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Category Archives: Australian crime film
Hardcore Horseman
The Horseman is about the transformation of a balding 44-year old small businessman into a killing machine as he tracks down the men he holds responsible for the death of his daughter. She died after participating in a hard core porn film, a video cassette of which mysteriously appears in his post one day.
This 2008 film, which only got local release in Australia in 2010, taps into a rich vein of movies about tightly wound white men who’ve played by the rules all their lives but finally snap over one injustice against them (perceived or real) too many.
It immediately reminded me of Paul Schrader’s Hardcore, which featured a conservative mid-west businessman (played by George C Scott) who ventures into the sordid LA underworld to look for his run-away daughter now making porn movies. But although both films are about men taking justice into their own hands when the police prove ineffectual, The Horseman is a very different beast to its 1979 counterpart.
The Horseman opens with the central character, Christian, a pest exterminator, beating up a man with a crowbar. After extracting a few answers, Christian douses the man’s house in petrol and sets it on fire, presumably with his victim still inside, changing from his work clothes as it burns in the background.… Read more
Red Hill
It’s not clear exactly how to label Australian director Patrick Hughes’ début film, Red Hill. It is part spaghetti Western, part noir-infused revenge flick, part Blacksploitation, and part Australian mariachi shoot ’em up.
It doesn’t really matter. What’s important is it works, more than any other Australian crime film I have seen for a while (and, yes, that includes Animal Kingdom).
Young police officer Shane Cooper (True Blood’s Ryan Kwanten) and his pregnant wife (Claire van der Boom) have moved to the dying country town of Red Hill.
It’s only Cooper’s first day on the job, but already his boss, Sheriff Old Bill (Steve Bisely) is being an asshole, everyone is taking the piss out of him for being from the city and a mighty storm is blowing Red Hill’s way.
But the weather’s not the only thing about to turn nasty.
As Cooper walks into the police station to report for duty, a TV in the background is reporting that accused wife murderer and attempted cop killer Jimmy Conway (Tom E Lewis from The Chant of Jimmy Blacksmith) has broken out of a nearby prison.
Soon the town is buzzing with speculation that Conway is heading to Red Hill to exact his revenge on the man who put him away, Old Bill.… Read more
The Square: small town noir Australian style
Tales of money, betrayal, lust and murder set in the underbelly of rural small town life are a major thematic strand of film noir. Australia’s contribution to this, released locally to mixed reviews in 2008, is The Square.
The location selected by first time director and writer Nash Edgerton is the central coast of New South Wales, where the laid back life-style and stunning countryside exist side by side with pockets of deep poverty and a highly casualised workforce.
The opening scene of The Square takes place at dawn. Two people are having sex in the back seat of a car to the accompanying drone of cars crossing a nearby overpass. They finish, pausing long enough for us to notice their wedding rings, before going their separate ways.
The man, Ray, pulls into a clearing in the middle of thick bushland and enters the portable office from which he is supervising the construction of a resort for honeymooners. The young woman, Carla, drives to her job in a hairdressing parlour.
Before long, Ray is getting a hard time down from Gil, the developer (long time Australian actor, Bill Hunter) for failing to keep costs down. There’s no need for anything fancy, Gil tells him, all they are building is a place were “couples can root in Jacuzzis”.… Read more
Money Movers: unearthing a rare Australian noir
There’s a lot of justified hype about the period of Australian film from the mid-seventies to the mid-eighties known as “Ozploitation”, when the creation of film funding bodies and the introduction of government tax breaks to encourage investment in the industry saw an explosion of local production.
But there was one genre of movie the Ozploitation period did not do well or often – crime.
One of the few exceptions is Bruce Beresford’s heist movie, Money Movers. Adapted from the novel of the same name by an ex-security officer, like a lot of films from the Ozploitation period, Money Movers completely flopped when it was released in 1979.
Unlike like a lot of the Ozploitation movies that have since gone on to enjoy critical and cult acclaim, Money Movers remains little known or appreciated, despite a dvd version being released in 2004. This is a pity because Money Movers is proof Australia could knock out a noir as gritty and multi-layered as the best of them.
Its hardboiled feel is established in the opening scenes, muster time in the counting house of Darcy’s Security Services. The armoured car drivers exchange jokes and take a last drag on their cigarettes before going on the weekly bank run. Two of them, Brian Jackson (iconic Australian actor Bryan Brown) and his brother, Eric (Terence Donovan), head of security at Darcy’s, pause to observe money being unloaded from a truck with particular interest.… Read more