Category Archives: Australian noir

The Empty Beach

Posted on January 18, 2012 by Andrew Nette| 9 Comments

One local blog I’ve been following for a while now is Permission to Kill, run by my mate, David Foster. Its main focus is all things espionage fiction and film related, but David also covers of on a wide variety of pulp miscellany, including crime fiction and film.

I was particularly pleased to see a recent review on his site of the excellent but little known1985 Australian crime flick, The Empty Beach. Starring Bryan Brown, Ray Barrett, Nick Tate and Belinda Gibbin, The Empty Beach is based on the Peter Corris novel of the same name. David was nice enough to let me re-post his review, which appears below.

Bryan Brown IS Cliff Hardy. It is perfect casting. It’s a shame that this film wasn’t a hit, because I would have loved to see Brown play Hardy again and again. He could be doing it to this day, pumping out a tele-movie each year – and I would be first seated, ready and eager to watch it. But alas, not to be.

For those not familiar with the character of Cliff Hardy, private investigator, he is a creation of Peter Corris and first appeared in the novel The Dying Trade in 1980. Since then he has been releasing Cliff Hardy stories regularly – at least thirty of them – the last I am aware of, is Appeal Denied which was released in 2007.… Read more

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Posted in Australian crime film, Australian noir, Bryan Brown, Neo Noir, Peter Corris

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Interview: David Whish-Wilson, part 2

Posted on May 4, 2011 by Andrew Nette| 2 Comments

Below is part two of the interview with David Whish-Wilson, the WA based author of Line of Sight. Part one of the interview can be viewed here.

Is the history that you based Line of Sight on well known within WA? What was the reaction locally to the book?

The murder of Shirley Finn is probably Perth’s most notorious unsolved murder, notorious because of the persistent (and correct) rumours of police involvement. You might even say that Shirley’s murder has achieved the status of myth – the kind of myth that develops when there’s so little on the public record, and which functions to fill in the gaps left by unanswered questions. As a writer, of course, that frontierland between truth and fiction and myth and legend is an interesting region to explore. The good news is that Line of Sight has been very well received over here, and it’s gratifying to have been contacted on a number of occasions by ex-policemen and ex-prostitutes and others from the period who have expressed their satisfaction that finally this story has been told in a fairly truthful manner, even if it’s a work of fiction.

I did toss up whether to write the murder of Shirley Finn as a work of fiction, or of non-fiction, and in the end decided for a couple of reasons to write it as a novel, primarily because there’s so little on the public record about her murder, and specifically because people are still very afraid to speak on the record.… Read more

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Posted in Australian crime fiction, Australian noir, Crime fiction, David Whish-Wilson, Interviews, Noir fiction

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David Whish-Wilson Interview part 1

Posted on May 3, 2011 by Andrew Nette| 7 Comments

David Whish-Wilson’s Line of Sight was one of my favourite crime fictions reads of 2010. A re-telling of the events following the murder of a notorious Perth brothel madam, Shirley Finn, the book deals with crime and corruption in seventies WA. It’s a fantastic piece of hard-boiled noir writing, unusual for the Australian scene. I’m obviously not the only person singing it’s praises, as Line of Sight is in the running for best first fiction book in the upcoming Ned Kelly Awards.

A review of Line of Sight appeared on Pulp Curry last year. Since then, I’ve been hassling David for an interview. A few weeks ago we finally pulled it off. As finding a time to talk by phone proved difficult, David very generously agreed to provide written answers via e-mail to my questions. His detailed responses are fascinating, particularly to someone such as myself with little knowledge of life in the West. Instead of cutting them back, I decided to run the interview in two parts. Part two will appear tomorrow.

Line of Sight takes as its starting point the real life murder in the seventies of a Perth brothel madam called Shirley Finn (known as Ruby Devine in the book). How did you come across the story of Finn and what made you think it would make the premise of a good crime story?… Read more

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Posted in Australian crime fiction, Australian noir, Crime fiction, David Whish-Wilson, Interviews, Noir fiction

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Heatwave

Posted on March 14, 2011 by Andrew Nette| 1 Comment

For years the 1982 movie Heatwave has languished in the shadow of director Phillip Noyce’s more recent and successful films.

It’s a great pity. Not only is Heatwave a dark, well-made thriller that can legitimately stake a place among the small group of Australian films with genuine noir sensibility, it is politically sharp-edged without coming across as either preachy or didactic.

Heatwave is one of two Australian films based loosely on the real life disappearance in 1975 of Juanita Nielson, a prominent local activist against mass development in the colourful vice quarter of inner Sydney known as Kings Cross. The other, Donald Crombie’s The Killing of Angel of Street, appeared the previous year. So close together were the two films that at one point they were reportedly both shooting at the different ends of the same inner Sydney street.

Heatwave takes place in the lead-up to Christmas and, as the title suggests, Sydney is sweltering after successive days of high temperatures. A group of Kings Cross residents are fighting attempts to demolish their houses to make way for a giant development named Eden, financed by businessman Peter Houseman (Chris Haywood).

For three years, young firebrand Kate Dean (Judy Davis) and Mary Ford, editor of the community newspaper, have led local opposition to Eden.… Read more

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Posted in Australian crime film, Australian noir, Crime film, Film Noir

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The Square: small town noir Australian style

Posted on August 2, 2010 by Andrew Nette| 2 Comments

Tales of money, betrayal, lust and murder set in the underbelly of rural small town life are a major thematic strand of film noir. Australia’s contribution to this, released locally to mixed reviews in 2008, is The Square.

The location selected by first time director and writer Nash Edgerton is the central coast of New South Wales, where the laid back life-style and stunning countryside exist side by side with pockets of deep poverty and a highly casualised workforce.

The opening scene of The Square takes place at dawn. Two people are having sex in the back seat of a car to the accompanying drone of cars crossing a nearby overpass. They finish, pausing long enough for us to notice their wedding rings, before going their separate ways.

The man, Ray, pulls into a clearing in the middle of thick bushland and enters the portable office from which he is supervising the construction of a resort for honeymooners. The young woman, Carla, drives to her job in a hairdressing parlour.

Before long, Ray is getting a hard time down from Gil, the developer (long time Australian actor, Bill Hunter) for failing to keep costs down. There’s no need for anything fancy, Gil tells him, all they are building is a place were “couples can root in Jacuzzis”.… Read more

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Posted in Australian crime film, Australian noir, Crime film, Joel Edgerton

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