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Recommended reading
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Category Archives: Australian pulp fiction
Pulp Friday: Nurse in Vietnam
While Sydney-based Horwitz Publications was Australia’s largest pulp publisher, it was not the only one. Cleveland Publishing Company, publisher of today’s Pulp Friday offering, Nurse in Vietnam, was another sizeable operation.
I’ve been able to find out virtually nothing about who was behind Calvert.
All we know about Shauna Marlowe, author of Nurse in Vietnam, is she (if it is actually a woman and not a man writing under a woman’s name) is credited with writing 41 books, nearly all of them for Calvert, from the late fifties to the early seventies.
On one level, Nurse in Vietnam, is just another nurse/doctor romance story (a hugely popular sub-genre of pulp in the fifties and sixties). The nurse in question and a handsome doctor have been captured by Viet Cong rebels. The doctor’s main pre-occupation is not escape but whether she’ll agree to his marriage proposal.
But the publication date, 1965, is significant. A small number of Australian military advisors had been stationed in Vietnam since 1962. We did not start to commit significant ground forces until 1965.
What was the first mainstream Australian novel to tackle the war in Vietnam? Perhaps William Nagle’s The Odd Angry Shot, published in 1975. Nurse in Vietnam shows pulp publishers were onto Vietnam as a setting for fiction straight away.… Read more
Posted in Australian popular culture, Australian pulp fiction, Horwitz Publications, Pulp fiction, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art
Tagged Australian pulp fiction, Australian romance pulp, Calvert Publishing Company, Nurse in Vietnam, Shauna Marlowe, The Odd Angry Shot, William Nagle
Pulp Friday: Contrabandits – Shark Bait
This week’s Pulp Friday offering is the 1968 paperback tie in to the then popular Australian Broadcasting Corporation TV series, Contrabandits.
While Crawford Productions understandably gets most of the credit for kick starting Australia’s modern television industry in the mid-sixties with the long running police drama show, Homicide, it was not the only local organisation producing gritty crime TV.
Around the same time changes were also afoot at the ABC. New staff were bought on board and a department of television drama was created that produced a number of one-off and on-gong TV series. Among these was Contrabandits, the first episode of which screened on September 22 1967.
Contrabandits focused on the activities of Customs Special Branch, an elite law enforcement squad tasked with intercepting contraband in Sydney. The four mainstays of the squad were Chief Inspector Ted Hallan (played by British actor Denis Quilley), office girl Mardi Shiel (Janet Kingsbury) a university graduate, determined to succeed in a male dominated area, Bob Piper (John Bonney), a young wise cracking spiv, and tough guy, Jim Shurley (Ben Grabiel).
Twenty-nine episodes of Contradbandits were made. All of them are listed on the on-line archive of the former magazine, TV Eye. Themes included tackling drug runners and smugglers of various kinds, raiding opium dens in Kings Cross and dealing with illegal immigrants.… Read more
Posted in Australian popular culture, Australian pulp fiction, Australian television history, Pulp fiction, Pulp Friday, Pulp paperback cover art, Vintage pulp paperback covers
Tagged Ben Grabiel, Contrabandits, Contrabandits Shark Bait, Crawford Productions, Denis Quilley, Homicide, Horwitz Publications, James Workman, Janet Kingsbury, John Bonney
Pulp Friday: Outback Heiress
“Her past was a secret but she couldn’t hide her feelings for this daredevil cropduster!”
It wasn’t just men who wrote for Australia’s burgeoning pulp publishing industry in the fifties, sixties and seventies, many women did, too.
One of these was Irena Dickman AKA Rena Cross, the author of today’s Pulp Friday contribution, Outback Heiress, published by Sydney company Horwitz in 1963.
Biographical details for Dickman, like many local pulp authors, are thin on the ground. She was born in England and arrived in Australia in 1950. She appears to have been one of the stable of local writers put together by Horwitz in the early sixties.
The Austlit site credits her with twenty books. Her subjects included nurse and doctor yarns and torrid tales set in Sydney’s Kings Cross. The latter include Model School (publishing in 1963 under the pseudonym Christine James) and Flat 4 Kings Cross (three editions of which were published, in 1963, 1965 and 1966, under the name Geoffrey Tolhurst).
The Keys of Corruption another of her books (written as Rena Crane), was an Australian take on one of pulp’s favourite obsessions in the sixties – wife swapping.
If this post has piqued your interest about Australian pulp, join me on August 30 at the Ian Potter Centre, NGV Australia, Federation Square, for an illustrated talk about the hidden history of Australian pulp publishing in the fifties, sixties and seventies, part of the Melbourne Writers Festival.… Read more
Posted in Australian popular culture, Australian pulp fiction, Horwitz Publications, Melbourne Writers Festival, Pulp fiction, Pulp Friday, Pulp paperback cover art, Vintage pulp paperback covers
Tagged Christine James, Flat 4 Kings Cross, Geoffrey Tolhurst, Melbourne Writers Festival, Melbourne Writers Festival 2014, Outback Heiress, Rebecca Dee, Rena Cross
The lost world of Australian pulp paperback fiction at the Melbourne Writers Festival
Part of the Melbourne Writers Festival, join me on August 30 at the Ian Potter Centre, NGV Australia, Federation Square, for a walk down the dimly lit back alleys of the lost world of Australian pulp paperback publishing.
For a few decades in the second half of last century, Australia’s pulp scene burned brightly with tales of jaded gumshoes, valiant servicemen and women, sexually bored housewives, jazzed up beatniks, daring spies, and violent youth gangs.
It was disposable fiction, designed for a coat pocket or bag, to be read quickly, and discarded. But it also offers a fascinating keyhole glimpse into Australian society’s subconscious and not so subconscious desires, obsessions and fears in the fifties, sixties and seventies.
I’ll be talking about some of the authors, how they worked, what they wrote and why the era of pulp ended. Accompanying the talk will be a selection of covers from my personal collection. The lurid, the profane, the weird, I’ll be showcasing them all in glorious colour.
Tickets are $22/$19 and can be purchased from the MWF website here.
I hope to see you there.… Read more
Announcing Beat Girls, Love Tribes and Real Cool Cats: Pulp Fiction and Youth Culture, 1950 – 1980
Regular Pulp Curry readers will be aware of my deep interest in pulp fiction. What you won’t know, is I’ve been working for a while now on a pulp fiction related book with another Melbourne writer called Iain McIntyre.
I’m thrilled to announce this book, currently titled Beat Girls, Love Tribes and Real Cool Cats: Pulp Fiction and Youth Culture, 1950 – 1980, will be published by Verse Chorus Press in October 2015.
The book will be the definitive look at youth and counter cultural pulp fiction from Australia, the United States and the UK. It will feature contributions from over twenty writers and includes reviews, feature articles and author interviews. These will cover all aspects of youth and counter cultural related pulp fiction, starting with juvenile delinquency and gang pulp in the fifties, Beats and bohemians in the early sixties, to hippies, bikers, musicians, Mods, punks, and everything in between.
The book will also feature a large selection of covers from the books concerned.
Some of the pulp writers we cover you might know. But there’ll be a lot more you probably haven’t heard of. One thing we can guarantee is that the words “guilty pleasure” will not be mentioned once to describe their work.
This is a book about mainstream society’s obsession with the notion of out of control youth, and the pulp fiction that capitalised on the fascination, fears and desires associated with it.… Read more
Posted in Australian popular culture, Australian pulp fiction, Beat culture, Horwitz Publications, Monarch Books, New English Library, Pan Books, Pulp fiction in the 70s and 80s, Pulp paperback cover art, Scripts Publications, Vintage pulp paperback covers
Tagged Iain McIntyre, Verse Chorus Press, Youth and counter cultural pulp fiction