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Category Archives: Bryan Brown
10 great Australian crime films
To mark the addition of Ivan Sen’s 2016 film, Goldstone, to BFI Player, I was asked to write on 10 great Australian crime films. The piece is live and can be read in full on the BFI site here.… Read more
Posted in 1960s American crime films, Australian crime fiction, Australian crime film, Australian noir, Australian popular culture, Australian television history, Bryan Brown, Crime film, Ozsploitation, Peter Corris, True crime
Tagged Animal House (2010), Australian crime film, Blue Murder (1995), Chopper 2000, Goldstone (2016), Heatwave (1982), Ivan Sen, Money Movers (1977), Shame (1988), The Boys (1998), The Empty Beach (1985), Two Hands (1999)
The heist always goes wrong, part 4: 10 more heist films you’ve never seen
To celebrate the re-release of my heist thriller, Gunshine State, by Down and Out books, it is time for another of my top 10 heist posts.
This is my fourth post along the theme of ‘the heist always goes wrong’. Previous posts have been: ‘The heist always goes wrong, part 1: ten of the best heist movies ever made’, ‘The heist always goes wrong, part 2: reader picks and other favourite heist movies’, ‘The heist always goes wrong, part 3: 10 of the best heist films you’ve probably never seen’.
This instalment continues where I left of in part 3, with 10 more unknown or under appreciated heist films that you might want to check out.
Machine Gun McCain (1969)
Even when he was slumming it, John Cassavetes was still incredible and Machine Gun McCain is proof. This hard boiled 1969 Italian film tells the story of a paroled armed robber (Cassavetes) whose plan to heist a Las Vegan casino falls foul of a battle for territory between the east and west cost Mafia. Cassavetes’s co-starts include Peter Faulk, Britt Elland, and such Italian genre film stars as Luigi Pistilli and Grabiele Ferzetti.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1990s American crime films, Australian crime film, Australian noir, British crime cinema, Bryan Brown, Film Noir, Gunshine State, Heist films, Lee Marvin
Tagged Adolfo Celi, Allen Hughes, Bryan Brown, Dan Duryea, David Goodis, Dead Presidents (1995), Dirty Heroes (1969), Edward Woodward, Ennio Morricone, Ernest Borgine, Grabiele Ferzetti, Gunshine State, Heath Ledger, Ian McShane, Janet MacLachlan, Jayne Mansfield, Jill St John, John Cassavetes, Jules Dassin, Julien Mayfield, Kurt Jurgens, Larenz Tate, Lee Marvin, Luigi Pistilli, Machine Gun McCain (1969), Max Julien, McVicar (1980), Oliver Reed, Peter Faulk, Raymond St. Jacques, Robbery (1985), Roger Daltry, Roscoe Lee Browne, Rose Byrne, Sitting Target (1972), This film by Albert, Two Hands (1999), Uptight (1968), Victor Mature, Violent Saturday (1955)
Empty beaches: In search of Australia’s fictional private eyes
September 12 marked the 30th anniversary of the release of a little-known Australian crime movie, The Empty Beach. The film fared poorly upon release and is still unavailable on DVD — you’d have to track down a rare second-hand VHS edition to view it.
Nonetheless, the film is something of an obsession of mine and I have been wanting to write about it in detail for a while now. This is partly because I am a huge Bryan Brown as well as always being fascinated with movies that I thinks are good but which have, for whatever reason, sunk into obscurity.
Also The Empty Beach and its source material, the third book in what has become a long-running series by Sydney writer Peter Corris, feature something largely absent from Australian crime fiction and film: the bone fide, card-carrying, full-time private investigator for hire.
I finally got around to writing a piece on the film and its source book for the Los Angeles Review of Books. You can read the essay, ‘Empty Beaches: In Search of Australia’s Fictional Private Eyes’ in full here.… Read more
Stick with me son and I’ll make you a star: 5 great Bryan Brown roles
On a whim several weeks ago I re-watched the 1986 movie, F/X. Although largely forgotten now, F/X was a big deal at the time, at least here in Australia. This was mainly because it starred a local actor, Bryan Brown. Brown was working in Hollywood for much of the latter part of the eighties and an Australian star getting top billing in a Hollywood film was not as common as is now. It must have done well in the US, too, because there was a sequel, imaginatively titled F/X 2, released in 1991 and also starring Brown.
The plot of F/X involved an Australian special effects technician, Roland ‘Rollie’ Tyler (Brown), who for some unspecified reason can’t return to home and is making a living working on various B-grade horror and crime flicks in New York. A cop attached to the witness protection program, Lipton (Cliff de Young), approaches Rollie to help out with a senior member of the New York mob, DeFranco (played by Jerry Orbach) who has turned informant. Lipton believes the best way to ensure the mob won’t come after DeFranco is to stage his assassination and he wants to pay Rollie a lot of money to help with the technical aspects of making sure it looks realistic, including acting as the assassin.… Read more
Posted in Australian crime film, Australian popular culture, Bryan Brown, Crime film
Tagged Beautiful Kate (2009), Ben Medelson, Bob Jewson, Breaker Morant (1980), Brian Dennehy, Bruce Beresford, Bryan Brown, Bud Tingwell, Cocktail (1988), Diane Venora, Everynight… Everynight (1984), F/X (1986), F/X 2 (1991), Far East (1982), Ghosts of the Civil Dead (1988), Graham Kennedy, Helen Morse, Jerry Orbach, John Hargreaves, John Jarratt, Money Movers (1978), Newton Thornburg, Rachel Griffiths, Rachel Ward, Sophie Lowe, Stir (1980), Terence Donovan, The Odd Angry Shot (1979), William Nagle