Category Archives: Pulp fiction in the 70s and 80s

Launch of Girl Gangs, Biker Biker Boys & Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980

Posted on December 7, 2017 by Andrew Nette| 3 Comments

Thanks to all those who came out on Monday for the launch of Girl Gangs, Biker Biker Boys & Real Cool Cats: Pulp Fiction & Youth Culture, at Grub Street Bookshop in Fitzroy. A fine time was had by all ushering the book into the world.

The book is the first comprehensive account of how the rise of postwar youth culture was depicted in mass-market pulp fiction. It is the perfect Christmas present for that hard to buy for family member or friend.

Melbourne folk can buy copies of Girl Gangs, Biker Boys, and Real Cool Cats at Grub Street Bookshop, Brunswick Bound bookshop and Sun Books in Yarraville, with other locations to follow soon.

You can order the book online from the following places:

From the publisher, PM Press, here

From Amazon

From Book Depository.

From Booktopia

From Angus and Robertson Online

From Waterstones

Folks in the US who have pre-ordered have started receiving the book. Those in the UK will have to wait a little longer, probably until later in December, early January, to receive their copy.

Those of you who have the book and like it, please don’t forget to spread the word, including rating it on Goodreads and Amazon. If you work in a library, it would be great if you could order the book in.… Read more

→ 3 Comments

Posted in Adrian McKinty, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Horwitz Publications, New English Library, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp paperback cover art

Tagged ,

Pulp Friday: Paul Bishop & 52 Weeks: 52 Western Novels

Posted on November 10, 2017 by Andrew Nette| Leave a comment

Today I’m happy to host friend of pulp fiction lovers everywhere, Paul Bishop, to talk about a project he has been working on,52 Weeks • 52 Western Novels.

I have always been interested in the contradiction between how critically marginalised as a genre the Western is (and, arguably, always has been), compared with popular they continue to be. This is the case not just in the US but in Australia. The only remaining Australian pulp publisher still in business, Cleveland Publications, publishes Westerns. And go into any second hand bookstore, especially in regional Australia, and you are likely to find large a large number of westerns. That’s if they haven’t been snapped up, as was the case in a regional second hand bookshop I visited recently.

Anyway, Paul and his co-editor Scott Harris have done something too few people who examine pulp fiction and write about it, do – they actually read the novels and not just focus on the covers. The result is a wonderfully eclectic, in-depth look at the genre that is Western pulp fiction. The Western is an area of pulp fiction I have not really examined in any detail on my site, so I’m thrilled to have Paul here.

First up, well done on the book.… Read more

→ Leave a comment

Posted in Australian pulp fiction, Fawcett Gold Medal Books, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Vintage pulp paperback covers, Westerns

Tagged , , , , , , , , ,

Melbourne launch of Girl Gangs, Biker Boys & Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980

Posted on November 7, 2017 by Andrew Nette| 3 Comments

Please join me on Monday, December 4, for the launch of Girl Gangs, Biker Boys & Real Cool Cats: Pulp Fiction & Youth Culture, 1950 to 1980, a book I have co-edited with my friend, Iain McIntyre.

The launch will take place from 6.30pm at one of Melbourne’s coolest second hand bookshops, Grub Street Bookshop, 379 Brunswick Street, Fitzroy. We’ll be doing live readings from some of the pulp novels included in our book. There will be cheap drinks available and, of course, you can buy a copy of the book.

Girl Gangs, Biker and Real Cool Cats is the result of four years work. It is the first comprehensive account of how the rise of postwar youth culture was depicted in Australian, American, and British mass market pulp fiction. It includes approximately 400 covers, many of them very rare, and 70 in-depth author interviews, illustrated biographies and articles regarding authors novelists who exploited and celebrated juvenile delinquents, beatniks, mods, bikers, hippies, skinheads, punks and a host of other subcultures.

I am really proud of this book and would love it if you could join Iain and I to launch it. This book will have very limited distribution in Australia, so for Melbourne folks, this is your ideal chance to snag a copy.

… Read more

→ 3 Comments

Posted in Australian popular culture, Australian pulp fiction, Book cover design, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Horwitz Publications, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art

Tagged , , , , , ,

Pulp Friday: British horror pulp

Posted on October 27, 2017 by Andrew Nette| Leave a comment

Halloween approaches and, as has been my habit over the last couple of years, I want to mark the occasion with a bit of pulp. Horror pulp, actually. British horror pulp, to be exact.

American horror pulp got a bit of love on this site a little while ago, when I reviewed Grady Hendrix’s Paperbacks From Hell: The Twisted History of ‘70s and ‘80s Horror Fiction, a history of American horror from the 1970 and 1980s.

But I reckon the Brits have always done horror pulp really well. And, if you want proof, feast your eyes on the wonderful selection of British horror pulp from the 1960s and 1970s, all sourced from my collection, including a couple of ultra rare Hammer paperback film tie-ins I own.

Enjoy Halloween.

… Read more

→ Leave a comment

Posted in Adrian McKinty, Albert Dekker, British pulp fiction, Horror, New English Library, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art

Tagged , , , , , ,

Book review: Paperbacks from Hell, the Twisted History of ’70s and ’80s Horror Fiction

Posted on August 8, 2017 by Andrew Nette| 4 Comments

I loved Grady Hendrix’s soon to be released book, Paperbacks From Hell: The Twisted History of ‘70s and ‘80s Horror Fiction. From the opening, his discussion of John Christopher’s totally bizarre 1966 novel, The Little People, about an assortment of unsavoury individuals who spend a weekend in an Irish castle which is also inhabited by evil Nazi leprechauns (‘the Gestapochauns’) to the last few pages, the dying days of American mass market paperback horror, it is a wild, exhilarating ride.

But as well as being a lot of fun, Paperbacks From Hell is also an important work of pulp fiction and pop culture history.

The book comprises a series of thematic chapters, grouped from the most part around one or two foundation texts. Thus the chapter on satanic pulp and mass market paperbacks opens with a look at the cultural importance of Ira Levin’s Rosemary’s Baby and Peter Blatty’s The Exorcist. The Omen (1976) is the starting point for a look at the large sub-genre of books about women being impregnated by all manner of hell spawn and murderous offspring. Peter Benchley’s paperback sensation, Jaws, is the precursor to a discussion about the wave of pulp and mass market paperback books featuring murderous creatures and animals turned homicidal: rats, dogs, cuts, pigs, insects, even rabbits.… Read more

→ 4 Comments

Posted in Blaxsploitation, Book cover design, Book Reviews, Horror, New English Library, Pulp fiction in the 70s and 80s, Pulp paperback cover art

Tagged , , , , , , , , , , ,