Category Archives: Australian pulp fiction

Pulp Friday: Danger Circuit

“He braved death on the race tracks – and suddenly found himself involved in a sinister intrigue.”

Welcome to the first Pulp Friday for 2012. I will be trying to make this a regular feature on my blog but due to other commitments, particularly other writing commitments, I can’t promise I’ll make it every Friday.

Today’s post is a classic piece of Aussie pulp, Danger Circuit by David Bower.

Released by Australia’s premier pulp publisher, Horwitz, in 1963, it’s the story of Phoenix Palmer, a career racing car driver. He gets invited to race in the famed Indianopolis and ends up ensared in a web of intrigue and murder.

The back blurb is short and to the point.

“Tough racing driver Phoenix Palmer met the beautiful blonde at the same time as he accepted the offer to drive the streamlined new Aquila.

But the thrill of excitement soon changed to chilling horror, as he realised too late that he’d been ensnared in a ruthless intrigue….”

Enjoy.… Read more

Pulp Friday: Triple Shot of Carter Brown

“A cold corpse becomes a hot assignment to curvy blonde, Mavis Seidlitz.”  

Today’s Pulp Friday is a triple shot of covers from one of my late father’s favourite pulp authors, Carter Brown.

Carter Brown AKA Alan Geoffrey Yates was a Australian-British author who wrote a massive 317 novels in a career that spanned from 1958-1985. Tens of millions of these were sold all over the anglo world.

Most of his stories were crime, although at the beginning of his career he also wrote horror and Westerns under the alias Tex Conrad. His books were published in Australia by Horwitz and in the US by Signet.

Cops and private investigators were his staple characters, the stories a mixture of sex and action, leavened with a bit of tough guy humour. The writing’s not brilliant, but, hey, that’s no surprise given how fast he churned books out.

His first Horwitz contract stipulated two novellas and one full length novel a month. He could write as much as 40,000 words overnight, reputedly with the assistance of Dexedrine which he used to stay awake for periods of up to 48 hours.

As was common practice on the part of Australian pulp writers in the fifties and sixties, all of his books were set in the United States.… Read more

Pulp Friday: Playback by Raymond Chandler

This week’s Pulp Friday offering needs no introduction, Raymond Chandler’s Playback.

Playback was Chandler’s last book, published in 1958, a year before his death, and based on a screenplay he had written several years earlier. It features his iconic creation Philip Marlowe.

This is an Australian version of the book, published locally by Horwitz Publications in 1961.

Based in Sydney but with offices in Melbourne, Horwitz Publications was established in 1921. It started out doing trade publications and sporting magazines, but by the fifties had branched into popular and pulp fiction, including mystery, thrillers, romance and westerns.

The company published locally sourced stories, as well as Australians editions of overseas works. Well know authors included Carter Brown, Marshall Grover and Marc Brody. Some of its best known names were pseudonyms used by multiple writers.

Horwitz ceased producing fiction in the late nineties.

Although Playback is considered the weakest of Chandler’s seven novels, I’m sure you’ll agree with me the cover is a beauty.

The blurb on the back is also a vintage hard boiled prose.

“The Redhead didn’t look like a tramp, not did she look like a crook.

But when hard-boiled Philip Marlowe was paid to tail her he got plenty besides information.” Read more

Pulp Friday: Open House

“To protect her young daughter she would have to expose the truth of her own affair with their virile young boarder.”

Sounds complicated.

This Friday’s pulp offering is Open House by Joan Ellis. It was published by Star Books, Crow’s Nest Sydney, and printed by Griffin Press in South Australia. There’s no publication date.

To the best of my knowledge, Star Books was a local outfit that did Australian mass market print runs of overseas pulp authors. It was active in the late sixties and early seventies. One day I’m actually going to have to spend a bit of time and track down the details of some of these local pulp publishing houses, as I’d love to know more about them.

Through the wonder of the Internet I discovered Ellis certainly was a prolific author, mainly erotic pulps and campus exploitation tales very popular in the US in the early sixties. So prolific, in fact, I suspect it was name used by several authors to ghost under.

I’m not sure whether Joan did her own titling. If so, she certainly had an talent for creative sleaze. Some of the titles I was able to track down, included Campus Pet (“With her one-track mind and breath taking body, she was bound to be a hit on campus”), Campus Jungle (She wondered if he’d still want her once he found out about the things she’d done at a not-so-private campus party”), High School Hellions, Faculty Wife and Cool Co-Eds (“They came in search of knowledge, the kind not found in text books…”), and Third Street (The place where questions were asked, the street where few men were ever seen”).… Read more

Pulp Friday: The Spungers

This Friday’s pulp offering comes via Line of Sight author, David Whish Wilson.

Julian Spencer’s The Spungers was put out in 1967 by Scripts, a publishing company based in London, Melbourne and Sydney, that released a lot of the more explicit Australian pulp fiction I’ve come across from the sixties and early seventies.

As I’ve written previously, the sixties saw Australian pulp publishers start to produce kitchen sink and exploitation fiction, often dressed up as lurid exposés of drug use and sexual promiscuity. These fed off mainstream society’s fears of youth rebellion and changing sexual standards.

The focus of many of these tales was Sydney’s Kings Cross, which in the sixties became well known as a centre for prostitution, sly grog and drugs, often to meet the demand of American servicemen on R&R during the Vietnam War.

The Spungers is a classic piece of exploitation pulp dressed up quasi social commentary on the declining moral values of youth in the sixties. Not that much has really changed. Update the language a bit and whack in a TV crew from A Current Affair and The Spungers would be right at home in Australian in 2011.

The inside front cover blurb is priceless:

“The Vicious, sordid activities of a scruffy Kings Cross beatnik clash with those of a young surfie who decides to spend a misspent holiday rorting up the Cross.Read more