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Category Archives: Crime Factory
New crime anthologies and Ned Kelly Awards
An interesting trend that seems to be occurring parallel with the rise of e-publishing is the growing popularity of short story anthologies.
I’m told by people who know about these things, that anthologies are not popular with mainstream publishers. Well, e-publishing is now allowing small niche publishers to get their product out there.
Exhibits A and B are two upcoming crime anthologies, both of which I have stories in.
In September, the first Crime Factory anthology will be available through US indie crime publisher, New Pulp Press.
Crime Factory: The First Shift contains 28 noir stories from established and emerging authors in the US, UK, South Africa and Australia. There’s names Australian crime readers may be familiar with, including Ken Bruen (author of The White Trilogy and London Boulevard), Adrian McKinty (Falling Glass), and local writer, Leigh Redhead (Thrill City).
First Shift is also a chance for Australian audiences to check out several members of the new wave of noir writers in the United States who are relatively unknown here, including Hilary Davidson, Dave Zeltserman, Scott Wolven and Dennis Tafoya. South African writer, Roger Smith, whose upcoming book Dust Devils is on my to read list, also contributed a story.
You can pre-order Crime Factory: The First Shift here at Barns and Noble and Amazon.… Read more
Posted in Angela Savage, Australian crime fiction, Crime Factory, Crime fiction, Crime fiction and film from Africa, Ned Kelly Awards, Neo Noir
Tagged Adrian Mckinty, Alan Carter, Angela Savage, Crime Factory, Crime Factory anthology, Crime Factory: The First Shift, D*cked, Dark Prints Press, David Whish-Wilson, Dennis Tafoya, Dust Devils, Geoffrey McGeachin, Hilary Davidson, Ken Bruen, Leigh Redhead, Ned Kelly Awards, New Pulp Press, Prime Cut, Roger Smith, Save Zeltserman, Scott Wolven, The Digger's Rest Hotel, The One That Got Away
View from the transit lounge
I spent ages trying to think of a snappy heading for this post.
In the end I settled on ‘View from the transit lounge’, because as an aspiring author it’s easy to feel like you are always stuck in the transit lounge, feverishly clutching your manuscript like a boarding pass, watching other writers start or continue their literary journeys, while you… well, whatever, you get my general drift.
Moments of doubt aside, 2011 is shaping up to be a good year for me writing-wise.
Exhibit A is this website. If it’s your first visit, welcome. If you’ve been here before, you may notice that I’ve had a bit of work done. Actually, a lot of work.
Thanks to Rowan McKnaught from Studio Skiing for doing such a high quality, reasonably priced job, and for putting up with all my technologically illiterate questions.
I started Pulp Curry in mid-2010 to publicise the manuscript for my unpublished crime novel, Cambodia Darkness and Light. While that’s still a big part of why I’m doing it, the site has taken on a life of its own, getting quite a lot of traffic and giving me the opportunity to sound off on various obsessions about crime film and writing.
Time permitting (I’ve got a day job, you know), hopefully, it’ll go onto bigger and better things.… Read more
Top tens and spent casings
Pulp Curry is going to be taking a break for a couple of weeks over the Christmas/New Year period while the family and I brave the monsoon-like conditions of Queensland.
But before I go, there’s a few spent casings lying around the place I’ve got to clean up.
First up, my list of top ten books for 2010 is up at Day Labor, the official blog of the online magazine, Crime Factory. No surprises that Garry Disher’s Wyatt is right up there, as is Martin Limon, whose books featuring two military police on the beat in seventies Korea, along with Megan Abbott, are my big finds for this year.
My top ten is part of Day Labour’s Best of Whatever for 2010 series, put together by Keith Rawson. When Keith says whatever, he means whatever. There’s some great posts, not only on books, but comics, film and, well, whatever. Kudos to you, mate, for all your work and thanks to you and your Crime Factory co-editors, Liam Jose and Cameron Ashley, for making me feel so welcome in the Crime Factory family. I really appreciate it.
My recent post Parker and the art of hard-boiled crime writing generated a bit discussion on and off-line. That’s great, because if you haven’t picked up by now, I can talk the leg off a chair about Parker and his creator, legendary crime writer Donald Westlake.… Read more