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Category Archives: Australian noir
Book review: The Student
Regular Pulp Curry readers will know I have a particular fondness for noir fiction. In particular, Australian noir fiction. And, let’s be honest, when all is said and done, there’s not much Australian noir fiction, and I mean really noir fiction, out there. The publication of Iain Ryan’s The Student adds another more book to this rather slender canon of local crime writing.
I reviewed Ryan’s debut novel, Four Days, on this site when it was released in late 2015. A very dark police procedural set in the Queensland cities of Cairns and Brisbane in the 1980s, the plot of Four Days involves a borderline sociopathic cop with a drinking problem who becomes obsessed with the case of a murdered prostitute, in the process coming up against a police hierarchy who are keen to bury any investigation into her death.
Now Melbourne based, Ryan grew up in Queensland – a place that for various I am also very familiar with – and he completely nailed the corruption and picturesque sleaze that typified much of the state in the eighties, a time when its police force was one of the most violent and corrupt in Australia. Ryan cited James Ellroy as a major influence and I was particularly taken with the way he was able to pay homage to legendary crime writer without sinking into pastiche or cliche.… Read more
A new publisher for Gunshine State
Anyone with a knowledge of the history of pulp and popular fiction publishing will know that publishers, particularly small publishers, come and go.
They appear on the scene, often amid a flash of initial excitement and publicity, prosper and become bigger. Or they may do well for a while until economic problems, changes in the publishing industry or the fortunes of the, often few, individuals running them, cause them to falter and close shop. The latter was the unfortunately fate of 280 Steps, the publisher of my second novel, Gunshine State, and the work of many other fine crime writers.
I don’t want to dwell on the reasons behind 280 Steps closure, which took effect at the end of April, except to say that when I signed with them in 2015, they appeared to be very going concern. They had a good business model, had their publicity act together, produced terrific cover art, and where putting together an excellent roster of existing and up and coming crime writers I was happy to number among.
The upshot of the 280 Steps closure is that, for the time being, Gunshine State will no longer be available to purchase either digitally or in hard copy. I say ‘for the time being’ because Gunshine State will be re-released in February 2018 by the US crime publisher Down and Out Books.… Read more
Down these mean streets: The depiction of Melbourne as a ‘Noir City’ in Division 4
Melbourne-based Pulp Curry readers might be interested in the upcoming 3-day Screening Melbourne Symposium to be held in association with the Universities of Deakin, La Trobe, Melbourne, Monash, RMIT and Swinburne; and in partnership with the Australian Centre for the Moving Image & the Australian Film Institute, from February 22 to 24.
I’ll be co-presenting a paper with my friend and colleague, Dean Brandum, on Crawford Productions’ Division 4 series (1969-75) and its depiction of Melbourne as a ‘noir city’.
With Homicide a ratings hit on the Seven Network, Crawford Productions was commissioned by the Nine Network to produce a rival series, the even darker Division 4. Whereas Homicide presented a Melbourne where violent crime was a aberration to be corrected, Division 4’s police characters were shown as the last bastion of morality in a tabloid Melbourne of vice and organised crime. Accentuating this tone was Division 4’s aesthetic of high contrast monochrome depicting the shadowy laneways, sleazy clubs and pubs and ever threatening nightlife of the city, a ‘Noir City’, a vision rarely, if ever depicted on the screen as strongly and as consistently over the course of its 301 episodes.
This presentation is partly based on the research Dean and I did as recipients of the 2014 Australian Film Institute Research Collection’s research fellowship.… Read more