Author Archives: Andrew Nette

The strange history of Mickey Spillane and New Zealand’s “Jukebox Killer”

The third in a loose series of pieces I’ve done this year for the Lithub site, CrimeReads, on the global impact on postwar American crime fiction is live. This one explores at the connections between the postwar campaign against pulp fiction, the international controversy around US author Mickey Spillane, the uniquely Antipodean youth subculture known as bodgies & widgies, & one of New Zealand’s most sensational murder cases in the 1950s, the ‘Jukebox Killer’.You can read the piece in full at the CrimeReads site via this link.Read more

Book review: Blacktop Wasteland

If you spend any time in the social media circles concerned with crime fiction, in all likelihood you will have heard of S. A. Crosby and his book, Blacktop Wasteland. It has been out in the US for ages, during which time I was reading a tonne of positive commentary. Then I stumbled across the little publicised fact that an Australian edition has been released.

Beauregard ‘Bug’ Montage is a hard-working mechanic with a wife and two young sons, who wants a happy marriage, for his kids to get more that he has out of life, and his auto repair business to do well. Unfortunately, said business is just a few weeks from going under financially. On top of this he needs to find a large amount of money to keep his embittered mother in aged care, where she is dying of cancer (seriously, the US health system is a crime story in itself). He also has to somehow also rustle up college tuition fees for his teenage daughter from an earlier relationship.

Beauregard has a previous criminal life he is trying to leave behind. This is hard because he was very good at what he did – driving. The ghosts of his former life also hang around him in the form of his late father, a charismatic criminal in his own right who disappeared to parts unknown when Beauregard was a child, leaving his son with a lifelong love/hate obsession for him.… Read more

Parker on the screen #4: Slayground (1983)

SLAYGROUND, Peter Coyote, 1983, TM and copyright ©Universal Film Corp. All rights reserved

Next in my series on Don Westlake aka Richard Stark’s criminal character of Parker on the screen is the 1983 film, Slayground.

Slayground is based on the 1971 book of the same name, the 14th instalment in the first cycle of Westlake’s Parker series. I am going to put my cards on the table up front and say that while Slayground is among my least favourite of that earlier tranche of Parker novels, I think is film, however, is very good. It has very little to do with the book, but as I said early in this series, I’m not going to get hung up on how much the films adhere to their source material.

The novel depicts what happens after Parker and his criminal associates are forced to to hire a second-rate wheelman for an armoured car heist they are planning. The job goes wrong and Parker narrowly escapes the law with $74,000 from the robbery. He stumbles across an amusement park called Fun Island, closed for the winter, and figures it is as good a place as any to hide until the heat from the job dies down. A major hitch arises when a couple of corrupt cops make Parker entering the park.… Read more

Parker on the screen #3: The Outfit (1973)

The third instalment of my series on Parker on the screen is the 1973 film, The Outfit, written and directed by John Flynn, based on the 1963 Donald Westlake novel of the same name (one of three Parker novels Westlake wrote under the Richard Stark pseudonym that year, the others being The Man with the Getaway Face and The Mourner).

The book opens with a botched hit on Parker while he is enjoying one of his post-job trysts. It forces the professional thief to come to the conclusion that he needs to settle his ongoing feud with the shadowy crime organisation known as the Outfit once and for all. He puts word out through his various criminal networks that the unofficial underworld truce with the Outfit is over and it is now fair game. What follows is a series of independently run operations as various freelance criminal groups start hitting the organisation’s money-making activities while Parker goes after its leader, a man named Bronson. It has been a while since I read The Outfit, but I remember thinking it was definitely one of the better Parker novels.

The film starts with a hit on a man working on a remote farm. Next we see Earl Macklin (Robert Duvall) getting out of jail where he has been doing a stint for carrying a concealed firearm (a scene very reminiscent of Steve McQueen’s release from jail in Sam Peckinpah’s The Getaway a year earlier).… Read more

“Every headlight’s a police car, every shadow is a cop”: Kiss the Blood Off My Hands (1948)

I have been writing a bit this year on the phenomenal popularity of faux American crime fiction in post-war culture in places like Australia and Great Britain. By this I mean crime fiction written and produced in these countries that not only mimicked the atmosphere and tropes of hardboiled American mystery novels and film, but was set in mythical versions of big American cities, such as New York, Chicago and Los Angeles. This fiction, for example many of the books written by Australian crime fiction author Alan Yates aka Carter Brown, was sometimes even mistaken for the genuine thing.

One of the countless cultural offshoots of the United States’ emergence as the dominant global power after World War II, the success of faux American crime fiction is often associated with the wide penetration of film noir and American writers such as Mickey Spillane. But as I wrote in this piece on the popularity of the controversial 1939 James Hadley Chase novel, No Orchids for Miss Blandish, its roots go much deeper; the influence of pre-war writers such as Dashiell Hammett, Raymond Chandler and W. R Burnett. Also the private detective and mystery fiction contained in the mass-produced American pulp fiction magazines that flooded into markets such as Australia and Great Britain in the 1930s.… Read more