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- Why 1973 was the year Sidney Lumet took on police corruption
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Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
- Bear Alley
- Bloody, Spicy, Books
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- Everything second hand
- Existential Ennui
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- Irv O. Neil's Erotica is My Trade
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Category Archives: Asian noir
Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
After much thought I have decided that to experiment with moving the focus of my blogging from this site to a new Pulp Curry Substack newsletter.
Why am I doing this?
The first post on this website appeared on July 2010 (about the incredibly underrated 1979 Australian heist film, Money Movers – you can read the post here). I’ve been writing on the site with varying frequency ever since (579 posts in all), and for the most part have enjoyed it immensely.
But for the last 12 or so months I just haven’t been feeling it – or getting the hits to make it seem worthwhile – and have started to wonder whether it’s worth continuing with the effort. Posting on a website has been starting to feel like the equivalent of trying to read a broadsheet newspaper in a crowded tram carriage, unwieldy and inconvenient.
And, thinking about it, I suspect the blog format is starting to get a bit stale for me and is actually now a brake on my posting more regularly.
I know that I’m no Robinson Crusoe in this regard. The majority of the blogs I used to follow have gradually fallen by the wayside, as people have moved on, grown weary of the effort, found other interests, adopted other means to get their message out, or, in some cases (gulp), died.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, 1990s American crime films, Adrian McKinty, Albert Dekker, Andre De Toth, Angela Savage, Angie Dickinson, Anthony Zerbe, Asian noir, Australian crime fiction, Australian crime film, Australian noir, Australian popular culture, Australian pulp fiction, Australian television history, Ava Gardner, Beat culture, Belmont Tower Books, Ben Wheatley, Billie Whitelaw, Black pulp fiction, Blaxsploitation, Book cover design, Book Reviews, British crime cinema, British pulp fiction, Bryan Brown, Burt Lancaster, Carter Brown, Charles Durning, Charles Willeford, Chester Himes, Christopher G Moore, Christopher Lee, Cinema culture, Claude Atkins, Coronet Books, Crawford Productions, Crime Factory, Crime Factory Publications, Crime fiction, Crime fiction and film from Africa, Crime fiction and film from Cambodia, Crime fiction and film from China, Crime fiction and film from India, Crime fiction and film from Indonesia, Crime fiction and film from Japan, Crime fiction and film from Laos, Crime fiction and film from Latin and Central America, Crime fiction and film from Malaysia, Crime fiction and film from New Zealand, Crime fiction and film from Scandinavia, Crime fiction and film from Singapore, Crime fiction and film from South Korea, Crime fiction and film from Thailand, Crime fiction and film from the Philippines, Crime Fiction and film set in Vietnam, Crime film, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, David Goodis, David Peace, David Whish-Wilson, Derek Raymond, Diana Dors, Dirk Bogarde, Don Siegel, Don Winslow, Donald Westlake aka Richard Stark, Dystopian cinema, Ernest Borgnine, Eurocrime, Fawcett Gold Medal Books, Femme fatale, Fernando Di Leo, Filipino genre films, Film Noir, Forgotten Melbourne, French cinema, French crime fiction, Garry Disher, Gene Hackman, George V Higgins, Georges Simenon, Ghost Money, Giallo cinema, Gil Brewer, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Gloria Grahame, Gold Star Publications, Gregory Peck, Gunshine State, Heist films, Horror, Horwitz Publications, Humphrey Bogart, Ian Fleming, Interviews, Ira Levin, James Caan, James Crumley, James Ellroy, James Hadley Chase, James Woods, Jim Brown, Jim Thompson, Joel Edgerton, John Frankenheimer, Joseph Losey, Karen Black, Kerry Greenwood, Kinji Fukasaku, Larry Kent, Lee Marvin, Leigh Redhead, Lindy Cameron, M Emmet Walsh, Mad Max, Mafia, Malla Nunn, Martin Limon, Megan Abbott, Melbourne International Film Festival, Melbourne Writers Festival, Men's Adventure Magazines, Michael Caine, Michael Fassbender, Mickey Spillane, Monarch Books, Ned Kelly Awards, Neo Noir, New English Library, Newton Thornburg, Noir Con, Noir fiction, Non-crime reviews, Oren Moverman, Orphan Road, Ozsploitation, Pan Books, Parker, Paul Newman, Peter Boyle, Peter Strickland, Peter Yates, Poliziotteschi, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Qui Xiaolong, Raymond Chandler, Richard Burton, Richard Conte, Robert Aldrich, Robert Mitchum, Robert Ryan, Robert Stone, Rock Hudson, Roger Smith, Rollerball, Rosaleen Norton, Roy Scheider, Rural noir, Sam Levene, Sam Peckinpah, Samuel Fuller, Science fiction and fantasy, Scripts Publications, Sidney Lumet, Sidney Poitier, Simon Harvester, Snowtown, Snubnose Press, Spies, Stanley Baker, Sterling Hayden, Steve McQueen, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980, Stuart Rosenberg, Tandem Books, Tart noir, Tartan Noir, Ted Lewis, Toni Johnson Woods, True crime, Vicki Hendricks, Victor Mature, Vintage mug shots, Vintage pulp paperback covers, Wallace Stroby, War film, Westerns, William Friedkin, Woody Strode, Yakuza films, Yaphet Kotto
Register for on-line NoirCon 2022
Those of you who have been following my site for a while now may have seen me post about NoirCon previously. A celebration of all things noir in film, literature, art and anything else you care to mention, NoirCon was previously held as a face-to-face gathering in Philadelphia, but has been cancelled for the last few years, due to Covid and other problems.
Well, now it is back, this year as an online gathering.
NoirCon will take place Friday-Saturday, October 21-23, EST. Virtual NoirCon 2022 will be held on the Accelevents platform. An all-access pass covering the entire conference is $36. Registration includes access to the Accelevents platform for 30 days after the event, so attendees can re-watch events or catch up on panels they missed.
NoirCon is hands down the best literary/arts festival I have attended. The exact program is not live yet but whatever the fevered mind of NoirCon organiser Lou Boxer has dreamt up in terms of a program, I have no doubt it’ll be good, including new events and events that would have been held in previous cancelled versions of the program. So if you have any interest in noir at all and are able to make the time zone work for you, you should definitely register at this link.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, 1990s American crime films, Asian noir, Australian noir, Crime fiction, Crime film, David Goodis, Femme fatale, Film Noir, French cinema, Heist films, Neo Noir, Noir Con, Noir fiction, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp paperback cover art, Tart noir, Tartan Noir, True crime
Tagged Halley Sutton, Lou Boxer, Nikki Dolson, noir art, Noir Con 2022, noir fiction, noir film, NoirCon, Richie Narvaez, Scott Adlerberg
The real French Connection
My latest piece for the US site CrimeReads is a look at the real-life crimes that inspired William Friedkin’s 1971 classic, The French Connection. It is a tangled tale of Corsican gangsters, international heroin smuggling, the CIA and the war in Indochina – with a dash of my own experience in Laos. You can read the piece in full here.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, Asian noir, Crime fiction and film from Cambodia, Crime fiction and film from Thailand, Crime Fiction and film set in Vietnam, Crime film, Gene Hackman, Mafia, Roy Scheider, True crime, William Friedkin
Tagged 1970s American crime film, Gene Hackman, Roy Scheider, The French Connection (1971), William Friedkin
Postcard From Cambodia
Back in 2016, I contributed a story to an anthology of crime fiction published by Spineless Wonders, called Crime Scenes. The story, a piece of noir writing called ‘Postcard From Cambodia’, was set in Australia and Cambodia, and I have always thought it was one of my better short fiction efforts. An abridged version of ‘Postcard From Cambodia’ was performed live a couple of years back at a bar in Sydney and was broadcast a couple of days ago on community radio 2RPH as part of ‘Little Fictions On Air’ program along with a brief commentary. For those who are interested, you can listen to the story being read by the show’s presented, Kate Liston-Mills, here.
It is certainly an experience listening to one of your stories being performed on radio, but I’ll let you be the just of whether it works or not. If you do enjoy the story I would encourage you to pick up a copy of Crimes Scenes. It is available in hardcopy from the Spineless Wonders site, and for your Kindle here. It has some terrific Australian crime stories, including work from the late Peter Corris, Tony Birch, Leigh Redhead, Angela Savage and David Whish-Wilson, among others. … Read more
Posted in Asian noir, Australian crime fiction, Australian crime film, Australian noir, Crime fiction and film from Cambodia, David Whish-Wilson, Leigh Redhead, Peter Corris
Tagged Asian noir, crime fiction in Cambodia, David Whish-Wilson, Leigh Redhead, Little fictions, Peter Corris, Postcard from Cambodia, Short fiction, Tony Birch
Blowback: late 1960s and 1970s pulp and popular fiction about the Vietnam War
If you are still on the fence about purchasing a copy of my new book, Sticking it to the Man: Revolution and the Counterculture in Pulp and Popular Fiction, 1950 to 1980, the site CrimeReads is running a couple of extracts from the book. The first is my piece, ‘Blowback: late 1960s and 1970s pulp and popular fiction about the Vietnam War’.
The conflict in Vietnam cast a long shadow over pulp and popular fiction in the late 1960s and the 1970s. Vietnam veterans were hunted by small town redneck police in David Morrell’s 1972 novel, First Blood, dealt drugs in Vern E Smith’s The Jones Men, and staged an abortive bank heist in Dog Day Afternoon, both published in 1974. In the Lone Wolf series ex-New York cop and Vietnam veteran, Burt Wulff mounted a fourteen-book battle from 1973 to 1975 against the drug dealing criminal organisation, ‘The Network’, in which he treated the streets of America’s major cities as an extension of jungles of Southeast Asia. Vietnam was the training ground for many of the characters that populated men’s adventure and crime pulp in the 1970s. More broadly, Vietnam’s traumatic impact on American society would become a cypher through which pulp and popular fiction name checked cultural fragmentation, growing disillusionment with the American dream, dishonest and unaccountable government and corporations, and the power of the military industrial complex.… Read more
Posted in 1970s American crime films, 1980s American crime films, Asian noir, Australian crime fiction, Australian noir, Belmont Tower Books, Black pulp fiction, Blaxsploitation, Book cover design, Crime Fiction and film set in Vietnam, Crime film, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp paperback cover art, Robert Stone, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
Tagged CrimeReads, David Morrell, Dog Day Afternoon, First Blood (1972), Pulp and popular fiction about Vietnam, Pulp fiction in Asia, Sticking it to the Man: Revolution and the Counterculture in Pulp and Popular Fiction 1950 to 1980, Vietnam War