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Recent Posts
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- Book reviews: Deadly dames, midcentury Brit pulp and 1970s science fiction
- Mackenna’s Gold (1969): Gold, Ghosts and Frontier Violence
- Orphan Road book launch
- Orphan Road now available
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- Why 1973 was the year Sidney Lumet took on police corruption
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Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
- Bear Alley
- Bloody, Spicy, Books
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- Existential Ennui
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Category Archives: Crime fiction
Guest post: Tony Knighton – character arc or is crime fiction literature?
Today I’m thrilled to host a guest post by my friend, Tony Knighton, Philadelphia’s only fire fighting crime writer and, I mean, he really is a fire fighter. Tony has a new book out, Three Hours Past Midnight, via Crime Wave Press, also the publishers of my first novel, Ghost Money. Three Hours Past Midnight is Tony’s second book. His first, was a terrific collection of short stories titled Happy Hour and Other Philadelphia. Three Hours Past Midnight is the story of a professional thief who teams with an old partner eager for one last score – a safe in the home of a wealthy Philadelphia politician. But they are not the only ones set on the cash. It’s on my Kindle. Read Tony’s guest post and then pick up a copy of Three Hours Past Midnight for yourself.
Take it away, Tony.
Andrew has graciously invited me to post an essay about my latest work Three Hours Past Midnight from Crime Wave Press. A novel, it is set in my hometown, Philadelphia, Pennsylvania, and features the un-named protagonist from an earlier story of mine, ‘Mister Wonderful’.
While speaking about the Richard Stark books and Stark’s master thief Parker, crime fiction writer Eryk Pruitt said, ‘The least interesting character in the Parker books is Parker’.… Read more
Guest post: AC/DC noir
I am very happy to welcome crime writer Thomas Pluck to Pulp Curry this week. He’s got a new crime novel out called Bad Boy Boogie. He’s based in New Jersey but is also a massive – and I mean massive – fan of the iconic Australia rock band, AC/DC. You reckon the book and the band aren’t connected? You reckon wrong.
I’ll let Thomas explain.
I remember first hearing the snarl of Bon Scott’s voice on the radio in my grandmother’s basement. I promptly wrote “Dirty Deeds – Done Dirt Cheap” on a scrap of lumber and put out my shingle on her desk, waiting for clients who needed whatever help a nine-year-old raised on Encyclopedia Brown could offer.
I didn’t get to give anyone concrete shoes or use TNT. I think my sister hired me to find her imaginary dog. But AC/DC stuck with me. They sounded like no other rock band I’d heard before. And I wasn’t totally sheltered. My uncle ran bars in Manhattan and the jukebox service was mob controlled, so you played what records they gave you and when they swapped them out, he came home with shoeboxes of KISS, Creedence Clearwater Revival, Marvin Gaye, Wings, and Steve Wonder.
But no AC/DC.
I wouldn’t hear much of them again until high school, when I had my own money from delivering papers and occasionally working off the books on construction sites.… Read more
Shilling some new publications
Every now and again one has to do a post that is essentially just one big shill. Well, this is one of those posts. I have been meaning to update you for a while now about current and upcoming publications I am involved in. So, here goes.
Crime Scenes Stories
I alerted readers a while ago to a new anthology of Australian short crime fiction, published by Sydney based Spineless Wonders, and edited by Zane Lovett, whose debut crime novel The Midnight Promise won best first crime at the 2014 Ned kelly awards.
Last weekend I took part in the Newcastle Writers Festival, at which the anthology, Crime Scenes, was formally launched. I have a story in this collection called ‘Postcard From, Cambodia’, along side pieces by David Whish-Wilson, Leigh Redhead, Carmel Bird, Peter Corris, PM Newton and my partner, Angela savage.
Seriously, anthologies of Australian crime fiction are a rare thing, which makes this anthology something of a special event. You can order Crime Scenes for your Kindle or in paperback from Amazon here or you can buy it directly from the Spineless Wonders site here.
Crime Factory Issue 18
Issue 18 of the award winning magazine Crime Factory, which I co-edit, is out and contains the usual great mix of fiction, features and reviews.… Read more
Posted in Australian crime fiction, Australian noir, Crime Factory Publications, Crime fiction
Tagged Beat Girls, Crime Factory, Crime Scenes, Days of Grace (2015), Evan Hunter/Ed McBain, Harlan Ellison, Lawrence Block, Love Tribes & Real Cool Cats: Pulp Fiction & Youth Culture from the 1950s to the 1980s, Newcastle Writers Festival, Nic Pizzolatto, Spineless Wonders
Mike Hodges’ Pulp & mass paperback fiction on the big screen
The opening credits of Mike Hodges’ under appreciated 1972 film, Pulp, are a delight for any fan of cheap pulp paperback fiction. As text roles across the screen (in type writer font, of course), the camera pans between the faces of the three female stenographers transcribing the words of sleazy English expat pulp writer, Mickey King (Michael Caine). As Caine’s nasal voice-over recites his latest novel, The Organ Grinder, we see the different reactions of the women, disgust, shock, and excitement. It’s a reminder that once, before it was reduced to an object of outre fascination for its cover art, pulp fiction elicited strong emotions.
The movie shifts to King, in his cheap white suit and big hair, Jack Carter – the character he played in Hodges’ Get Carter only a year earlier – gone to seed, stepping out of the Italian hotel he lives in to hail a cab. As he sits in the reception area waiting for his completed manuscript, King’s voice-over goes: “The writer’s life would be ideal but for the writing. This was a problem I had to overcome. Then I read the Guinness Book of Records about Earl Stanley Gardner, the world’s fastest novelist who would dictate up to the rate of ten thousand words every day.… Read more
Posted in 1960s American crime films, British crime cinema, Crime fiction, Crime film, Michael Caine, Pulp fiction, Pulp paperback cover art, Vintage pulp paperback covers
Tagged Brett Halliday, Davis Dresser, Earl Stanley Gardner, Get Carter (1971), Joseph Cotton, Kiss Kiss Bang Bang (2005), Lisbeth Scott, London in the Raw (1965), Massino Pupillo, Michael Caine, Mickey Rooney, Mike Shayne, Nadia Cassini, Pulp (1972), Robert Altman, The Bloody Pit of Horror (1965), The Long Goodbye (1973), The Third Man (1949)