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Category Archives: Pulp fiction set in Asia
Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
After much thought I have decided that to experiment with moving the focus of my blogging from this site to a new Pulp Curry Substack newsletter.
Why am I doing this?
The first post on this website appeared on July 2010 (about the incredibly underrated 1979 Australian heist film, Money Movers – you can read the post here). I’ve been writing on the site with varying frequency ever since (579 posts in all), and for the most part have enjoyed it immensely.
But for the last 12 or so months I just haven’t been feeling it – or getting the hits to make it seem worthwhile – and have started to wonder whether it’s worth continuing with the effort. Posting on a website has been starting to feel like the equivalent of trying to read a broadsheet newspaper in a crowded tram carriage, unwieldy and inconvenient.
And, thinking about it, I suspect the blog format is starting to get a bit stale for me and is actually now a brake on my posting more regularly.
I know that I’m no Robinson Crusoe in this regard. The majority of the blogs I used to follow have gradually fallen by the wayside, as people have moved on, grown weary of the effort, found other interests, adopted other means to get their message out, or, in some cases (gulp), died.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, 1990s American crime films, Adrian McKinty, Albert Dekker, Andre De Toth, Angela Savage, Angie Dickinson, Anthony Zerbe, Asian noir, Australian crime fiction, Australian crime film, Australian noir, Australian popular culture, Australian pulp fiction, Australian television history, Ava Gardner, Beat culture, Belmont Tower Books, Ben Wheatley, Billie Whitelaw, Black pulp fiction, Blaxsploitation, Book cover design, Book Reviews, British crime cinema, British pulp fiction, Bryan Brown, Burt Lancaster, Carter Brown, Charles Durning, Charles Willeford, Chester Himes, Christopher G Moore, Christopher Lee, Cinema culture, Claude Atkins, Coronet Books, Crawford Productions, Crime Factory, Crime Factory Publications, Crime fiction, Crime fiction and film from Africa, Crime fiction and film from Cambodia, Crime fiction and film from China, Crime fiction and film from India, Crime fiction and film from Indonesia, Crime fiction and film from Japan, Crime fiction and film from Laos, Crime fiction and film from Latin and Central America, Crime fiction and film from Malaysia, Crime fiction and film from New Zealand, Crime fiction and film from Scandinavia, Crime fiction and film from Singapore, Crime fiction and film from South Korea, Crime fiction and film from Thailand, Crime fiction and film from the Philippines, Crime Fiction and film set in Vietnam, Crime film, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, David Goodis, David Peace, David Whish-Wilson, Derek Raymond, Diana Dors, Dirk Bogarde, Don Siegel, Don Winslow, Donald Westlake aka Richard Stark, Dystopian cinema, Ernest Borgnine, Eurocrime, Fawcett Gold Medal Books, Femme fatale, Fernando Di Leo, Filipino genre films, Film Noir, Forgotten Melbourne, French cinema, French crime fiction, Garry Disher, Gene Hackman, George V Higgins, Georges Simenon, Ghost Money, Giallo cinema, Gil Brewer, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Gloria Grahame, Gold Star Publications, Gregory Peck, Gunshine State, Heist films, Horror, Horwitz Publications, Humphrey Bogart, Ian Fleming, Interviews, Ira Levin, James Caan, James Crumley, James Ellroy, James Hadley Chase, James Woods, Jim Brown, Jim Thompson, Joel Edgerton, John Frankenheimer, Joseph Losey, Karen Black, Kerry Greenwood, Kinji Fukasaku, Larry Kent, Lee Marvin, Leigh Redhead, Lindy Cameron, M Emmet Walsh, Mad Max, Mafia, Malla Nunn, Martin Limon, Megan Abbott, Melbourne International Film Festival, Melbourne Writers Festival, Men's Adventure Magazines, Michael Caine, Michael Fassbender, Mickey Spillane, Monarch Books, Ned Kelly Awards, Neo Noir, New English Library, Newton Thornburg, Noir Con, Noir fiction, Non-crime reviews, Oren Moverman, Orphan Road, Ozsploitation, Pan Books, Parker, Paul Newman, Peter Boyle, Peter Strickland, Peter Yates, Poliziotteschi, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Qui Xiaolong, Raymond Chandler, Richard Burton, Richard Conte, Robert Aldrich, Robert Mitchum, Robert Ryan, Robert Stone, Rock Hudson, Roger Smith, Rollerball, Rosaleen Norton, Roy Scheider, Rural noir, Sam Levene, Sam Peckinpah, Samuel Fuller, Science fiction and fantasy, Scripts Publications, Sidney Lumet, Sidney Poitier, Simon Harvester, Snowtown, Snubnose Press, Spies, Stanley Baker, Sterling Hayden, Steve McQueen, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980, Stuart Rosenberg, Tandem Books, Tart noir, Tartan Noir, Ted Lewis, Toni Johnson Woods, True crime, Vicki Hendricks, Victor Mature, Vintage mug shots, Vintage pulp paperback covers, Wallace Stroby, War film, Westerns, William Friedkin, Woody Strode, Yakuza films, Yaphet Kotto
Video of launch of Horwitz Publications, Pulp Fiction & the Rise of the Australian Paperback
If you missed the recent launch of my monograph Horwitz Publications, Pulp Fiction and the Rise of the Australian Paperback, organised by the Australian National University’s Centre for Australian Literary Cultures, the video of the event is now on Youtube for your viewing pleasure. The book, published in hardback by Anthem Publications, is price for higher education institutions at present, but a cheaper paperback version will be available mid-2023.
… Read morePosted in Book cover design, British pulp fiction, Crime fiction, Horwitz Publications, Monarch Books, New English Library, Pan Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Toni Johnson Woods, True crime, Vintage pulp paperback covers, Westerns
Tagged Anthem Press, Centre for Australian Literary Cultures, Horwitz Publication Pulp Fiction and the Rise of the Australian Paperback, Horwitz Publications
Register for on-line NoirCon 2022
Those of you who have been following my site for a while now may have seen me post about NoirCon previously. A celebration of all things noir in film, literature, art and anything else you care to mention, NoirCon was previously held as a face-to-face gathering in Philadelphia, but has been cancelled for the last few years, due to Covid and other problems.
Well, now it is back, this year as an online gathering.
NoirCon will take place Friday-Saturday, October 21-23, EST. Virtual NoirCon 2022 will be held on the Accelevents platform. An all-access pass covering the entire conference is $36. Registration includes access to the Accelevents platform for 30 days after the event, so attendees can re-watch events or catch up on panels they missed.
NoirCon is hands down the best literary/arts festival I have attended. The exact program is not live yet but whatever the fevered mind of NoirCon organiser Lou Boxer has dreamt up in terms of a program, I have no doubt it’ll be good, including new events and events that would have been held in previous cancelled versions of the program. So if you have any interest in noir at all and are able to make the time zone work for you, you should definitely register at this link.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, 1990s American crime films, Asian noir, Australian noir, Crime fiction, Crime film, David Goodis, Femme fatale, Film Noir, French cinema, Heist films, Neo Noir, Noir Con, Noir fiction, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp paperback cover art, Tart noir, Tartan Noir, True crime
Tagged Halley Sutton, Lou Boxer, Nikki Dolson, noir art, Noir Con 2022, noir fiction, noir film, NoirCon, Richie Narvaez, Scott Adlerberg
September events: Australian pulp fiction and Dangerous Visions & New Worlds
September is shaping up to be a busy month for me, with three events that Pulp Curry readers might be interested in.
September 2nd to 4th is the inaugural Port Fairy Literary Weekend, which is being organised by the Wonderful Blarney Books and Art. The entire program, which looks great, can be viewed on-line here. I will be taking part in a panel titled ‘Dangerous Visions’ on the Saturday afternoon of the festivities. ABC journalist Matt Neal will be interviewing me about the book I co-edited with Iain McIntyre, Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1985, along with Mykaela Saunders and Jack Latimore, two writers who are part of a new anthology of First Nations science fiction, This All Come Back Now. I have a copy of This All Come Back Now and am looking forward to reading it before the event.
I will also have the remaining stock of my science fiction book, as well as copies of the first two in the series, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture 1950-1980 and Sticking it to the Man: Revolution and Counterculture in Pulp and popular Fiction 1950-1980, for sale at the festival. Tickets for the event can be purchased via the website here.… Read more
Posted in Australian crime fiction, Australian popular culture, Australian pulp fiction, Book cover design, British pulp fiction, Crime fiction, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, Fawcett Gold Medal Books, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Horwitz Publications, James Hadley Chase, Pan Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp paperback cover art, Science fiction and fantasy, Scripts Publications, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980, Vintage pulp paperback covers
Tagged Anthem Press, Australian Centre for Literary Cultures, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, Girl Gangs Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture 1950 to 1980, Horwitz Publications, Port Fairy Literary Weekend, Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction 1950-1980, This All Come Back Now
Horwitz Publications, Pulp Fiction & the Rise of the Australian Paperback
I know that this site has not been getting quite as much attention from me as usual over the last year. This is largely because I have been so busy with various book projects. A quick update on these might be in order.
First up is my academic monograph, Horwitz Publications, Pulp Fiction & the Rise of the Australian Paperback. Out via the Anthem Press Studies in Australian Literature and Culture series in early July, it now has a cover and is available for pre-order. It is in hardcover, with a price that reflects the fact that it is being targeted at institutions and, in particular, libraries, in the first instance, but I have negotiated with Anthem for a much cheaper paperback version of the book will be released by Anthem next year.
Horwitz Publications, Pulp Fiction & the Rise of the Australian Paperback originated in a PhD I took at Sydney’s Macquarie University and turning it into a monograph has taken a considerable amount of my time over the last year. Regular readers will no doubt be familiar with Horwitz, as the publisher of many of the paperback covers that I post on this site. My study is the first book length examination of Australian pulp and one of the few detailed studies I am aware of a specific pulp publisher to appear anywhere.… Read more
Posted in Australian crime fiction, Australian popular culture, Australian pulp fiction, Australian television history, Book cover design, British pulp fiction, Carter Brown, Crime fiction, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, Fawcett Gold Medal Books, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Gold Star Publications, Horwitz Publications, Men's Adventure Magazines, Mickey Spillane, Noir fiction, Pan Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp paperback cover art, Science fiction and fantasy, Scripts Publications, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980, True crime, Vintage pulp paperback covers
Tagged Anthem Press, Australian pulp fiction, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1980, Down and Out Books, Girl Gangs Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture 1950 to 1980, Gunshine State, Horwitz Publication Pulp Fiction and the Rise of the Australian Paperback, Horwitz Publications, Orphan Road, PM Press, Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction 1950-1980