Category Archives: Australian crime fiction

Pulp Friday: biker pulp

“Lusting females with sadism and sex on their mind.”

Bikers were one of the major themes of pulp fiction in the late sixties and seventies.

Society’s fascination with bikers obviously dates back much further than this, but by the late sixties it had well and truly seeped into popular culture, thanks to the well publicised violence at Aldamont, movies like Easy Rider (1969) and the success of Hunter S Thompson’s 1965 gonzo journalism classic, Hells Angels.

Australia was no exception to this trend, with concerns about law and order arising from the growth of the counter culture and the popularity of movies like Stone (1974) and Mad Max (1979) resulting in our own fascination with bikie culture.

The result was wave of pulp novels focusing on the exploits of outlaw biker gangs and the cops trying to break them. The books mirrored mainstream society’s fascination/loathing of bikie culture, real and imagined, mixed with lashings of gratuitous sex and hard-core violence.

Wheels of Death (1975) and Bikie Birds (1973) are two Australian examples of biker pulp fiction. Both were written by Stuart Hall, who penned approximately 45 pulp novels between 1970 and 1980, including a number of biker pulps for Scripts, the adults-only inprint of Sydney-based pulp publisher Horwitz Publications.

In addition to writing about the denim clad male members of these bikie gangs, Hall devoted considerable attention to the women (or ‘birds’ as women were often referred to in popular working class Australian slang) who rode with them, characters every bit as sexually loose and violent as their male counterparts.… Read more

Pulp Friday: Operation Concrete Butterfly

“The Sydney Opera House opening was glitter and show – and then it became a  bloodbath.”

One of lessor known sub-genres of sixties/seventies pulp fiction was what for want of a better term could have been called ‘Blaxsploitation pulp’ (even though a lot of it was written by white authors).

It was big in the US and UK usually featured black PIs solving their cases in style at the same time as sticking it to the man or black revolutionaries seizing power and getting some pay back on whitey. You get my drift. New English Library, a UK pulp publisher, also released a series of semi-soft core porn novels featuring slaves and slavers in the pre-US civil war deep south.

I’ve never been able to find any example of this kind of pulp fiction in Australia, with the exception of today’s Pulp Friday offering, Operation Concrete Butterfly by Dick Peters.

To says this is a little known book is an understatement. I have not been able to find out any background on the author or Arkon Paperbacks, the outfit that published it in 1973. The publication notes suggest it might have been a subsidiary of Angus and Robertson Publications but I can’t be sure.

As for the plot, the back cover blurb gives a pretty good indication of what the prospective reader is in for.… Read more

Australia’s other lost literary heritage

There’s been a bit of discussion in literary circles recently about whether enough is being done to maintain the public’s interest in the classics of Australian literature. To my surprise it’s a debate I’ve only been able to drum up half-hearted enthusiasm for.

The catalyst was an article by Text Publisher Michael Heyward in late January, in which he criticised journalists, cultural commentators and university academics for failing to create an enduring tradition for appreciating and teaching Australian literature. He singled out universities in particular for the lack of courses about Australian writing.

Perhaps in response, the latest program put out by the Wheeler Centre includes a series of talks called Literature 101, in which contemporary writers talk about classic Australian texts.

You won’t get an argument from me about the importance of Australian literature in building our individual and collective sense of historical self. I also agree universities are failing to teach Australian literature, although I think the problem lies less in any wilful neglect on the part of academics than in the gradual privatisation of our higher education system. Persistent federal government underfunding has squeezed course diversity in favour of subjects that generate income, particularly full fee income. Australian literature is not Robinson Crusoe in this regard. Try studying ancient history or the language of a country that is not one of our major trading partners, and you’ll get the picture.… Read more

Pulp Friday: Danger Circuit

“He braved death on the race tracks – and suddenly found himself involved in a sinister intrigue.”

Welcome to the first Pulp Friday for 2012. I will be trying to make this a regular feature on my blog but due to other commitments, particularly other writing commitments, I can’t promise I’ll make it every Friday.

Today’s post is a classic piece of Aussie pulp, Danger Circuit by David Bower.

Released by Australia’s premier pulp publisher, Horwitz, in 1963, it’s the story of Phoenix Palmer, a career racing car driver. He gets invited to race in the famed Indianopolis and ends up ensared in a web of intrigue and murder.

The back blurb is short and to the point.

“Tough racing driver Phoenix Palmer met the beautiful blonde at the same time as he accepted the offer to drive the streamlined new Aquila.

But the thrill of excitement soon changed to chilling horror, as he realised too late that he’d been ensnared in a ruthless intrigue….”

Enjoy.… Read more

Roll on 2012

I don’t know about you, but I feel like it’s been a long year.

Pulp Curry is going to be taking a break over the Christmas/New Year period, returning in mind-2012.

It’s shaping up to be a big one for me writing-wise. My manuscript, tentatively titled Cambodia Darkness and Light, will be published as an e-book in the US some time in the second half of 2012, by Snubnose Press.

I also have short fiction appearing in a number of publications. Max Quinlan, an Australian-Vietnamese ex-cop and the main character in Cambodia Darkness and Light, will be making an appearance in issue two of Noir Nation, in a story called ‘Homeland’.

Gary Chance, a tough, ex-Australian army veteran who now makes a living pulling heists for anyone who’ll pay, will appear in The One That Got Away, an anthology of Australian crime fiction by Dark Prints Press, out February.

Chance will also feature in a story by me in Crime Factory: Hard Labour, out in March. Hard Labour is an anthology of crime stories by authors either born in Australia or residing here.

Rather than just complaining about the narrowness of the local crime fiction scene, Melbourne’s Crime Factory crew, myself, Cameron Ashely and Liam Jose, have decided to get active and do something about it.… Read more