Category Archives: Australian pulp fiction

Pulp Friday: interview with Iain Mcintyre, author, Sticking it to the Man!

Today’s Pulp Friday is a fascinating interview with Melbourne-based social historian Iain McIntyre, author of a new book, Sticking it to the Man! Pop, Protest and Black Fiction of the Counterculture, 1964-75.

Sticking it to the Man! is a roller coaster ride through the lava lit streets of the counter-cultural pulp fiction of the late sixties and early seventies, a time when hippies, bikers, swingers and revolutionaries replaced cops and private detectives as pulp’s stable characters.

The book contains 130 reviews of pulps from the period covering all the major sub-themes: drug use, bikers, sleaze, blaxsploitation, hippies and dystopian science fiction. It also includes the covers in all their dog eared, price marked glory. It’s through books like this that the hidden history of pulp fiction is gradually pieced together. Sticking it to the Man! is a must read for every serious pulp fiction afficiando.

You can buy Sticking it to the Man! here. Copies will also be on sale at the launch of Crime Factory’s Hard Labour anthology, this coming Monday, October 8. Iain will also be talking about his book at the launch.

What is it about pulp fiction between 1964 and 1975, the period covered in your book that you find so interesting?

I’ve long had an interest in troublemakers, militants and odd-balls, and this was a period in which those normally relegated to the margins were able to have a major impact on culture and society.… Read more

Pulp Friday: Model School

“The King’s Cross vice world taught her the other side of the profession.”

Today’s Pulp Friday offering is a wonderful example of local pulp fiction from the early sixties, Model School by Christine James, released by Horwitz Publications in 1965.

The early sixties were a turning point for the Australia’s pulp paperback industry, when publishers stopped relying purely on reprints of overseas material and stories set offshore, and started releasing locally set stories by Australian writers.

The setting for much of this work was Sydney’s Kings Cross, which during the sixties, seventies and eighties was Australia best-known center of drug use and prostitution.

Prostitutes, beatniks, con men, drug dealers, bent cops, organized crime lords, innocent tourists and American servicemen on leave all rubbed shoulders in  ‘the Cross’ as it is referred to locally. To this, local pulp authors added Chinese Triad gangs enslaving white women, witches and warlocks and a host of other less believable characters.

Like so many of the Australian pulp I feature on my site, I have not been able to find anything out about the author, Christine James, if, indeed this was her or his real name.

Model School is a fairly typical example of the Kings Cross pulp of the early to mid-sixties.

“The phoney model racket.Read more

Interview: Australian pulp fiction historian Toni Johnson Woods

Dr Toni Johnson Woods is someone I’ve been keen to interview on this blog for a while now.

A Research Fellow at University of Queensland, she is passionate about Australian books. Not just capital ‘L’ literature, but the local mass produced pulp fiction of the forties, fifties and early sixties, the existence of which has all but disappeared from our collective cultural memory.

Her commitment to the cause of local pulp includes having listened to hours of popular radio serials (Carter Brown Mystery Theatre and Larry Kent’s I Hate Crime), scanned thousands of pulp fiction covers and read every nearly all 300 Carter Brown novels.

She very generously agreed to answer the following questions about her work by e-mail.

What attracted you to researching pulp fiction in the first place? 

One very unremarkable day I was chatting with colleagues in the tearoom. As you can imagine our conversations are very lofty – not.  I asked the most basic question: who is Australia’s most popular author.

Well, we batted that around for several minutes arguing about what “popular” means, i.e. best selling, most widely read, most known author.  All of these things are not the same. The discussion then turned to what is an Australian author, i.e. someone who was born in Australia?… Read more

Pulp Friday: Sin in Hong Kong

“Lassington Dhal was condemned to die of pleasure. What was the secret that had earned him free grog, free women and a drunkard’s death?”

Today’s Pulp Friday is a wonderful specimen of Asian themed Australian pulp fiction, Sin in Hong Kong by James Workman, published by Horwitz Publications in 1965.

You can almost smell the polluted water of Kowloon Harbour and feel the beer sweat oozing from the pores of this book. The combination of the cover illustration and the suggestive title do a wonderful job of evoking a sense of the mysterious, sleazy Orient, one of the mainstays of pulp publishing in the fifties and sixties. Criminals, Communists, Asians. What’s the difference? Remember, this was 1965. The Cold War was in full swing, Vietnam was just starting to wind up, Australia was years away from recognising Red China, fear and ignorance of Asia was widespread (and it could be argued in some quarters still is).

As is the case with nearly every local Australian pulp cover I present on this site, I’ve no idea who did the art work for Sin in Hong Kong.

James Workman appears to have been one of the many house pseudonyms used by Horwitz. In this case, the real author appears to have been well known Australian novelist James Edmond MacDonnell.… Read more

Pulp Friday: Flat 4 Kings Cross

“A raw and revealing novel of abandoned passions in Sydney’s twilight zone.”

Today’s Pulp Friday book is Flat 4 Kings Cross, by Geoffrey Tolhurst, published by Horwitz Publications in 1963.

As I’ve previously written on this site, the early to mid-sixties was the transition point during which the Australian pulp publishing industry stopped relying completely on reprints of overseas titles and stories and characters set in the US, and started to pump out stories set locally.

As was the case in the UK and America, much of this was kitchen sink and exploitation fiction, often dressed up as lurid exposés of drug use and sexual promiscuity. These fed off mainstream society’s fears of youth rebellion and changing sexual standards. The setting for much of this work was Sydney’s Kings Cross, which during the sixties, seventies and eighties was Australia best-known center of drug use and prostitution.

Prostitutes, beatniks, con men, drug dealers, bent cops, organized crime lords, innocent tourists and American servicemen on leave all rubbed shoulders in  ‘the Cross’ as it is referred to locally. To this, local pulp authors added Chinese Triad gangs enslaving white women, witches and warlocks and a host of other less believable characters.

Flat 4 Kings Cross is a great example of this sub-genre of Australian pulp. … Read more