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Category Archives: Australian popular culture
The Evil Touch talk at the Australian National Film & Sound Archive
I know from previous mentions of the show this site, that there are more than a few fans amongst you of the early 1970s Australian television horror anthology show, The Evil Touch.
For those who live in Canberra or nearby, I’ll be giving a talk on the show at the National Film and Sound Archive from 6pm on Friday, September 6.
The late 1960s/early 1970s was viewed as the peak period for horror anthology television. The Evil Touch is Australia’s only contribution to this particular broadcast niche. Made specifically for the American market – at a time when little Australian TV was made, let alone exported overseas – it bombed when it aired locally in 1973 and the 26 episode show is now largely forgotten and remains unavailable on DVD.
Although cheaply made, the show remains strangely effective, at times, genuinely disturbing viewing. The grainy look and surreal narrative style give it the feel – to use the words of American television critic John Kenneth Muir – of ‘a low grade transmission straight from hell’.
My talk will look at the show’s origins, making and reception. As part of the event, the NFSA will also screening two episodes: the debut episode that aired in 1973, ‘The Obituary’, starring Leslie Nielsen, and what I think is the most innovative episode, ‘Kadaitcha Country’, starring Leif Erickson as an alcoholic Christian missionary assigned to a remote outback mission, where he immediately comes into contact with an Aboriginal ‘witch doctor’ called the Kadaitcha Man.… Read more
Early praise for Sticking it to the Man: Revolution and the Counterculture in Pulp and Popular Fiction, 1950-1980
Just a quick reminder that the second pulp book that I have co-edited with Iain McIntyre, Sticking it to the Man: Revolution and the Counterculture in Pulp and Popular Fiction, 1950-1980, will be out in a few months.
Amid trying to finalise a PhD, I have also been working with the US based designer on the layout of the book, and can I say it looks great. In the meantime, here is the advance praise that we have received about the book.
From the profane to the sacred, this scholarly, obsessive volume reveals forgotten tribes of Amazons, Soul Brothers, Hustlers, Queers, Vigilantes, Radical Feminists and Revolutionaries – the radical exploitation of gnostic pulp.
Jon Savage, author of 1966: The Year the Decade Exploded
This is the ultimate guide to sixties and the counterculture, of which I was a part. Long hair, bellbottoms, short dresses, and a kiss-my-ass attitude to the powers that be. Real meat on real bone, the stuff of one of the most unique and revolutionary generations ever, baby. You need this.
Joe R. Lansdale
This book is a story about stories—the rough-and-tumble mass fiction of the 1950s to the 80s, written to offend The Establishment and delight the rest of us. In Sticking It to the Man, McIntyre and Nette offer us a fascinating smorgasbord of (un)savory tales—the kind whose covers entice and whose texts compel.… Read more
Posted in 1960s American crime films, 1970s American crime films, Australian popular culture, Australian pulp fiction, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Men's Adventure Magazines, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
Tagged Ann Bannon, Counterculture, Joe R Lansdale, Jon Savage, Kenneth Wishnia, Pulp fiction, Sticking it to the Man: Revolution and the Counterculture in Pulp and Popular Fiction 1950-1980
Book review: Murder on Easy Street
Back in 2014, I wrote a piece for the Wheeler Centre site about what I described as the ‘new wave’ of true crime works. These books differed from the earlier style of true crime work, which, with a few exceptions, were liable to be by the numbers, often quickly written books about sensational crimes – serial killers being a favourite – put together from various second hand sources, with a bit of local colour thrown into the mix.
The new wave of true crime books I was referring to, were more literary, focused on the political processes around the crime in question and, indeed, had a much broader definition of what ‘crime’ was. More often than not, they also seemed to be written by individuals that were either directly involved in the crime in question or somehow managed to shoe horn their own life experience into what they are writing about, so they become as much about the author as whatever crime they are writing about. When these kind of true crime books work, they can work big time. But they don’t always work.
If I had to classify it, I would say Helen Thomas’s Murder on Easy has more of the former type of book in it than the latter.… Read more