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Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
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- Bloody, Spicy, Books
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Category Archives: Book Reviews
Pulp Friday: The Riot
I am rather partial to a good paperback movie tie-in. And I love Pan paperbacks. So this book from 1969, which I had never previously seen before stumbling across it in a second hand bookshop this week, presses all the right buttons.
The Riot, the only novel credit I have been able to find for Frank Elli, was first published in 1966. It is the story of a cynical con who finds himself thrown into the centre of a brutal hostage situation when the prison he is incarcerated in, erupts in a riot. Apparently the novel was based on an actual riot in an Arizona prison in which Elli, a former inmate of the prison, had been involved in. Kirkus Review called it ‘powerful storytelling. It’s a brutal, black vision in which the cynical despair is offset by a cool, shrug shouldered presentation.’ That doesn’t sound too bad.
It was filmed as Riot in 1969 by Buzz Kulik, a director who appears to have spent most of his career doing television, starring Jim Brown in the main role, and Gene hackman. As was often the case with prison films in the 1960s and 1970s, the production utilised real life prison inmate and staff at the Yuma Territorial Prison that it was filmed in.… Read more
Book review: Jack Waters
Jack Waters is the latest book by the Brooklyn based crime author Scott Adlerberg. I make no bones about being a fan of Adlerberg’s work. One thing I particularly like is how, as an author, he is not content just to keep hitting the same note in his work.
His debut, Spiders and Flies, dealt with the predatory ambitions of a bored American fugitive on the lam in Martinque, towards a wealthy couple visiting their young daughter who is living on the island. It read like one of those exploitation crime films that were common in the eighties.
Graveyard Love switched gears completely, and delivered a giallo-style tale of a thirty five year old psychologically disturbed loner who lives with his highly strung artist mother, and his obsession with the mysterious red headed woman who regularly visits one of the crypts in the graveyard opposite their house.
In Jack Waters, Adlerberg continues his reinvention, penning an historical crime story about a rakish New Orleans schemer, the title character, whose one great passion in life is playing cards, and whose one major dislike is people who cheat. Water’s private code gets him into trouble when he kills a man for cheating, the son of a wealthy and influential Louisianan businessman.… Read more
Book Review: Getting Carter, Ted Lewis & the Birth of Brit Noir
The time is past when one could accurately describe Ted Lewis as a lost or under appreciated author. His best books have recently been re-released, Mike Hodge’s 1971 film, Get Carter, based on Lewis second novel, Jack’s Return Home, continues to be seen as a crime cinema classic, and Lewis’s profound, albeit posthumous, influence on the origins on Brit Noir is regularly reiterated by many of the leading lights of crime fiction.
But we know little about Lewis as a person and the influences on his work. Nick Triplow’s Getting Carter: Ted Lewis and the Birth of Brit Noir is obviously the product of considerable time, energy and shoe leather spent hunting down the facts of Lewis’s life. That Triplow doesn’t completely succeed in unravelling all the mysteries surrounding Lewis’s spectacular rise and fall is not for want of trying and, it must be stressed, the book is none the worse for it.
Contemporary literary culture, with its focus on the writer’s journey, literature as personal confession and the book scribe as media celebrity, is a relatively new phenomena. Lewis went to his grave without leaving a detailed archive of papers or journals and having only done a handful of newspaper interviews. He had neither the time nor, one suspects, inclination to record his inner most thoughts.… Read more
Posted in Book Reviews, British crime cinema, British pulp fiction, Crime fiction, Crime film, David Goodis, Neo Noir, Noir fiction, Pulp fiction, Stanley Baker, Ted Lewis
Tagged Cy Endfield, David Goodis, GBH, Get Carter (1971), Getting Carter: Ted Lewis and the Birth of Brit Noir, Hell Drivers (1957), Hell is a City (1960), Jack Carter and the Mafia Pigeon, Jack Carter's law, Jack's Return Home, Joesph Losey, Mike Hodges, Nick Triplow, Ted Lewis, The Criminal (1960), Val Guest
Book review: Paperbacks from Hell, the Twisted History of ’70s and ’80s Horror Fiction
I loved Grady Hendrix’s soon to be released book, Paperbacks From Hell: The Twisted History of ‘70s and ‘80s Horror Fiction. From the opening, his discussion of John Christopher’s totally bizarre 1966 novel, The Little People, about an assortment of unsavoury individuals who spend a weekend in an Irish castle which is also inhabited by evil Nazi leprechauns (‘the Gestapochauns’) to the last few pages, the dying days of American mass market paperback horror, it is a wild, exhilarating ride.
But as well as being a lot of fun, Paperbacks From Hell is also an important work of pulp fiction and pop culture history.
The book comprises a series of thematic chapters, grouped from the most part around one or two foundation texts. Thus the chapter on satanic pulp and mass market paperbacks opens with a look at the cultural importance of Ira Levin’s Rosemary’s Baby and Peter Blatty’s The Exorcist. The Omen (1976) is the starting point for a look at the large sub-genre of books about women being impregnated by all manner of hell spawn and murderous offspring. Peter Benchley’s paperback sensation, Jaws, is the precursor to a discussion about the wave of pulp and mass market paperback books featuring murderous creatures and animals turned homicidal: rats, dogs, cuts, pigs, insects, even rabbits.… Read more
Posted in Blaxsploitation, Book cover design, Book Reviews, Horror, New English Library, Pulp fiction in the 70s and 80s, Pulp paperback cover art
Tagged Cleo Virginia Andrews, Elizabeth Engstrom, Grady Hendrix, Herman Raucher, horror pulp, Joe Nazel, mass market horror novels of the 1970s & 1980s, Paperbacks From Hell: The Twisted History of ‘70s and ‘80s Horror Fiction, Peter Benchley, Peter Blatty, Robert Marasco, The Satan Sleuth