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Nothing but noir
Recommended reading
The lurid world of pulp
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Category Archives: Crime Factory Publications
Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
After much thought I have decided that to experiment with moving the focus of my blogging from this site to a new Pulp Curry Substack newsletter.
Why am I doing this?
The first post on this website appeared on July 2010 (about the incredibly underrated 1979 Australian heist film, Money Movers – you can read the post here). I’ve been writing on the site with varying frequency ever since (579 posts in all), and for the most part have enjoyed it immensely.
But for the last 12 or so months I just haven’t been feeling it – or getting the hits to make it seem worthwhile – and have started to wonder whether it’s worth continuing with the effort. Posting on a website has been starting to feel like the equivalent of trying to read a broadsheet newspaper in a crowded tram carriage, unwieldy and inconvenient.
And, thinking about it, I suspect the blog format is starting to get a bit stale for me and is actually now a brake on my posting more regularly.
I know that I’m no Robinson Crusoe in this regard. The majority of the blogs I used to follow have gradually fallen by the wayside, as people have moved on, grown weary of the effort, found other interests, adopted other means to get their message out, or, in some cases (gulp), died.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, 1990s American crime films, Adrian McKinty, Albert Dekker, Andre De Toth, Angela Savage, Angie Dickinson, Anthony Zerbe, Asian noir, Australian crime fiction, Australian crime film, Australian noir, Australian popular culture, Australian pulp fiction, Australian television history, Ava Gardner, Beat culture, Belmont Tower Books, Ben Wheatley, Billie Whitelaw, Black pulp fiction, Blaxsploitation, Book cover design, Book Reviews, British crime cinema, British pulp fiction, Bryan Brown, Burt Lancaster, Carter Brown, Charles Durning, Charles Willeford, Chester Himes, Christopher G Moore, Christopher Lee, Cinema culture, Claude Atkins, Coronet Books, Crawford Productions, Crime Factory, Crime Factory Publications, Crime fiction, Crime fiction and film from Africa, Crime fiction and film from Cambodia, Crime fiction and film from China, Crime fiction and film from India, Crime fiction and film from Indonesia, Crime fiction and film from Japan, Crime fiction and film from Laos, Crime fiction and film from Latin and Central America, Crime fiction and film from Malaysia, Crime fiction and film from New Zealand, Crime fiction and film from Scandinavia, Crime fiction and film from Singapore, Crime fiction and film from South Korea, Crime fiction and film from Thailand, Crime fiction and film from the Philippines, Crime Fiction and film set in Vietnam, Crime film, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, David Goodis, David Peace, David Whish-Wilson, Derek Raymond, Diana Dors, Dirk Bogarde, Don Siegel, Don Winslow, Donald Westlake aka Richard Stark, Dystopian cinema, Ernest Borgnine, Eurocrime, Fawcett Gold Medal Books, Femme fatale, Fernando Di Leo, Filipino genre films, Film Noir, Forgotten Melbourne, French cinema, French crime fiction, Garry Disher, Gene Hackman, George V Higgins, Georges Simenon, Ghost Money, Giallo cinema, Gil Brewer, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Gloria Grahame, Gold Star Publications, Gregory Peck, Gunshine State, Heist films, Horror, Horwitz Publications, Humphrey Bogart, Ian Fleming, Interviews, Ira Levin, James Caan, James Crumley, James Ellroy, James Hadley Chase, James Woods, Jim Brown, Jim Thompson, Joel Edgerton, John Frankenheimer, Joseph Losey, Karen Black, Kerry Greenwood, Kinji Fukasaku, Larry Kent, Lee Marvin, Leigh Redhead, Lindy Cameron, M Emmet Walsh, Mad Max, Mafia, Malla Nunn, Martin Limon, Megan Abbott, Melbourne International Film Festival, Melbourne Writers Festival, Men's Adventure Magazines, Michael Caine, Michael Fassbender, Mickey Spillane, Monarch Books, Ned Kelly Awards, Neo Noir, New English Library, Newton Thornburg, Noir Con, Noir fiction, Non-crime reviews, Oren Moverman, Orphan Road, Ozsploitation, Pan Books, Parker, Paul Newman, Peter Boyle, Peter Strickland, Peter Yates, Poliziotteschi, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Qui Xiaolong, Raymond Chandler, Richard Burton, Richard Conte, Robert Aldrich, Robert Mitchum, Robert Ryan, Robert Stone, Rock Hudson, Roger Smith, Rollerball, Rosaleen Norton, Roy Scheider, Rural noir, Sam Levene, Sam Peckinpah, Samuel Fuller, Science fiction and fantasy, Scripts Publications, Sidney Lumet, Sidney Poitier, Simon Harvester, Snowtown, Snubnose Press, Spies, Stanley Baker, Sterling Hayden, Steve McQueen, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980, Stuart Rosenberg, Tandem Books, Tart noir, Tartan Noir, Ted Lewis, Toni Johnson Woods, True crime, Vicki Hendricks, Victor Mature, Vintage mug shots, Vintage pulp paperback covers, Wallace Stroby, War film, Westerns, William Friedkin, Woody Strode, Yakuza films, Yaphet Kotto
Shilling some new publications
Every now and again one has to do a post that is essentially just one big shill. Well, this is one of those posts. I have been meaning to update you for a while now about current and upcoming publications I am involved in. So, here goes.
Crime Scenes Stories
I alerted readers a while ago to a new anthology of Australian short crime fiction, published by Sydney based Spineless Wonders, and edited by Zane Lovett, whose debut crime novel The Midnight Promise won best first crime at the 2014 Ned kelly awards.
Last weekend I took part in the Newcastle Writers Festival, at which the anthology, Crime Scenes, was formally launched. I have a story in this collection called ‘Postcard From, Cambodia’, along side pieces by David Whish-Wilson, Leigh Redhead, Carmel Bird, Peter Corris, PM Newton and my partner, Angela savage.
Seriously, anthologies of Australian crime fiction are a rare thing, which makes this anthology something of a special event. You can order Crime Scenes for your Kindle or in paperback from Amazon here or you can buy it directly from the Spineless Wonders site here.
Crime Factory Issue 18
Issue 18 of the award winning magazine Crime Factory, which I co-edit, is out and contains the usual great mix of fiction, features and reviews.… Read more
Posted in Australian crime fiction, Australian noir, Crime Factory Publications, Crime fiction
Tagged Beat Girls, Crime Factory, Crime Scenes, Days of Grace (2015), Evan Hunter/Ed McBain, Harlan Ellison, Lawrence Block, Love Tribes & Real Cool Cats: Pulp Fiction & Youth Culture from the 1950s to the 1980s, Newcastle Writers Festival, Nic Pizzolatto, Spineless Wonders
Toshiro Mifune, Lee Marvin & Hell In the Pacific
If he was still alive, Legendary Japanese actor Toshiro Mifune would have been 95 years old this week. He was born on April 1, 1920. I was idly looking on the Internet for images of the imposing Mifune, when I found the fantastic picture above. I don’t know exactly when and where it was taken, but in all likelihood, it was London, sometime in 1967.
Mifune and Lee Marvin worked once together, on John Boorman’s 1968 strange, hallucinogenic war film, Hell In the Pacific. The film was a pet project of Marvin’s and he was reportedly devastated by the fact it did not do well critically or at the box office.
For those of you who are not familiar with the film, Mifune and Marvin played a Japanese navy captain and a US air force pilot, respectively, who are marooned on a remote island in the Pacific and continue to engage in version of the larger war raging around them. In some respects, the film mirrored the real lives of both men. Marvin had served in the war and been wounded in action during the battle for Saipan, while Mifune had served in the Japanese imperial army.
Mifune had approached Marvin with an eye to working with US actor. Despite being somewhat hostile towards Mifune, Marvin agreed to meet.… Read more
Crime Factory Publications launches new novella, Freight
A quick heads up that Crime Factory Publications, Melbourne’s only dedicated crime fiction publisher, will launch its latest ‘Single Shot’ novella, Freight, by Ed Kurtz, at Loop Bar, 23 Meyers Place, Melbourne, Monday October 13, from 8pm
Freight a hardboiled heist story set in early seventies Texas.
To Enoch and Doc, two down and out men working as railway brakemen in an impoverished Texas town, it seemed like a simple enough heist: steal the copper wire off a train in the middle of the night.
But the carriage contains more than metal. Soon lives are at stake and an unfathomable evil has to be dealt with. And there is no one in Blackwood, Texas for the job but a no-account ex-con.
Think Jim Thompson meets Sam Pekinpah and you’re getting warm.
We will also be celebrating the launch of issue 16 of our award winning magazine, Crime Factory. Plus it’s your chance to stock up on all our other publications, including our last novella, Saint Homicide, and hard copies of our super sexy adults only special issue, Pink Factory.
In addition, you’ll get the advance word about our exciting upcoming projects, including our first novel and our first locally authored novella, both scheduled for publication in early 2015.… Read more
The death of a bookshop: a tribute to Melbourne’s Kill City Books
I love poking around in second-hand bookshops. The more disorganised and dishevelled, the better. I can’t remember the last time I found one with a curtained off section where they stashed the adult stuff, the pulp fiction and true crime, but those ones were best of all.
It’s always sad to hear about the closure of a second handbook shop and they’ve been closing with alarming frequency in Melbourne over the last few years.
The latest casualty is Flinders Books, which had operated out of the basement at 119 Swanston Street, for 18 years. Before that it had reportedly been a trading card shop, and going back even further, a rest and recreation area for military personnel after World War II.
Basement Books, located at 342 Flinders Street is, as far as I know, the last second-hand bookshop in the Melbourne CBD.
The reasons behind the closure are nothing new: changing book buying habits, including the rise of e-books, coupled with a massive rent increase, all of which, according to the owner, made the business impossible to sustain at its current location.
As if the end of a good second-hand bookstore is not sad enough, the passing of Flinders Books has a wider historical significance. For the last eight years of its existence it also hosted the remnants of Kill City Books, once Melbourne’s premier bookshop specialising in crime fiction and true crime.… Read more