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Recent Posts
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- Mackenna’s Gold (1969): Gold, Ghosts and Frontier Violence
- Orphan Road book launch
- Orphan Road now available
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- Why 1973 was the year Sidney Lumet took on police corruption
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Recommended reading
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Author Archives: Andrew Nette
The bleak, propulsive noir of Georges Simenon’s Romans Durs
If forced to nominate any positives at all out of the last two years of global pandemic, it is the increased time I’ve had to read. In the first year of Covid I made good on a long-standing desire to read John le Carré’s George Smiley books. A literary focus of 2021 was the work of the Belgium born writer, Georges Simenon. Simenon’s output was a staggering 400 novels, although some have claimed he wrote as many as 500. The best known of these is his acclaimed series of crime procedurals featuring the French police detective Jules Maigret, 75 of which appeared between 1931 and 1972 (Simenon died in 1989). But my interest in Simenon is in his other, somewhat more shadowy body of work, his so-called romans durs or ‘hard novels’: tightly plotted, intensely psychological, often quite slim stand-alone volumes that have so far yielded some of the best noir fiction I can remember reading.
My latest piece for the US site CrimeReads, on the bleak psychological noir of Simenon’s Romans Durs is live and can be read in full here.… Read more
Dangerous Visions & New Worlds: the reviews so far & upcoming two-day City Lights SF symposium
It has been a couple of months since my latest collaboration with Iain McIntyre, Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1985, hit the shelves in the US, and a lot has been happening. So, a short update is in order.
The book, available via the publisher PM Press, as well as all other book selling platforms has been well received. It made The Washington Post’s list of best science fiction, fantasy and horror books for 2021, and was also postively reviewed – twice – on the influential science fiction site, Locus. Ian Mond wrote in one of these reviews that ‘With its gorgeous interiors and thoughtful, detailed essays, I know that Dangerous Visions and New Worlds will inform newbies like myself while providing those familiar with the subject matter a contemporary perspective on the New Wave’s radical antecedents and the influential foundational texts the movement produced’ (you can read Mond’s full review here).
Our book was generously reviewed in Forbes magazine, on one of my favourite sites, We Are the Mutants, and for Counterpunch. I was also a guest on the wonderful British podcast, Breakfast in the Ruins. You can listen to the discussion, which ranged from new wave science fiction, to Norman Jewison’s 1975 film Rollerball, and the wonder that is New English Library’s teensploitation novels of the 1970s, in full here.… Read more
Posted in Book Reviews, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, Dystopian cinema, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp paperback cover art, Rollerball, Science fiction and fantasy
Tagged City Lights Books, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1980, Locus magazine, Marge Piercy, Michael Moorcock, PM Press, Samuel Delany, Terry Bisson
Ten underappreciated American noirs of the late 1950s and 1960s
While preparing for a recent appearance on a podcast episode about John Boorman’s 1967 film, Point Blank, I thought a lot about American noir cinema of the very late 1950s and the 1960s. I find it interesting that so many of the films made during this time remain unknown and underappreciated relative to the classic film noir period, generally regarded as beginning with John Huston’s 1941 classic The Maltese Falcon and ending in 1958, and the body of American crime cinema known as neo noir, which took off in the early 1970s. My latest piece for the US site CrimeReads is on this strange, partly forgotten period of American noir cinema that came between classic film noir & 1970s neo-noir, and 10 great underrated/unknown films that were released during it. You can read it in full on the CrimeReads site here.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, Crime film, Film Noir, Heist films, Neo Noir
Tagged 1960s noir, American noir cinema, City of Fear (1959), Johnny Cool (1963), late noir, Mickey One (1965), noir cinema, Private Property (1960), Seconds (1966), The Boston Strangler (1968), The Detective (1968), Uptight (1969), Who Killed Teddy Bear? (1965)
Melbourne launch of Dangerous Visions and New Worlds: Radical Science Fiction 1950-1985
My new book, Dangerous Visions & New Worlds: Radical Science Fiction, 1950-1985 is starting to get out in the world. As part of that process, my co-editor Iain McIntyre and myself will be holding an actual in-person, face to face launch of the book for Melbourne folks on Tuesday, December 14 at Buck Mulligan’s Bar and Bookshop, 217 High Street, Northcote. The event kicks off at 7pm.
I know it is always a crazy time of year as we get close to Christmas, maybe this year more than ever, but I would love it if you could join us. As well as drinks at bar prices, there will be giveaways and readings from SF works mentioned in our book.
All the reviews so far for the book have been extremely positive. In its review, the respect SF magazine Locus called it ‘an excellent primer that differentiates itself from other treatises through its many-voiced perspectives and its gorgeous accompanying artwork.’ One of my favourite sites, Science Fiction and other Suspect Ruminations described it as ‘a must buy for any SF fan of the [New Wave] era’. The book has also made the Washington Post’s list of best science fiction books of 2021.
In addition to picking up a copy of Dangerous Visions & New Worlds, well before it hits shops in Australia, you’ll also be able to pick up cheap copies of our other PM Press books, Girl Gangs, Biker Boys & Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980 & Sticking it to the Man: Revolution & Counterculture in Pulp & Popular Fiction, 1950-1980. … Read more
Posted in Book cover design, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, Dystopian cinema, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Science fiction and fantasy, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
Tagged Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1980, Girl Gangs Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture 1950 to 1980, New wave science fiction, science fiction, Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction 1950-1980