Search
-
Recent Posts
- Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
- Book reviews: Deadly dames, midcentury Brit pulp and 1970s science fiction
- Mackenna’s Gold (1969): Gold, Ghosts and Frontier Violence
- Orphan Road book launch
- Orphan Road now available
- Pre-orders open for my new novel, Orphan Road
- Cover reveal: Orphan Road, my follow up to Gunshine State
- Breakfast in the Ruins podcast: New English Library Bikermania
- Why 1973 was the year Sidney Lumet took on police corruption
- Men’s Adventure Quarterly: Gang Girls issue
Categories
- 1960s American crime films
- 1970s American crime films
- 1980s American crime films
- 1990s American crime films
- Adrian McKinty
- Albert Dekker
- Andre De Toth
- Angela Savage
- Angie Dickinson
- Anthony Zerbe
- Asian noir
- Australian crime fiction
- Australian crime film
- Australian noir
- Australian popular culture
- Australian pulp fiction
- Australian television history
- Ava Gardner
- Beat culture
- Belmont Tower Books
- Ben Wheatley
- Billie Whitelaw
- Black pulp fiction
- Blaxsploitation
- Book cover design
- Book Reviews
- British crime cinema
- British pulp fiction
- Bryan Brown
- Burt Lancaster
- Carter Brown
- Charles Durning
- Charles Willeford
- Chester Himes
- Christopher G Moore
- Christopher Lee
- Cinema culture
- Claude Atkins
- Coronet Books
- Crawford Productions
- Crime Factory
- Crime Factory Publications
- Crime fiction
- Crime fiction and film from Africa
- Crime fiction and film from Cambodia
- Crime fiction and film from China
- Crime fiction and film from India
- Crime fiction and film from Indonesia
- Crime fiction and film from Japan
- Crime fiction and film from Laos
- Crime fiction and film from Latin and Central America
- Crime fiction and film from Malaysia
- Crime fiction and film from New Zealand
- Crime fiction and film from Scandinavia
- Crime fiction and film from Singapore
- Crime fiction and film from South Korea
- Crime fiction and film from Thailand
- Crime fiction and film from the Philippines
- Crime Fiction and film set in Vietnam
- Crime film
- Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985
- David Goodis
- David Peace
- David Whish-Wilson
- Derek Raymond
- Diana Dors
- Dirk Bogarde
- Don Siegel
- Don Winslow
- Donald Westlake aka Richard Stark
- Dystopian cinema
- Ernest Borgnine
- Eurocrime
- Fawcett Gold Medal Books
- Femme fatale
- Fernando Di Leo
- Filipino genre films
- Film Noir
- Forgotten Melbourne
- French cinema
- French crime fiction
- Garry Disher
- Gene Hackman
- George V Higgins
- Georges Simenon
- Ghost Money
- Giallo cinema
- Gil Brewer
- Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980
- Gloria Grahame
- Gold Star Publications
- Gregory Peck
- Gunshine State
- Heist films
- Horror
- Horwitz Publications
- Humphrey Bogart
- Ian Fleming
- Interviews
- Ira Levin
- James Caan
- James Crumley
- James Ellroy
- James Hadley Chase
- James Woods
- Jim Brown
- Jim Thompson
- Joel Edgerton
- John Frankenheimer
- Joseph Losey
- Karen Black
- Kerry Greenwood
- Kinji Fukasaku
- Larry Kent
- Laura Elizabeth Woolett
- Lee Marvin
- Leigh Redhead
- Lindy Cameron
- M Emmet Walsh
- Mad Max
- Mafia
- Malla Nunn
- Martin Limon
- Megan Abbott
- Melbourne International Film Festival
- Melbourne Writers Festival
- Men's Adventure Magazines
- Michael Caine
- Michael Fassbender
- Mickey Spillane
- Monarch Books
- Ned Kelly Awards
- Neo Noir
- New English Library
- Newton Thornburg
- Noir Con
- Noir fiction
- Non-crime reviews
- Oren Moverman
- Orphan Road
- Ozsploitation
- Pan Books
- Parker
- Paul Newman
- Peter Boyle
- Peter Corris
- Peter Strickland
- Peter Yates
- Poliziotteschi
- Pulp fiction
- Pulp fiction in the 70s and 80s
- Pulp fiction set in Asia
- Pulp Friday
- Pulp paperback cover art
- Qui Xiaolong
- Raymond Chandler
- Richard Burton
- Richard Conte
- Robert Aldrich
- Robert Mitchum
- Robert Ryan
- Robert Stone
- Rock Hudson
- Roger Smith
- Rollerball
- Rosaleen Norton
- Roy Scheider
- Rural noir
- Sam Levene
- Sam Peckinpah
- Samuel Fuller
- Science fiction and fantasy
- Scripts Publications
- Sidney Lumet
- Sidney Poitier
- Simon Harvester
- Snowtown
- Snubnose Press
- Spies
- Stanley Baker
- Sterling Hayden
- Steve McQueen
- Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
- Stuart Rosenberg
- Tandem Books
- Tart noir
- Tartan Noir
- Ted Lewis
- Toni Johnson Woods
- True crime
- Vicki Hendricks
- Victor Mature
- Vintage mug shots
- Vintage pulp paperback covers
- Wallace Stroby
- War film
- Westerns
- William Friedkin
- Woody Strode
- Yakuza films
- Yaphet Kotto
Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
- Bear Alley
- Bloody, Spicy, Books
- Comics Down Under
- Everything second hand
- Existential Ennui
- Greenleaf Classic Books
- Irv O. Neil's Erotica is My Trade
- Killer Covers
- Lost Classics of Teen Lit 1939-1989
- Luminist Archives
- Men's Pulp Mags
- Mporcius Fiction Log
- Murder, Mayhem and Long Dogs
- Neglected Books
- Nocturnal Revelries
- Paperback Warrior
- Paperbacks of the Gods
- Pop Sensation
- Pulp artists
- Pulp Covers
- Pulp Crazy
- Pulp Flakes
- Pulp International
- Pulp Magazines Project
- Pulp Serenade
- Realms of the Night
- Romance Fiction Has a History
- Rough Edges
- Sin Street Sleaze
- Spy Guys and Gals
- The department of Afro American Research Arts & Culture
- The Dusty Bookcase
- The Haunted World of Richard Sala
- The Moon Lens
- The Nick Carter & Carter Brown Blog
- The Pulp & Paperback Fiction Reader
- Too Much Horror Fiction
- True Pulp Fiction
- Vault of Horror
- Vintage Nurse Romance Novels
- Vintage Romance Novels
- Welcome to the Pan Paperback
- Yellow and Creased
Support This Site
If you like what I do please support me on Ko-fi
Category Archives: Crime fiction
Book review: The Cold Cold Ground
I’ve been an Adrian McKinty fan ever since reading Falling Glass last year and was keen as hell to get his latest, The Cold Cold Ground.
McKinty’s books are the kind of crime fiction I love, sharp, well written, combining political analysis with a hard noir edge.
I’ll be doing a longer review of The Cold Cold Ground in the next issue of Crime Factory. I just wanted to do a short post on it here, partly because it’s such a good book and deserves all the kudos is can garner and partly because it’s another chance for me to spruik the launch of Crime Factory Publications on March 5. McKinty will be one of the authors attending and reading from his work, along with Megan Abbott, David Whish Wilson and Leigh Redhead.
The Cold Cold Ground is set in the spring of 1981. Sean Duffy is a cosmopolitan, well education Catholic cop posted to the fiercely Protestant working class town of Carrickfergus. In other words, a complete fish out of water.
As if it’s not bad enough that Duffy has to start every day checking under his car for IRA bombs, the economy is collapsing and civil war seems imminent following the death of Republican hunger striker Bobby Sands.… Read more
Crime Factory Publications clocks on
Put the night of March 5 in your diaries, people. That’s the launch of Crime Factory Publications, a (very) small publishing company I’ve set up with my two colleagues and friends from Crime Factory magazine, Cameron Ashley and Liam Jose.
A couple of months ago on this blog I mentioned 2012 was going to be a big year for me. In addition to several short stories coming out around the place in the next couple of months, my novel will be out as an e-book around mid-year with Snubnose Press. On top of all this, I’ve now got my own slice of the publishing business (he says, tongue firmly in cheek).
The Crime Factory crew have been discussing taking our work to the next level for a while now. Several factors drove the decision to finally bite the bullet.
First and foremost, nine issues of Crime Factory magazine (of which I’ve been on board for the last four) have given us contacts and access to quality crime fiction from great writers. We don’t always make the most of this and push the great writing we get as much as possible. Starting our own outfit is one way to reverse this situation. We also wanted to raise the profile of the magazine here in Australia where, in comparison to the US, we’re pretty much unknown.… Read more
Posted in Adrian McKinty, Angela Savage, Australian noir, Crime Factory, Crime Factory Publications, Crime fiction, David Whish-Wilson, Garry Disher, Leigh Redhead, Megan Abbott, Snubnose Press
Tagged Adrian Mckinty, Angela Savage, Crime Factory, Crime Factory Publications, Crime Factory: First Shift, Crime Factory: Hard Labour, Crimes in Southern Indiana, Dust Devils, Frank Bill, Garry Disher, Ghost Money, Helen Fitzgerald, Hilary Davidson, Ken Bruen, London Boulevard, Megan Abbott, New Pulp Press, Roger Smith, Snubnose Press, The Cold Cold Ground, The damage Done, Wyatt
Pulp Friday: Opium Flower by Dan Cushman
“They were out to hook the whole world with the filthy stuff – Ryan had to stop them even if it meant losing the most luscious play-mate in the Orient.”
There’s pulp covers and then there’s pulp covers and I reckon this one is a beauty.
It perfectly combines two of my main obsessions, sixties pulp paperback art and crime fiction set in Asia, in this case Laos.
Opium Flower was published by Bantam Books in 1963. Author, Dan Cushman, was a regular pulp writer for US outfits such as Bantam and Gold Medal, where he penned tough guy pulp stories. Many of them, including Jewel of the Java Sea (1951) and Port Orient (1955) were set in Asia.
The back cover blurb for Opium Flower is great:
“Opium. Somehow it was getting back to the State. From Harlem to Venice City, the hopheads were practically floating in it. Ryan was the only man who could stop the flow at its deadly source – Laos.
All he had to do was become the second son to the biggest opium dealer in the world, endure the most insidious tortures ever devised by man and fight his way out of the dirtiest double-cross ever invented.
If he survived, it was worth every excruciating minute.… Read more
Interview: Sam Hawken, author of The Dead Women of Juarez
The Dead Women of Juarez was one of my favourite summer reads of 2012. It’s a hard-boiled crime novel set against the backdrop of the real life horror taking place in the Mexican city of Juárez, across the US border, where as many as 5000 women have been murdered since 1993.
I recently posted a review of this book here. The book’s author, Sam Hawken, was kind enough to agree to answer some questions by e-mail from Texas about his work.
What was the inspiration for writing The Dead Women of Juárez?
The story of the dead women is inspiration all by itself. I first found out about the problem while visiting Amnesty International’s site looking for something else entirely and immediately I thought it would make for a good story. It’s hard to beat real life when you’re coming up with ways people make other people miserable.
One of the things I liked about your book was the way you were able to set a hard boiled crime story against the backdrop of such horrific real life events, without trivialising or sensationalising them. Crime fiction is an excellent way of holding up a mirror to society’s problems but it can be hard to do. Was that something you were conscious of when you were writing and was it difficult to pull off?… Read more
Book review: The Dead Women of Juarez
It’s a tough sell setting crime fiction against a backdrop of real life horrors without coming across as sensationalist or trivial. But this is precisely what Sam Hawken attempts to do in his first book, Dead Women of Juarez, and pulls it off fantastically.
The real life horror in question takes place in the Mexican city of Juarez, just across the border from the United States. Juarez is famous for two things: as a magnet for multinational companies seeking cheap, mainly female, labour, and the fact since 1993 as many as 5,000 women have been murdered there and no one has been brought to justice.
Hawken inserts into this picture the fictional character of Kelly Courter, a washed up, junkie boxer who makes a living as a punching bag for younger, hungrier Mexican fighters. As a sideline, he traffics and sells drugs for Esteban, his friend and the brother of Kelly’s on again, off again girlfriend and women’s rights activist, Paloma.
Kelly is in self-exile in Juarez, escaping the legal and moral consequences of a fatal mistake, the details of which we learn much later on in the book. It’s a day-by-day struggle to survive in a tough town, constantly being shadowed by grizzled Mexican narcotics cop, Sevilla, apparently intent on busting Kelly for his illegal activities.… Read more
Posted in Book Reviews, Crime fiction, Noir fiction