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Category Archives: Christopher G Moore
Great crime reads set in Asia
Okay, I’ve sat patiently through the hype about Scandinavian crime fiction, which shows no sign of ending, only to read recently that the next big thing in crime fiction is central Europe.
I keep thinking people will eventually discover Asia as a fascinating place to set crime fiction, but it looks like I’ll have to keep on waiting on that score.
Not that there aren’t some great crime reads set in the region. A few weeks ago I wrote the following post on some of my favourites for the site, Crime Fiction Lover. One book I could’ve included but didn’t was David Peace’s Tokyo Year Zero. One CFL reader suggested the books of Seicho Matsumoto. I’d live to hear other suggestions as I’m sure there are heaps more.
Jade Lady Burning – Martin Limon
Low profile crime writer Martin Limon has so far written six books featuring Sueno and Bascom, officers in the Criminal Intelligence Division of the US military based in South Korea, and a seventh is on the way.
Jade Lady Burning was the first of the series, written in 1992, and for my money it’s still one of the best. Sueno and Bascom are assigned to investigate the brutal murder of a local prostitute which turns into something much more sinister.… Read more
Posted in Angela Savage, Christopher G Moore, Crime fiction, Crime fiction and film from Cambodia, Crime fiction and film from China, Crime fiction and film from South Korea, Crime fiction and film from Thailand, Don Winslow, Martin Limon
Tagged Angela Savage, Cheng Cao, Christopher G Moore, Crime fiction set in Asia, David Peace, Diane Wei, Don Winslow, Jade Lady Burning, Martin Limon, Mei Wang, Qiu Xialong, Satori, Shibumi, The Half-Child, Tokyo Year Zero, Trevanian, Vincent Calvino, Zero Hour in Phnom Penh
Bangkok Noir?
Having lived in Bangkok in the mid-nineties and visited the city many times, I can only concur with Christopher G Moore that the new anthology he has edited, Bangkok Noir, is overdue.
I’ve long lamented to anyone who’ll listen that writers do not make more of Asia as a setting for crime fiction. Thailand is no exception. Things happen there every day, fantastic and awful that you simply could not make up if you tried.
Of the many noir anthologies to hit the shelves in recent years, only one other is set in Asia, Dehli Noir. To add to the allure of Bangkok Noir, two of the 12 stories are by Thai authors, although women don’t figure at all which is a bizarre omission.
The major question I have in relation to the anthology is whether it’s actually noir.
There’s a time to get picky about the definition of ‘noir’. I reckon when someone includes the word in the title of their book and there’s every indication that book will be the first of a series, that time is now.
Moore deals with the question of what is noir in the preface to the anthology and in a post he wrote here in late March for the website International Crime Authors Reality Check.