In other words, a complete fish out of water.

As if it’s not bad enough that Duffy has to start every day checking under his car for IRA bombs, the economy is collapsing and civil war seems imminent following the death of Republican hunger striker Bobby Sands.… Read more

Crime Factory Publications clocks on

Put the night of March 5 in your diaries, people. That’s the launch of Crime Factory Publications, a (very) small publishing company I’ve set up with my two colleagues and friends from Crime Factory magazine, Cameron Ashley and Liam Jose.

A couple of months ago on this blog I mentioned 2012 was going to be a big year for me. In addition to several short stories coming out around the place in the next couple of months, my novel will be out as an e-book around mid-year with Snubnose Press. On top of all this, I’ve now got my own slice of the publishing business (he says, tongue firmly in cheek).

The Crime Factory crew have been discussing taking our work to the next level for a while now. Several factors drove the decision to finally bite the bullet.

First and foremost, nine issues of Crime Factory magazine (of which I’ve been on board for the last four) have given us contacts and access to quality crime fiction from great writers. We don’t always make the most of this and push the great writing we get as much as possible. Starting our own outfit is one way to reverse this situation. We also wanted to raise the profile of the magazine here in Australia where, in comparison to the US, we’re pretty much unknown.… Read more

Pulp Friday: Opium Flower by Dan Cushman

“They were out to hook the whole world with the filthy stuff – Ryan had to stop them even if it meant losing the most luscious play-mate in the Orient.”

There’s pulp covers and then there’s pulp covers and I reckon this one is a beauty.

It perfectly combines two of my main obsessions, sixties pulp paperback art and crime fiction set in Asia, in this case Laos.

Opium Flower was published by Bantam Books in 1963. Author, Dan Cushman, was a regular pulp writer for US outfits such as Bantam and Gold Medal, where he penned tough guy pulp stories. Many of them, including Jewel of the Java Sea (1951) and Port Orient (1955) were set in Asia.

The back cover blurb for Opium Flower is great:

“Opium. Somehow it was getting back to the State. From Harlem to Venice City, the hopheads were practically floating in it. Ryan was the only man who could stop the flow at its deadly source – Laos.

All he had to do was become the second son to the biggest opium dealer in the world, endure the most insidious tortures ever devised by man and fight his way out of the dirtiest double-cross ever invented.

If he survived, it was worth every excruciating minute.Read more

Interview: Sam Hawken, author of The Dead Women of Juarez

The Dead Women of Juarez was one of my favourite summer reads of 2012. It’s a hard-boiled crime novel set against the backdrop of the real life horror taking place in the Mexican city of Juárez, across the US border, where as many as 5000 women have been murdered since 1993.

I recently posted a review of this book here. The book’s author, Sam Hawken, was kind enough to agree to answer some questions by e-mail from Texas about his work.

What was the inspiration for writing The Dead Women of Juárez?

The story of the dead women is inspiration all by itself. I first found out about the problem while visiting Amnesty International’s site looking for something else entirely and immediately I thought it would make for a good story. It’s hard to beat real life when you’re coming up with ways people make other people miserable.

One of the things I liked about your book was the way you were able to set a hard boiled crime story against the backdrop of such horrific real life events, without trivialising or sensationalising them. Crime fiction is an excellent way of holding up a mirror to society’s problems but it can be hard to do. Was that something you were conscious of when you were writing and was it difficult to pull off?Read more

Book review: The Dead Women of Juarez

It’s a tough sell setting crime fiction against a backdrop of real life horrors without coming across as sensationalist or trivial. But this is precisely what Sam Hawken attempts to do in his first book, Dead Women of Juarez, and pulls it off fantastically.

The real life horror in question takes place in the Mexican city of Juarez, just across the border from the United States. Juarez is famous for two things: as a magnet for multinational companies seeking cheap, mainly female, labour, and the fact since 1993 as many as 5,000 women have been murdered there and no one has been brought to justice.

Hawken inserts into this picture the fictional character of Kelly Courter, a washed up, junkie boxer who makes a living as a punching bag for younger, hungrier Mexican fighters. As a sideline, he traffics and sells drugs for Esteban, his friend and the brother of Kelly’s on again, off again girlfriend and women’s rights activist, Paloma.

Kelly is in self-exile in Juarez, escaping the legal and moral consequences of a fatal mistake, the details of which we learn much later on in the book. It’s a day-by-day struggle to survive in a tough town, constantly being shadowed by grizzled Mexican narcotics cop, Sevilla, apparently intent on busting Kelly for his illegal activities.… Read more