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Recommended reading
The lurid world of pulp
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Author Archives: Andrew Nette
They Made Me a Fugitive
I recently wrote a yet to be published article on the critical furore that greeted the 1939 James Hadley Chase book, No Orchids for Miss Blandish, and the 1948 film version. Among my research was an article by British film academic James Chapman which discussed the film version of No Orchids as part of a cycle of British crime films that drew severe condemnation from censors, moralists and film critics for their depiction of sex and violence and their bleak take on post-war British life. Another was the 1948 adaptation of Graham Greene’s Brighton Rock. But it was the first of this cycle, appearing in 1947, that I had not seen and only vaguely heard about, They Made Me a Fugitive or I Became a Criminal, the title it was released under in the United States.
Fugitive stars Trevor Howard as Clem Morgan, a demobbed Royal Air Force pilot who joins a criminal gang headed by a flash gangster with a very nasty streak, Narcy (Griffith Jones). Narcy runs a funeral parlour business as a front for a black-market operation, the good smuggled in the coffins. Morgan and Narcy take an instant alpha male dislike to each other. Morgan is particularly critical of Narcy’s decision to traffic in what he calls ‘sherbet’, which I think is cocaine (although this is not spelt out in the film).… Read more
Posted in British crime cinema, British pulp fiction, Crime film, Film Noir, Heist films, James Hadley Chase
Tagged 'Cavalcanti', Alberto Cavalcanti, Brighton Rock (1948), British noir cinema, Graham Greene, Griffith Jones, Jackson Budd, James Hadley Chase, No Orchids for Miss Blandish (1948), Noel Langely, Sally Gray, They Made Me A Fugitive (1947), Trevor Howard, Went the Day Well (1942)
Carter Brown and the Australian craze for faux American crime fiction
In 1950s Australia, one author – writing pulp novels about detectives and cities he’d never visited – gave birth to a phenomenon. I’m over at the CrimeReads writing about Australia’s most successful, least critically recognised, 20th century author, Alan Yates aka Carter Brown, and the popularity of faux American crime fiction in post-war Australia. You can read the entire article at their site here. … Read more
Posted in Australian crime fiction, Australian noir, Australian popular culture, Australian pulp fiction, Carter Brown, Horwitz Publications, Pulp fiction, Pulp paperback cover art
Tagged Al Wheeler, Alan Yates, Audrey Armitage, Australian pulp fiction, Bill Williams, Carter Brown, faux American crime fiction, Horwitz Publications, K. T. McCall, Marc Brody, Mickey Spillane, Muriel Watkins
“Go. Sleep badly. Any questions, hesitate to call.” Projection Booth episode 463: Kiss Kiss Bang Bang
Okay everyone, time to stop watching Tiger King and get into to some quality popular culture.
Episode 463 of one my favourite film podcasts has just hit the airwaves and is on the 2005 crime film, Kiss Kiss Bang Bang. You can access the episode in full from the Projection Booth website at this link.
I join the hardest working man in podcasting, Projection Booth host, Mike White, and crime writer, Jedidiah Ayres, to discuss this deceptively complex piece of crime cinema. Mike also did an interview with the film’s director, Shane Black.
Among the things we cover in this show are the film’s myriad of pop culture references, everything from Sunset Boulevard (1950) to the long running Mike Shayne private investigator pulp series by Brett Halliday, its links to the work of Raymond Chandler, and what one of us (okay, it was me) termed ‘the Shane Black formula’ of film making and storytelling. We also give a lot of love to his other films, particularly the misanthropic delight of The Last Boy Scout (1991), and discuss Kiss Kiss Bang Bang’s metafictional elements. … Read more
Posted in 1980s American crime films, 1990s American crime films, Crime film, Neo Noir
Tagged Jedidiah Ayres, Kiss Kiss Bang Bang (2005), Michelle Monaghan, Mike White, Neo Noir, Projection Book podcast, Raymond Chandler, Robert Downey Jr, Shane Black, Sunset Boulevard (1950), The Last Boy Scout (1991), Val Kilmer
Lockdown recollections of the outside world and the wonder of Space Age Books
I was saddened over the Eastern weekend to hear of the death of Mervyn ‘Merv’ Binns on April 7, at the age of 85. Binns was a major participant in Melbourne science fiction fandom going back to its earliest days in the 1950s, and established Space Age Books, Australia’s first specialist science fiction bookshop, and a frequent bolt hole for myself and no doubt so many other teenagers, desperate to escape the boredom of long suburban weekends in the 1970s and 1980s.
I only met Binns once, but his passing feels particular poignant given the circumstances we currently find ourselves in, unable to leave our houses and take part in Melbourne’s physical public culture, a field in which Binns once played a small but important role, to go to the pub with friends, browse in a bookshop or go to the cinema or film club screening.
But more than this, memories of Space Age Books briefly made concrete my fears about one of the unintended consequences of the (very necessary) restrictions evoked to combat the Covid-19 virus – its potential impact on the few remaining cultural holdouts that make living in Melbourne feel special compared to a lot of other places: bookshops, including the second-hand and antiquarian bookshops, independent cinemas and cinema clubs, record stores, and other speciality businesses that deal in material cultural items and experiences and, just as importantly, provide a space to engage in face to face discussion about them.… Read more
Posted in Australian popular culture, Australian pulp fiction, Dystopian cinema, Horror, Horwitz Publications, Pulp fiction, Science fiction and fantasy
Tagged Horwitz Publications, Lee Harding, McGill's Newsagency, Melbourne bookshops, Melbourne science fiction, Mervyn Binns, Open Leaves Bookshop, Robert Bloch, Ron Smith, science fiction, Space Age Books