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Recommended reading
The lurid world of pulp
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Category Archives: British pulp fiction
Pulp Friday: a celebration of Tandem Books covers
Regular readers of this site will be familiar with my particular jones for late 1960s and 1970s pulp covers, particularly the photographic ones. For me, they represent a very creative but little celebrated body of book cover art and, as far as I am concerned, the Brits were the masters of it.
A week or so ago, during one of my frequent second hand bookshop jaunts, I stumbled across a 1967 copy of novelist and beat poet, Royston Ellis’s coming of age tell all, The Rush at the End. The wonderful cover is an example of what I am talking about when I go on about my love for photographic book covers – a cheap but imaginative shot that dives deep into the book’s themes of sex, drugs and the emerging counter culture.
Pulp enthusiasts have rightly devoted considerable time and energy in celebrating the covers of UK publishers such as Pan, Panther and New English Library. But there were a host of other lesser known outfits active on the British publishing scene in the 1960s and 1970s, who contributed some terrific covers. One of these was the little known Tandem Books, publisher of The Rush at the End. Indeed, along with Mayflower Books, Tandem contributed some of the strangest and best covers of that period.… Read more
Posted in British pulp fiction, Crime fiction, Horror, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Science fiction and fantasy
Tagged 1970s pulp, British pulp fiction, Charles Birkin, Death Sport (1978), Doctor Who, Idries Shah, John W Campbell, Lust For a Vampire (1971), Nick Carter-Killmaster, Nicolas Roeg, Performance (1970), Photographic book cover art, Roger Corman, Royston Ellis, Sergio Leone, Tandem Books, The Thing From Outer Space
Pulp fiction at the Latrobe City Literary Festival
I am not sure how many Pulp Curry readers I have in Gippsland. In the event there are some, just a heads up that I’m appearing at the Latrobe City Literary Festival, in Traralgon, this coming Sunday, May 27. As part of a panel of talented folks, I’ll be talking about the history of Australian pulp fiction and the book I have co-edited, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture, 1950-1980. I’ll also have copies of the book for sale.
Full details of the event can be found here. It is free but numbers are limited so you need to register. Hope to see some of you there.… Read more
Posted in Australian popular culture, Australian pulp fiction, British pulp fiction, Fawcett Gold Medal Books, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Monarch Books, Pan Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp paperback cover art
Tagged Girl Gangs Biker Boys and Real Cool Cats Pulp Fiction and Youth Culture 1950-1980, Latrobe City Literary Festival, Pulp fiction
Pulp Friday: Guns with plots
Let’s make one thing clear. I don’t own a gun. Never have and never will. Indeed, the only guns I want to see are in film or on the cover of books like the ones featured in today’s Pulp Friday post.
For a while now I have been obsessed with the cover above of the 1964 Panther edition of Len Deignton’s The Ipcress File. The cover, done by influential English graphic designer, Ray Hawkey, who would go onto to do a number of paperback covers, exudes a style and tone I could never imagine being used today except as a deliberate retro homage.
It speaks to the everyday grime, drudgery and unglamorous boredom of the Cold War spy racket, which the Deighton novels featuring the working class spy, Harry Palmer, evoke so well. There is also the mess that comes with the trade: a cold cup of tea (probably cold); cigarettes, because in the sixties every fictional spy smoked; paperclips for the paperwork; and, a gun and bullets, because sometimes you have to kill someone.
It is a gritty, cluttered layout I associate with mass paperback novels of the type that were largely targeted at men in the 1960s and 1970s. As it turns out, a bit of a dig around reveals it was a style that was widely used in those two decades – but it also bled over into the 1980s – by mass market paperback publishers in the crime, mystery and espionage thriller categories.… Read more
Posted in Belmont Tower Books, British pulp fiction, Crime fiction, George V Higgins, Ian Fleming, Neo Noir, Noir fiction, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Spies, True crime
Tagged Agatha Christie, Brian Garfield, Death Wish, Dog Day Afternoon, Elmore Leonard, Fontana, Funeral in Berlin, George V Higgins, Ian Fleming, Jim Thompson, John Creasey, Len Deighton, Raymond Chandler, The Getaway, The Ipcress File, The Man With the Golden Gun, Thunderball
Pulp Friday: The Man With the Brown Paper Face
Welcome to my first Pulp Friday offering for 2018. Today’s book, The Man With the Brown Paper Face, published by Panther in 1969, showcases one of my favourite forms of paperback cover design, photographic cover art from the late 1960s/early 1970s.
I know the purists among you dig the painted pulp covers from the 1940s and 1950s, and I love them, too. But there is something wonderfully sensational and lurid about photographic cover design from the period I mentioned earlier and, in my opinion, the Brits were the masters of it.
Photographs began to replace artwork on paperback books from the mid-1960s on. Partly this was part of an effort by publishers to be seen to be moving with the times and look more modern. Partly it was a cost cutting measure, as photographic covers were cheaper than painted ones. But despite their cheapness, arguably because of it, many of these covers manage to evoke a dynamic, visceral, fly on the wall atmosphere that could often be quite stunning.
The Man With the Brown Paper Face is a good example. The cover utilises a man with a stocking over his head, posing on top of a scrapyard car, brandishing a star picket, which the photographer probably found nearby. Its nasty and direct and – I don’t know about you – but it instantly made me want to pick up the book.… Read more