Monthly Archives: October 2013

Perth and crime fiction: an imaginary garden with real toads

1970s-Near-William-Street

A couple of weeks ago, I reviewed Zero At the Bone, the latest book by Perth based crime writer, David Whish-Wilson. Zero At the Bone is a sequel to Whish-Wilson’s 2010 book, Line of Sight, which established him firmly in my mind as the president of the, albeit very small, club of Australian writers who do noir fiction and do it well.

This week, I’m thrilled to host David on Pulp Curry, with a wonderfully written and nuanced piece on the historical origins of Zero At the Bone and Line of Sight. It’s also a great insight into his home town of Perth, a place where, as he writes “the brighter the light, the deeper the shadow”.

Dave’s next book is Perth, part of the New South Books city series, out in December. 

David Whish-WilsonZero at the Bone had its genesis in a quote supplied by my brother, and it’s one I reference in the novel, by Spanish conquistador Hernan Cortes, who plundered the Aztec Empire in the 16th Century. He said that “I and my men suffer from a disease of the heart that can only be cured by gold.”

This is a pretty honest assessment of the motivations behind Cortes’ journey to the New World, but the story of this maddening desire for gold, and the story of the city of Perth, where Zero at the Bone is set, are also closely linked.… Read more

Pulp Friday: On The Yard

On the YardOn The Yard by Malcolm Braly picks up on two themes I’ve examined in recent Pulp Friday posts.

The first is prison pulp, in this instance, written by someone who actually did time. A lot.

The second is the blurred line, particularly evident in the sixties and early seventies, between pulp fiction and literature.

On The Yard First published in 1967. The above is from the Fawcett Crest Books edition published a year later in 1968.

On The Yard, which is on my TBR pile, is the story of two characters, Chilly Willy, who heads the prison’s black market in drugs and sex, and of Paul, who is in jail for murdering his wife.

It’s generally seen critics as vivid depiction of penitentiary life, by a writer who spent many years in prisons, including Folsom and San Quentin. The New York Review of Books called it “arguably the finest work of literature ever to emerge from a US prison”.

Braly wrote three other novels and a biography, False Starts: A Memoir of San Quentin and other Prisons. This detailed his slow decent into crime from relatively well off beginnings. He was never a major criminal, most of his prison sentences arose from bullshit jobs. He once robbed a dentist of eleven dollars, which he subsequently lost escaping.… Read more

Chopper Read and our fascination with true crime

ASS Chopper

Two weeks ago Overland Editor Jeff Sparrow posted a short piece on this site on the passing of Melbourne criminal identity, Mark ‘Chopper’ Read. It centred on the obvious, although important point the crimes of rich get treated very differently to those of the poor.

I’ve been thinking a lot about the media’s treatment of Read’s death. Partly because as a crime writer I feel implicated by association in the media’s often-salacious interest in true crime, and it raises questions about aspects of what we, as writers of true or fictional crime, do and how we do it.

It’s also interesting to ponder why Read became such a public figure and, by extension, why contemporary Australia is so fascinated with the criminal.

You can read the rest of this piece here on the Overland website.Read more

Book review: Missing in Rangoon

Missing in RangoonFor well over twenty years Canadian lawyer turned crime writer Christopher G Moore has chronicled change in Thailand and the surrounding region through the character of Bangkok-based American private investigator, Vincent Calvino.

Moore has penned thirteen Calvino books. Most of them are set in Thailand, although Moore has also taken his character to Vietnam and Cambodia. In the latest instalment, Missing in Rangoon, Calvino heads to Burma or, as it is now officially known, Myanmar.

The opening pages find Calvino standing in the shell of the Lonesome Hawk Bar, one of the establishments that used to form part of Washington Square, a well known and down at heel part of expat Bangkok, recently demolished to make way for yet another of the condominiums that mark the city’s skyline. Calvino suggests to the former owner that he should consider starting over in Rangoon, a city on the make and welcoming all comers, much like Bangkok was decades ago.

Not that Calvino particularly wants to make the journey himself. He’s being pressured to travel to Burma by a disagreeable English brothel owner, who wants to hire him to find his son. The son has disappeared in country’s capital along with his Burmese girlfriend, a real head turner and the lead singer in the band the son plays in.… Read more

Pulp Friday: What Now My Love and the Tao of counter cultural pulp fiction

What Now My LoveThe counter culture and protest politics of the late sixties and early seventies resulted in some fascinating pulp fiction.

A good example is What Now My Love by Floyd Salas, published by Grove Press in 1969.

I’ve been thinking a lot lately about how one defines ‘pulp fiction’. As a general rule, pulp is understood to be anything that involves fast writing and that was not meant to last. The transitory nature of pulp can be seen in a literary sense, books not deemed part of our literary heritage, as well as the physical nature of the product, the cheap paper it was printed on, the often poor binding, etc.

I have a number of problems with this definition, not least of which is a suspicion of how ‘literature’ is defined by mainstream critics.

But that’s for another post.

The ‘what is pulp’ discussion is particularly interesting in the context of the sixties and early seventies. It was a time when publishers embraced subjects relating to the counter cultural and radical politics, and the distinction between high and low brow culture began to fragment.

Most obvious pulp books about the counter culture were produced by writers trying to cash in on the salacious headlines and mainstream angst generated by bikers, beats, hippies, drug use, ‘free love’, etc.… Read more